Search results for: 'to time'

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  • Thank you What a fantastic year! We've seen film usage increase again, with more people than ever either picking up a film camera for the first time, or re-discovering their love for shooting film. We're really excited to see what next year brings. A huge thank you to everyone who shares #ilfordfilm images with us on our social media streams. We love seeing what you are shooting with our films and chatting to you on Twitter / Facebook and Instagram. We have lots of exciting plans for 2018, including ...
  • Farhya Tariq Tarey give us the lowdown on how he captured this striking portrait.     Technical info   Film Used  -  Ilford FP4+ Format -  4x5 Camera -  Wista Lens - 180mm Nikkor f5.6 Exposure time  - 1/125 Location  - Columbus, Ohio Firstly, tell us the story behind this image. What inspired you to shoot it? This image is part of long term project. The project highlights the relationship between African & African Americans women and their sca...
  • A medium for the moment  I always travel with my 35mm SLR and a stack of Ilford HP5 and Ilford FP4 film. I definitely prefer the look and process of shooting film when traveling and photographing on the street and I find my small SLR with it’s 50mm lens is small and inconspicuous enough to capture intimate street portraits. Shooting everything on the same 50mm lens and film medium gives my work a consistent look and feel. I have always found shooting film slows down my process, it forces me to think mor...
  • It looks like you found this weeks #ilfordfridayfavourites #immense theme a tough one, as we didn't see the usual high number of entries. That said, there were still some great shots to be found... @Stig_Ofthedump Its a big world out there ! #immense #ilfordfridayfavourites Delta 100, RSS Pinhole 6x12, River Dee delta shot from West Kirby   @AdibMufty St. Vitus Cathedral ?: Hasselblad 500cm ?: Ilford Hp5+ EI 800   @iankasnoff 8x10 direct positive in Study Butte, TX. Clouds a...
  • #ilfordfridayfavourites #lucky Now & again the perfect image is arrived at by good luck rather than good judgement. Right place, right time? Double exposure? Film accidentally shot at the wrong speed? These are the shots that we asked you to share for this week's #ilfordfridayfavourites #lucky theme. @mparry1234 Some very strange but pretty interesting flare anomaly on some 120 FP4+ works well with the shot i think   @rvallafoto I lived at the same place for years but only one time ...
  • Project Statement Since the 1950s, over half of traditional orchards in England have disappeared. This is due to development, conversion of land to other uses, and intensive farming. The Orchard Project is dedicated solely to the creation, restoration and celebration of community orchards. Working in collaboration with the national charity, I visited sites under restoration. I created pinhole cameras out of apples at each location. Utilising these site-specific cameras, the work captures team members, v...
  • The Grand Canyon at Plateau Point Technical info   Film Used:  ILFORD FP4+ Format: 4x5 Camera: Wista 45DX Lens: Rodenstock: 90mm f/4.5 Exposure time: 1/60th Other equipment: Red filter Location: Plateau Point, Grand Canyon National Park     Firstly, tell us the story behind this image. What inspired you to shoot it? One weekend at the last minute I decided to do a full moon hike to Plateau Point in the Grand Canyon. My plan was to hike down around ...
  • Window Cleaners shot on ILFORD XP2S An unknown language When I started in photography I was always put off from film, by the balance (in my mind anyway), between the effort and time taken out of my workflow in developing, and the rolling cost. As well as my dependence and already intimate comprehension of digital systems. Film was an unknown language, and not one I was prepared to learn at the time. Expanding my understanding Recently however I have been looking for different ways to expand my und...
  • Images with feeling The most attractive element of analogue is its delicacy. The analogue process has remained so ingrained into my practice, I can't imagine working in any other way. Seeking images which stir a feeling within and seeing that image through each stage of the process to finally create a hand-made darkroom print. The print may not be perfect, I do not tirelessly work on test strips creating a technically perfect image, I never leave the confines of the darkroom to inspect the print once it...
  • Double exposures can be really tricky to get right. Lucy Ridges shares the secrets behind her ship / nude image below. Ship Technical information Shot on: FP4 plus medium format film Camera Mamiya RB 67 Exposure time Double exposure, each exposure 1/60 F5.6 Other equipment With bowens studio flash (1 x large soft box) I shot this image at my photographic studio in Manchester, located within Rogue Artist Studios The story behind the image My work for many years has encompassed a love for mul...

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