Search results for: 'to grams for film'

Our 65th In Focus interview is with film photographer and laboratorist Amanda Monasterio, who used multiple exposures in their work to represent feelings and temporality. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favorite image ever photographed with ILFORD is definitely this one and it's from my project called "Asterismos" (Asterisms). This project draw parallels between the imaginary of being and inhabiting a body. My ancestors, t...

For the 7th interview in our Community Focus series we're heading to Oslo to chat to  Cyan Darkroom. Let’s start easy. Tell us a little about the darkroom, what it’s called and how it started. Cyan darkroom is part of Cyan studio that is a co-op community photostudio and workspace. The studio was opened in 1998 and has always had a darkroom attached.  In 2020 we got hold of a separate space where we built a much larger darkroom, hoping that the timing was right to attract enough new users. After a...

We're now 10 interviews into this series and its been fantastic to hear about so many community darkrooms and the work that they do. This time we're heading to Turkey to speak to Fotohane Darkroom. Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started. The project is called Fotohane Darkroom. It’s a mobile and analog photography workshop based in Mardin, in southeastern Turkey, near the Syrian border. We work mainly with Syrian, Iraqi, and Turkish Kurdish child...

"I have yet to see — much less produce — a colour photograph that fulfils my concepts of the objectives of art." Ansel Adams. The Tetons and Snake River (1942) Photograph by Ansel AdamsPhotograph by Ansel Adam© The Ansel Adams Publishings. Collection Center for Creative Photography Rights Trust Some of the greatest and most iconic photographs ever taken have been in black & white. Masters such as Ansel Adams, Cartier Bresson, Sir Don McCullin, Mary Ellen Mark and Sebastiao Salgado to name j...

29th March 2016 Buoyed by the fantastic response from the film photography community around the world, HARMAN technology Limited are delighted to be offering film photographers the opportunity to place orders for a range of specialist film products for the 11th consecutive year. With the continued revival in film photography, it is vital to have film available for photographers using ultra large format alongside previously popular film formats for antique and collectable cameras. By consolidating order...

5th April 2017 Buoyed by ongoing global resurgence in photographic film use, HARMAN technology Limited is delighted to be offering film photographers the opportunity to place orders for a range of specialist film products and formats for the 12th consecutive year. To enable this film photography revival, it is vital that a wide range of film formats are available including film for ultra large format and collectable cameras. By consolidating orders HARMAN technology can supply products that would not n...

Film and single use cameras How long after exposing can I leave my film before processing? For best results, we always advise processing soon after exposure although in practice most films can be left for several months. One exception is ILFORD PANF Plus, we would always advise processing this film as soon as possible and certainly within 3 months of the film being exposed. How do I account for film reciprocity during long exposures? This information can be found in the Film Reciprocity Failure Compensa...

I always loved celluloid pictures. Maybe I was drawn in as a baby, while the 8mm camera whirred (and the handheld light blinded). Maybe it was being so thankful to my big brother for lending me a 35mm rangefinder and showing me how to use it at age 10. Might have been the Minolta-16 he gave me (as a graduation present?). What a sweet little 16 that is, and I’ve still got it. Can you get those cartridges now? I envied his Pentax Spotmatic as I shot 8mm motion pictures on the point and shoot family camera,...

I’m a passionate film photographer. There are plenty of us about and indeed plenty of reasons for choosing film as a medium. Many of these reasons are quoted ad nauseam by any and every film photographer. One of the biggest problems I have with digital photography is that it's given film photographers a soap box to waffle on about how much better film is… Yawn… I’m going to make some assumptions about the audience of this blog, and as such I’m not going to repeat all of the justifications usually ...

#ilfordpanf PANF PLUS  is an ISO 50, high contrast, super sharp black & white film with very fine grain. Ideal for studio photography and bright, natural light. #ilfordfridayfavourites The images that you have shared with us this week have really highlighted the best attributes of our ILFORD PANF+ film. Here are our #ilfordfridayfavourites. @Steven Wallace Breaking out some older work for day 6 of the nature photo challenge. Thanks to: @PanamStyle @Steven Wallace @linus_rampp @EJF...