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Hand colouring
The idea of adding colour to a monochrome image by hand dates back to the beginning of photography. At this time it was the only way to get a colour photograph.
Although colour photography using the three colour process was put forward just short of thirty years after the first photograph by Nicephore Niepce, it was, in its early years, expensive and difficult to produce a colour image. Hand colouring became a practical way to give the impression of colour and everything from Daguerroty...
26th July 2016
ILFORD Photo (HARMAN technology Ltd) are delighted to introduce 'ILFORD inspires’, a series of events aimed at broadening the appeal of black and white film photography to a wider audience.
The first of these events takes place on August 4th in Philadelphia, PA and features an insight into and showcase of the incredible work of artist, educator and master printer Chuck Kelton.
Chuck’s feature talk will describe his experiences working with some of the most iconic photographers of...
Chemistry
Which is best fixer - HYPAM or RAPID fixer?
Both fixers perform equally well, HYPAM will accept the addition of a hardener if required, whereas RAPID fixer will not work with hardeners.
What’s the shelf life of ILFOSOL 3 film developer?
Unopened, ILFOSOL 3 will last about 18 months. Once open, it should be used within three months. Remember to mix ILFOSOL 3 for immediate use ONLY.
What is replenishment?
Some processing chemicals can be replenished, this means that instead of discarding the...
Mounting your Prints
Even the most stunning print can look better when it has been properly mounted. Mounted prints are also better protected as they are kept flat with the image separated from the immediate surroundings by unobtrusive margins.
There are no hard and fast rules about mounting prints; the most suitable results will depend on individual preference, the nature of the image, the intended use and other circumstances.
It is recommended that only boards and other materials intended for the p...
1992 - How I met Masterji
Soon after leaving my staff photographer’s position on the local newspaper where I’d been employed for the previous 5 years and with the luxury of in-house film processing no longer a convenient option I began using my local city centre professional colour lab, in Coventry.
During the accumulating hours I spent in that lab waiting for my 35mm films to process, watching small colour prints dropping from the conveyor belt from the end of the machine, I very watched a short In...
All ILFORD Inspires content has a common goal: To inspire people to try traditional analogue black and white photography by showcasing the power and potential of this highly creative medium.
New York Silver Stories
Working with the talented team at Exploredinary, this series features four short documentaries telling the stories of silver gelatin darkroom printers in New York City.
The Bronx Documentary Center - Turning Negatives into Positives
Founded by Michael Kamber, the BDC is a non-profit aimed at ...
HARMAN TECHNOLOGY LIMITED – PRIVACY NOTICE
HARMAN technology Limited is committed to respecting the privacy of our customers and the users of our website ilfordphoto.com (the Website). This notice is to explain how we may use personal information we collect before, during and after your relationship with us. This notice also explains how we comply with the law on data protection and what your rights are.
References to you, your and yourself in this privacy notice are to either you as an individual or...
Man of science
I love alternative photographic techniques like dry plates and brushed on emulsions. I am a darkroom fanatic – always exploring new ways to mash up digital with traditional analog techniques. I love all kinds of print processes – cyanotypes, salts, van dykes to name a few. I shoot all formats right from 35mm half frames up to 8×10 large format.
I am also an avid camera collector but prefer to be a user rather than an admirer of my cameras. I currently use a Nikon F3, Leica M-A, Hasse...
Where the Hasselblad love started
long, long time ago, I can still remember how—
Hang on, let me start again…
When I were a lad, mankind did something utterly astonishing: men walked on the moon.
For a 13-year-old science geek, staying up till <mumble> o’clock in the morning to watch this historic event was possibly the most exciting thing that’s ever happened to me.
For a 13-year-old budding photographer, the cameras that Neil Armstrong and Buzz Aldrin were wielding held a strong...
Sharing my skills
I’ve recently started working as a lecturer on BTEC and HND photography courses at Swindon College. A job which I’m enjoying immensely. Teaching was something I’d never considered before, until I started helping friends who were studying on the same BA Photography course as me. I enjoyed helping them but most of all I enjoyed seeing them understand and use the skills that I’d shown them.
I now teach mainly 16 – 20-year-olds, which is enormously satisfying. Watching thei...