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Whether you are new to film photography or picking it up again after a number of years, it is very easy to get started and a rewarding activity regardless of your level of expertise.
Introduction to film photography
To get you started we've created a series of animations that will introduce you to the world of film photography. These short 60 second animated videos cover a range of topics and terminologies to quickly get you up to speed. From f-stop to film types, these videos are the perfect entry point...
18th February 2015
2015 will see HARMAN technology Limited complete 10 years of successful trading as ILFORD PHOTO.
The company wishes to express a sincere thank you for all the support we have received in the last 10 years from around the world. Continued support from Distributors, Retailers and Stockists has ensured our loyal photographers, printers and labs have enjoyed continued access to ILFORD black and white products.
Schools, Colleges and Universities who have maintained their darkrooms, an...
8th April 2014
Further expanding its capabilities and services, California based ILFORD LAB US now offers Silver Gelatin Prints from digital files with a specially commissioned Fuji Frontier digital laser printer optimized for printing black and white images.
This ILFORD LAB US printing service draws on 130 years of ILFORD PHOTO expertise, producing the finest quality Silver Gelatin black and white prints; achieved using traditional ILFORD black and white chemistry and genuine ILFORD silver gelatin photog...
ILFORD PHOTO offer the biggest range of black & white films on the market today. While this is perfect for experienced film photographers who love having a choice, we appreciate that it can be a bit confusing for people new to film photography.
If you are looking to try film photography for the first time and are wondering where to start, then you have come to the right place.
We should start by pointing out that there is no ‘wrong’ choice when it comes to ILFORD films. They are all fantastic,...
Why print?
When you can get excellent prints from your black & white negatives by sending them off to commercial processing laboratories, why make your own?
For many photographers, making a photographic print is as much a part of the process as shooting the image itself. For a start, it is a creative process that is both enjoyable and fulfilling and, much like the role of a post processing tools such as Photoshop or Lightroom in any digital workflow, (although much more fun) a darkroom provides film...
The first stage of making a darkroom print is to determine the exposure time.
If you have already created a contact sheet of your negatives, and they appear correctly exposed, then you should have a rough idea of the necessary exposure (provided you haven’t moved the enlarger head or aperture setting after exposing the contact sheet). Note: If you change the degree of enlargement you will also need to adjust the exposure. Some enlargers have scales printed on their columns to make this easier.
Another...
Having shot a roll of black and white film it now needs to be processed to create the negatives. At this point your film is still light sensitive so should not be exposed to light.
Processing your own film can be highly satisfying and cost effective. It is also easy to learn. The most common method for hand processing film is undertaken by using a Daylight Processing Tank. This piece of kit needs the film to be loaded on to a ‘spiral’ or ‘reel’, in the dark, and then enclosed in a light tight co...
When photographic material is exposed to light it begins to darken. The more light the material receives, the darker it becomes. This opens up a range of possibilities for making fun, creative and artistic images without a camera.
Making a picture without a camera couldn’t be easier and is a fun activity to try with children. However, for many, exploring and experimenting with different effects of light on photographic /blog/the-luminogram-process/materials can become an art form by itself.
Where to sta...