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This week's #ilfordphoto #fridayfavourites theme was for all the photographers who shoot #largeformat to share their best pictures shot on ILFORD large format film.
@Tobias_Key. From a wedding I photographed a couple of weeks ago. Shot with a #largeformat 4x5 Wista camera. ILFORD HP5+ developed in Ilfotec HC 1+47. #ilfordhp5 #ilfotechc #ilfordphoto #fridayfavourites #hp5
@LaurensWillis. My #largeformat submissions for this week's #ilfordphoto #fridayfavourites are unsurprisingly all #pi...
'Architecture is the masterly, correct and magnificent play of volumes brought together in light'. Le Corbusier, 1920
Concrete Photography
Brutalism as a style has received bad press. When we first hear the term, we all feel a logical rejection. The handbooks go on to explain that it comes from the French term béton brut, although the inventors of the term undoubtedly played on confusion, leaving an after-taste of je m’en fous, of bloody-mindedness, not giving a damn, in short. As a movement, as an a...
What it’s like to be a penguin
Possession Island is a rock in the Southern Indian ocean, about the size of the Scottish Isle of Rùm. It harbours a small French research station (a couple dozen people year round), and half a million seabirds. We have been monitoring King penguin populations there for the past decades: fascinating birds, King penguins. They may look clumsy on shore, but each of these little characters has been scouring through the wildest seas in the world, year in and year out, weatherin...
A History on the Road
In May of 2023, I loaded up the car and I headed off to the North Cascades. The freeway had just reopened after a long, icy winter. I was desperate to break out of my work routine and follow my creative pursuits.
Growing up in the American Southwest I spent my childhood in the back of my father’s pick up on our family’s retreats. Being from a blue-collar middle class family, we were never going anywhere fancy. We made pilgrimages to Arkansas in my youth where abandoned and di...
1969
After too short a visit to Athens’s Parthenon in 1964, I vowed to return soon. By 1969 I was standing on the deck of a wave tossed Yugoslavian freighter with my back to New York City. Watching the grey, stormy, November Atlantic from the quiet of the Navigation Bridge was a peaceful retreat. Our first port-of-call was Casablanca. As a travel companion I had Greek philosopher Nikos Kazantzakis's book, Report to Greco, basically a story of Kazantzakis's search for his identity. It seemed a good read...
Our 72nd In Focus interview is with Brazilian lab technician and teacher Samanta Ortega. Samanta focuses on empowering and fueling the resurgence of film photography in Brazil from the inside out.
SECTION 1 - BACKGROUND
SHARE YOUR FAVORITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU.
Invasão | ILFORD Delta 400 | Yashica Zoomate 76
There is so much I could say about this image, but no description I elaborate will ever do it justice. This was one of the frames in the first eve...
We really enjoy theme free weeks like this one where we don't set you a theme for our #ilfordphoto #fridayfavourites and instead ask you to share any image made with our products.
@davejsherwood A shot of The Shard and London Bridge for this week's #ilfordphoto #fridayfavourites #themefree. Shot on #delta3200, which I'll be using to document Castlerigg Stone Circle this coming week.
filmphotokkg Ryota #darkroom #silvergelatin #analogmagazine #ilfordphoto #ilfordfp4 #leicafilmfriday #leicafilmfrien...
One Specific Speed Rating
Us film photographers are used to the limitations of our medium. In fact, we often regard them as strengths, and not weaknesses. But even we can’t really take issue with the suggestion that as soon as we begin to expose a roll of film we are limited to one specific speed rating, making it more difficult to adapt to quickly changing light conditions. On digital: no problem. Just whack the ISO up to some implausibly high number, and keep shooting. Sadly we just can’t do that mid...
Allow us to introduce Mandyleft, our 73rd featured artist in our "In Focus" series. Mandyleft is a talented film photographer known for her deep passion for connecting with people, a quality that has immersed her in the vibrant film community.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU.
I took this photo in a hotel in London. It was a very exciting weekend. I had just been to the theatre and then I had been shooting around the West End...
When I Was A Teenager
Mine is a common story with photography in that my dad gave me his 35mm camera when I was a teenager. I shot his Minolta until I dropped it a few too many times and the light leaks became punitive. Soon after, I stumbled into the darkroom just as casually after I found my dad’s enlarger in the back of a closet and my friend, Joel, taught me the basics of printing in a few hours (I didn’t realize how difficult that would be). I didn’t have or know about filters and had no techniq...