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Perhaps best known for his engaging YouTube content and Instagram channel, this week we talked to Ribsy about his film photography
SECTION 1 - BACKGROUND
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
London South Bank on FP4
This is my favorite image shot on Ilford film (FP4). This shot was taken during a lovely Saturday afternoon on the South Bank in London, the week the final lockdown was eased. Immediately I think about the joy of walking around in the su...
During lockdown I rekindled my love of making photograms. It happened naturally after a summer of making cyanotypes. I was also making emulsions out of plants. My garden became a temporary darkroom. With a photogram - you expose your paper to light (sunlight for photograms), with an object on top, and the area underneath the object remains unexposed, so you end up with white paper in that area, like a shadow but in negative.
Cyanotype
A lonely weed
The local darkroom re-opened for half-day s...
I like to press the shutter and I take a lot of black and white photos simply because I like it. These black and whites I take on Ilford materials. My favorite negative is xp2 super, I also use Delta 100 and 3200, but rarely.
Why ILFORD XP2 Super?
I am a hydro engineer by profession - I traveled a lot, spent a lot of time away from home, so carrying a tank, chemicals, thermometer, bottles, containers, etc. with me was a bit troublesome. Never I needed to organize my home dark-room. But actually, now I sta...
Light and Details
Black and white photography is a huge component of my process. The timeless quality that is perceived through its tones is something that has drawn me to photography since I was a young kid. Photographing in monochrome not only simplifies the image but, I think helps draw the viewers eye around the images to things more important, like light and details often missed in the distraction of colour photographs.
When I started out photographing, I was mostly documenting my close friends and...
We had no idea when we originally started this series in April 2020 with Em from Emulsive that it would still be going strong 50 interviews later. This week's interviewee Debra Wilson was already on our radar before being nominated by Margaret Fitzgerald last month.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
I chose this image of Another Place on Crosby beach. I don’t often get to the sea so although the setting is not typical for m...
It’s after 5 on a Sunday in December and I’m deep into the 11th frame of my camera and cup number 6 of a house blend of coffee. I’ve put off writing this piece for long enough. I’m grateful to ILFORD for reaching out and as a long time user of HP5 Plus, this is a milestone that I’m excited to share with my children, family and friends.
A thirst for life
My name is James aka @dirtykics and I’ve toyed with cameras for the better part of my 20’s into my 30’s, until a difficult point in my ...
As a child I fell in love with the magic of the darkroom and of making Gelatin Silver prints. Watching a print develop fascinated me. In high school I had access to a darkroom working with 620 film (2.25 X 3.25 inch roll film.) and, consequently, I studied photography at Rochester Institute of Technology, School of Photography & Syracuse University School of Journalism. Studying with art-photographer Minor White opened my eyes to using photography as an art form. Minor helped me see beyond the objective...
Finnish Darkroom Association
In Finland during the early 2000's, as elsewhere, analog photography practice was pushed aside by digital photography. The 2010's saw a rapid decline in the use of darkroom techniques by artists and the almost total disappearance of professional darkrooms and film labs.
In 2016, with five other female photography artists all specialising in analogue photography and darkroom work. We founded the Finnish Darkroom Association.
The original idea came from photography artist ...
Decisions. Some are small. Some are life-changing. We make them subconsciously. We make them intentionally. But either way we choose a path. There’s always an upside and always a downside. Most importantly, we look for promise in the upside, and we try and glean some value from the downside, but we can never escape the moment of decision.
Ilford-FP4-Plus-Leica-M7-90mm-Leitz-Canada-Elmarit
Seize the opportunity
In the fall of 2019, I had to decide whether to say yes to a guy’s trip to Wyoming with ...
This is a story about serendipity, generosity, community, and several rolls of Ilford FP4 film. It begins in April 2020, during our first Covid-19 lockdown when a request from a sibling for an old family photo led me to dig around in my messy 35mm archive. I discovered quite a few forgotten negatives and slides from my life during the 1970’s, when I was young and single. They had been randomly stored and dragged around in house moves whilst I focussed on marriage, motherhood and a career in Social Work. E...