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Hand colouring
The idea of adding colour to a monochrome image by hand dates back to the beginning of photography. At this time it was the only way to get a colour photograph.
Although colour photography using the three colour process was put forward just short of thirty years after the first photograph by Nicephore Niepce, it was, in its early years, expensive and difficult to produce a colour image. Hand colouring became a practical way to give the impression of colour and everything from Daguerroty...
26th July 2016
ILFORD Photo (HARMAN technology Ltd) are delighted to introduce 'ILFORD inspires’, a series of events aimed at broadening the appeal of black and white film photography to a wider audience.
The first of these events takes place on August 4th in Philadelphia, PA and features an insight into and showcase of the incredible work of artist, educator and master printer Chuck Kelton.
Chuck’s feature talk will describe his experiences working with some of the most iconic photographers of...
25th February 2015
HARMAN technology Ltd announces the winners of the UK Student Competition 2014 entitled “Motion”. The annual competition for UK photography students attracted a record entry for 2014.
So many that it took the judges two sittings before they could decide which had met the Brief and complied with the competition Terms and Conditions. After long deliberation and several rejections the winners were finally chosen.
"Light in the Dark". Winning image from Elliott Jagger from Leeds Col...
20th August 2014
ILFORD PHOTO confirm no plans to discontinue XP2 SUPER Film following the recent announcement that Kodak Alaris is discontinuing KODAK PROFESSIONAL BW400CN Film.
ILFORD PHOTO can confirm that there are no plans to discontinue ILFORD XP2 SUPER. This product continues to be in free supply throughout the world from ILFORD PHOTO Distributors and Photographic Retailers, and is available in 35mm and 120 formats as well as a 35mm Single Use Camera.
ILFORD XP2 SUPER is an ISO 400/27...
Film and single use cameras
How long after exposing can I leave my film before processing?
For best results, we always advise processing soon after exposure although in practice most films can be left for several months. One exception is ILFORD PANF Plus, we would always advise processing this film as soon as possible and certainly within 3 months of the film being exposed.
How do I account for film reciprocity during long exposures?
This information can be found in the Film Reciprocity Failure Compensa...
Photographic Paper FAQ's
Which paper product is best/suitable for photograms.
All of our ILFORD photographic papers will easily produce photograms, so the choice will depend on which surface finish you prefer and whether or not you want fibre or resin coated. Resin coated paper is lower cost, easy to process and dry flat and would be a good choice for starting out.
Does reciprocity affect paper?
Paper products are designed for much longer exposure times than film and are less sensitive to reciprocity...
Chemistry
Which is best fixer - HYPAM or RAPID fixer?
Both fixers perform equally well, HYPAM will accept the addition of a hardener if required, whereas RAPID fixer will not work with hardeners.
What’s the shelf life of ILFOSOL 3 film developer?
Unopened, ILFOSOL 3 will last about 18 months. Once open, it should be used within three months. Remember to mix ILFOSOL 3 for immediate use ONLY.
What is replenishment?
Some processing chemicals can be replenished, this means that instead of discarding the...
Processing your own film can speed up your workflow and give you quicker access to your negatives. It is also typically more cost effective and best of all there is nothing like the sense of satisfaction you will gain by taking control over the full end-to-end process of your photography.
While trying it for the first time might be a daunting prospect, fear not. Below is our guide on what equipment, chemistry and method would be suitable for anyone new to processing films. For more detail, you can downlo...
Why print?
When you can get excellent prints from your black & white negatives by sending them off to commercial processing laboratories, why make your own?
For many photographers, making a photographic print is as much a part of the process as shooting the image itself. For a start, it is a creative process that is both enjoyable and fulfilling and, much like the role of a post processing tools such as Photoshop or Lightroom in any digital workflow, (although much more fun) a darkroom provides film...
Having shot a roll of black and white film it now needs to be processed to create the negatives. At this point your film is still light sensitive so should not be exposed to light.
Processing your own film can be highly satisfying and cost effective. It is also easy to learn. The most common method for hand processing film is undertaken by using a Daylight Processing Tank. This piece of kit needs the film to be loaded on to a ‘spiral’ or ‘reel’, in the dark, and then enclosed in a light tight co...