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Hand colouring
The idea of adding colour to a monochrome image by hand dates back to the beginning of photography. At this time it was the only way to get a colour photograph.
Although colour photography using the three colour process was put forward just short of thirty years after the first photograph by Nicephore Niepce, it was, in its early years, expensive and difficult to produce a colour image. Hand colouring became a practical way to give the impression of colour and everything from Daguerroty...
19th November 2013
Buy fabulous real silver gelatin black and white framed wall art photographs from the new House of ILFORD on-line store
House of ILFORD is a new and exciting addition to the services available from the well-established ILFORD LAB DIRECT photographic process and print service based at the HARMAN factory in Mobberley, England.
HARMAN technology Limited is the company behind the famous and iconic ILFORD brand of black and white photographic products.
The House of ILFORD is the pl...
Photographic Paper FAQ's
Which paper product is best/suitable for photograms.
All of our ILFORD photographic papers will easily produce photograms, so the choice will depend on which surface finish you prefer and whether or not you want fibre or resin coated. Resin coated paper is lower cost, easy to process and dry flat and would be a good choice for starting out.
Does reciprocity affect paper?
Paper products are designed for much longer exposure times than film and are less sensitive to reciprocity...
ILFORD PHOTO offer the biggest range of black & white films on the market today. While this is perfect for experienced film photographers who love having a choice, we appreciate that it can be a bit confusing for people new to film photography.
If you are looking to try film photography for the first time and are wondering where to start, then you have come to the right place.
We should start by pointing out that there is no ‘wrong’ choice when it comes to ILFORD films. They are all fantastic,...
Although many film cameras have inbuilt light metering systems, a light meter instrument can also be used.
Light Meters can measure the amount of light falling on a subject (incident light), or being reflected by a subject (reflective light). By converting these measurements, it defines what would be the most beneficial shutter speed and f/stop to use for that given subject.
Light Meters are particularly helpful where subject matter / lighting conditions are difficult. Some light meters are also able to...
General health and safety advice
This section provides advice to our customers on the safe handling, use and storage of our photochemical solutions, best practice for waste disposal and specific advice to women who are pregnant or breastfeeding a child.
If you are looking for information on the chemical safety of HARMAN photochemistry solutions, please refer to the Safety Data Sheets (known as SDS or MSDS)
24 HOUR OHES emergency line for advice on chemical incidents
Safe working practices
It is essen...
Photographic prints are intended to be viewed and when looked after can remain in excellent condition for over a century. However, as they are paper-based they are prone to damage if mishandled.
Caring for a print
A print intended to have a long life should be processed by methods recommended for long-term stability. If necessary it can be retouched to eliminate blemishes. Prints that are going to be displayed should be mounted, framed and glazed to complement the image and protect it from deteriorat...
Mounting your Prints
Even the most stunning print can look better when it has been properly mounted. Mounted prints are also better protected as they are kept flat with the image separated from the immediate surroundings by unobtrusive margins.
There are no hard and fast rules about mounting prints; the most suitable results will depend on individual preference, the nature of the image, the intended use and other circumstances.
It is recommended that only boards and other materials intended for the p...
Testing your Safelights
Safelights are an essential component in any darkroom set up. We recommend testing them annually, as ageing can change the transmission characteristics of the filters. This can cause visible fogging of the print or, more likely, a subtle but noticeable drop in contrast.
When setting up your safelights always read the instructions and don't exceed the recommended bulb wattage. Fitting a brighter bulb or mounting your safelight too close to your developing dishes, may cause degra...
The ILFORD PHOTO Archival Sequence, or Optimum Permanence wash system is a method of processing fibre base papers for maximum longevity while reducing the amount of water and time used.
Whilst standard fixing and washing recommendations will give excellent print permanence for all commercial needs. When optimum permanence is needed, perhaps for archival storage of prints, the following fixing and washing sequences at 18–24ºC/65–75ºF (including wash water) are recommended using ILFORD WASHAID.
Fi...