Search results for: 'do comes work'

Portraits Of Strangers I’ve always been fascinated with people on the street and how they carry themselves. Their faces, body language, the clothes they wear - everyone’s walking around with their own unique story, and I can’t help but be curious. I've spent a lot of time working with non-actors in commercials and documentaries, which has been a crash course in connecting with people quickly. It’s not your typical "stand here, do this" directing. It's about getting real people to open up in front o...

My First Child I got pregnant with my first child in early 2020. Our 12 week scan took place three days before the announcement of the first lockdown in the UK. I spent the majority of that pregnancy in isolation, with no face to face appointments with any health professionals and barely any contact with friends and family beyond WhatsApp or the occasional video call. This New Chapter To make matters worse, I fell at home at around 30 weeks pregnant and broke my left wrist. I spent the best part of 1...

Camera And Us Once I started shooting film, I decided to start creating some photography projects. My first photographic project was called: 'Camera and Us.' This project documented people on the street and which camera they used. I chose to use a film camera to capture all kinds of people with their cameras on the street. Once I approached them, I told them my photographic intentions. We would have a simple chat to make them feel comfortable and more importantly, for them to consent to be photographed. ...

We are now heading to HARMAN Lab to speak to Charlie Hill , our 16th Behind the Film interview. Charlie works as a Photo Lab Technician here at HARMAN Technology. Find out more about what his role entails. WHO ARE YOU? WHAT’S YOUR JOB TITLE AT HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? My name is Charlie Hill, I have worked as a Photo Lab Technician since April 2023. TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE. My day-to-day role revolves around Harman Lab where we offer B&W and colou...

Step into Simon Auger's world as he unveils an intimate view of his creative process and the intricate techniques that birthed this stunning architectural masterpiece in this 'How I Got This Picture' interview. IMAGE TITLE Downtown Toronto #2 2023 TECHNICAL INFO Film Used ILFORD HP5+ shot at 1600 ISO. FORMAT 35mm. Camera Nikon F3. Lens 17mm Tokina Prime Lens. Exposure time Can't Remember. Location This shot was taken looking up into the mist-covered buildings at the intersection of King s...

Stave Lake Historical Powerhouse One of the genres of photography that I seldom get to experience is that of industrial photography. However, there is one exception in my vicinity at the Stave Lake Historical Powerhouse - a national historic site of Canada, which started producing hydro-electric power in the early 20th century until a modern replacement in the year 2000 took over the job. Perhaps growing up on the prairie has instilled in me an affinity for industrial machinery and when I found a historica...

The Outcome I am known as a black and white Photographer. I always prefer shooting in black and white. It helps me convey the concept of the image formed in my mind , through my photography. Another reason that always motivates me is the precedence of form over colour. However, sometimes I choose to shoot in colour to see the different outcome's. The outcome is usually that I should never shoot in colour because the type of light I shoot with isn't usually compatible for colour photography. My Favouri...

A 10 Day Journey After getting home from Scotland in April of 2023, I was left with a good problem – I had way too many images that I loved. A month before, I had taken my Fuji TX1 panoramic camera, and a bag full of ILFORD Delta 400 and 3200, and walked from Milngavie to Loch Ness, a roughly 156 mile route using the West Highland Way and the Great Glen Way. Nights were spent in tents, days were long and energizing, and photographic scenes seemed to be in no short supply at every bend in the trail. Disti...

Oh, crap! What have I done? Let’s see.  I committed to do a solo photography show, with twenty-seven images.  All twenty-seven are 4x5 black and white negatives, so they need to be darkroom printed.  And those will be 20x24 prints.  Yeah, and I need to have them matted and framed.  The icing on the cake?  I have just under three months to do this. Yep, this is going to be an interesting project.  But let’s back up to the beginning. The Event It was April 2023, three years after the pand...

For this week's #ilfordphoto #fridayfavourites we set you the theme of #fp4in120.  ILFORD FP4 PLUS is a fine grain film with fantastic sharpness and a wide exposure latitude. These qualities shine in the images that you shared with us. @PlantingCabbag1 Mamiya 645 Pro-TL, Mamiya Sekor 80mm f/1.9, Ilford FP4 in ID11. I'm @midtonegrey on Instagram ?#ilfordphoto #fridayfavourites #fp4in120 @krzyphotography HK captured in BW with Hasselblad camera and Zeiss lens on Ilford FP4 Plus film in 120. #ilfor...