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My K1000
I began taking photographs in the late 1980s as a teenager when my dad bought me a Pentax K1000. Both my dad and grandpa enjoyed photography, were big influences on me, and my dad wanted to share the excitement of photography. We enjoyed taking photographs, mainly of landscapes and of places that we visited, me with my K1000 and my dad with his Canon AE-1. When digital cameras became the standard in the early 2000s, we drifted away from film and instead became enamored with this quick and comparat...
The struggle for life
Black-and-white photography captures so much emotion, and nothing is more emotive than the struggle for life. This insight led to the project GRAPPLERS ON FILM, where I use a number of vintage film cameras to capture the struggles of ordinary people training in the grappling arts of Judo, Wrestling and Jiu Jitsu.
Zenza Bronica - ILFORD XP2
Submission
For those not involved in the grappling forms of martial arts, the goal is to get a hold of your opponent and then force them to...
What is Reality?
“Moon in the water, Flower in the mirror.” What is Reality? Whether what we are living now is the reflection of the reality or the reality itself? The age-old question has puzzled philosophers, scholars, and seekers of truth throughout the annals of time. Are we truly perceiving the world as it is, or are we merely encountering a reflection, a distortion of reality? To delve into the depths of this inquiry, we must embark on a journey through the corridors of history, traversing epochs...
It was the perfect film to learn with
I’ve always loved shooting portraits, and the first medium format film I used was ILFORD HP5+, shooting portraits in high school with the Rolleiflex TLR that I still use today. It was the perfect film to learn with — forgiving and rewarding. When I started directing music videos in my 20s, I brought that Rollei to set to take press photos between set ups. Around the same time, I was working as Ava DuVernay’s director’s assistant on the Netflix series When They ...
Wilber (@ccs_wilber) wheelies down a hill in Medellin.
BikeLife
The first time I learned about Bikelife was at Parque Nacional, Bogotá’s most emblematic park. It was a Sunday and there must have been at least a hundred of them. They almost all fit the same profile: very young, baggy clothes, no helmet. A disproportionate number sported ‘El 7’, a kind of neo-mullet that’s popularity in Colombia predates the current mullet resurgence in the rest of the world.
12-o’clock wheelies...
On the Language of Photographs
A photograph is so much more than just a photograph; it holds an entire language within it. Each photograph captures a unique world that exists only in that moment, preserving the memories of the people in it, and the experiences of the photographer pressing the shutter. Today, I want to reflect on my own work and how my favourite images have defined me as an artist. What messages do they share with the world? How have the tools I’ve used to create them shaped their unique ...
Discover how Justin Olsen captured these stunning shots during his hike up the Four Mile Trail to Glacier Point in this "How I Got This Picture" interview.
Image Title
Vista From 4 Mile Trail
TECHNICAL INFO
FILM USED
ILFORD DELTA 400
FORMAT
35mm
CAMERA
Rollei 35 (made in Germany in the 1960s)
LENS
Fixed 40mm Carl Zeiss
EXPOSURE TIME
It was an in and out stormy day. Many different exposers.
LOCATION
Four Mile Trail, Yosemite National Park. California.
FIRSTLY, TELL US THE STORY BEHIND THI...
This week we interviewed Berlin based, portrait photographer Jakob Stolz for our 'In Focus' series.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
To me this is my most personal photograph I've ever taken. It's my grandfather Kurt who passed away last year at the age of 87. All his life he lived in Duisburg, Germany and worked as a carpenter. I started photographing him 7 years ago and continued so to the very end. These photos are very clo...
Say Hello
Few people feel comfortable striking up a conversation with a person they haven’t previously met. I refrain from using the word “stranger” because the way I see it, we’re all fellow humans, potential acquaintances, possible friends. And who says they’re any stranger than I am? After all, I’m the one going up to people I meet in public asking to make their portrait. A camera in hand really is a magical device that allows us to meet almost anyone, anywhere. To approach them. Say hello. ...