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Taking Risks
Through a series of what felt like small and inconsequential life choices I have found myself recently in positions where the logical course of action involved putting my health and even my life at risk, in service of making photographs.
I, like many others I'm sure, want to be a great photographer. To me this means that I look with a respectful eye over my own body of work, and accept it for what it is: (hopefully) the absolute best I can accomplish.
A retrospective
This is something I r...
The beauty inside
I am not someone that has been stared at and called beautiful by strangers. People do not look at me and see me as who I am. First glances always lead to a double take and a look of disgust, anger and confusion. When people see me, they don’t attempt to change their perspective and see the beauty inside of me. This kind of experience, existing in a world that doesn’t believe that you have the right to do so, shows up in a lot of my work. Most of my life I have been told that the world...
Three Exciting New Products
We are pleased to announce the launch of 3 exciting new products. Two of these products support our goal of encouraging and enabling film photographers to take the next step in their analogue journey and experience the creativity and magic of darkroom printing. The third is the perfect holiday season gift for film enthusiasts.
ILFORD Pop-Up Darkroom – Coming Q4 2021
The ILFORD Pop-Up Darkroom is the perfect solution for film photographers who want to print their negatives an...
One of the aspects that took me perhaps the longest to understand about black and white film photography - but, which turned out to have the most impact on my visual style – is that exposure is simply not real in any meaningful way. “Correct” exposure is incredibly subjective, especially true for high contrast lighting conditions where either the shadows or highlights can be exposed for in order to achieve a dramatic scene.
I think there is a greater expectation for colour film to be a representati...
A regular contributor to conversations on film and analogue photography and always happy to share her knowledge and support other photographers. This week's In Focus interview is with Paula Smith.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
One of my favourite images. This was taken in New Zealand on a crisp sunny winter’s day. The light was beautiful and I loved how it picked up the chicken wire on the jetty. It brings back great memo...
For many years I have been disillusioned with what direction my photography career was moving in. The overwhelming abundance of images from digital capture. The demise in a true art (in my mind anyway) of images being overcooked and very unnatural at times. However thankfully I got back my Mojo by selling every bit of digital kit I owned. It felt like a total weight of my shoulder. I needed this new direction and to learn a totally new discipline.
Taking my work that extra step further
I decided to go to ...
This week in our In Focus interview, we speak with Michèl Passin, a Leipzig-based photographer and videographer specializing in portraiture and documentary work.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
This picture was taken for my project “18:09”. It was shot with a Mamiya 645 1000s on FP4+. After developing and scanning I was blown away how everything turned out. Everything came out the way I planned it. For me it’s just pe...