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An experiment in chemical possibilities
When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy. If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...
We are delighted to announce a number of exciting new products added to our range.
ILFORD MULTIGRADE RC DELUXE
ILFORD announced the world’s first variable contrast MULTIGRADE paper in 1940 and in 2019, as we celebrate our 140th anniversary, we are pleased to announce the 5th generation of our best-selling MULTIGRADE RC Papers.
MULTIGRADE IV RC papers (4th generation) were launched 25 years ago and have been hugely successful becoming the ‘go to’ black & white RC papers for discerning studen...
Interview 23 is with Michael Weitzman. A film photographer, darkroom teacher and alternate and experimental process enthusiast. Michael was nominated back in June by Brett Hillyard.
BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
Northern Line. This photograph shouldn’t have happened, but I wanted to shoot in extreme conditions. It was 5 or 10 below zero with 15 - 20 MPH wind off the Missouri River in Great Falls Montana dead of winter. I came up to ...
Despite the numerous challenges of 2020, we are delighted to share some exciting product news. We start 2021 with the launch of the brand new and improved ILFORD MULTIGRADE RC PORTFOLIO darkroom paper.
Utilising our 5th generation MULTIGRADE emulsion, this new formulation offers important advancements in product quality and performance that we are now pleased to introduce into our premium RC paper, MULTIGRADE RC PORTFOLIO.
These new papers have a slightly warmer base tint and image colour than their p...
Even when you have a love of film and traditional darkroom practices, there’s always room for alternative photo process experimentation as ecological photo-artist Josie Purcell knows well.
OVERVIEW
I am a photographer, but trying to explain that I specialise in photographic processes that may not include a camera has led me to describing myself a photographic artist.
My passion for photography began in secondary school. There was a darkroom in the art class, but it was never used; it acted like a bea...
A heartfelt thank you goes out to everyone who emerged from the shadows to participate in this week's eerily captivating #ilfordphoto #fridayfavourites theme, #halloweenonfilm. The entries for this week were truly outstanding, making the task of narrowing them down exceptionally challenging. Please take a moment to have a look at some of our favourites.
@PhotoGaet. A creepy misty night in the park. Shot on ILFORD Delta 100 Bronica SQ-A #ilfordphoto #fridayfavorites #delta100
@davejsherwood...
Our theme this week for #ilfordphoto #fridayfavourites was #home. This was the theme for last year's student photographic competition. We wanted to see your take on this theme.
@martintype. Here’s when I know I’m home, whenever I see the Wearmouth Bridge. Seen here in the fog of a sea fret one night, on HP5+ pushed as always. #fridayfavourites #ilfordphoto #sunderland #home
@Rafterman99 3 photos that make me think of #Home shot on #ilfordphoto Hp-5 #Fridayfavourites #ilfordphoto #home
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