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One of the things that we're regularly told by the film and darkroom community is how you love hearing about the human side of our business. In this series of 'Behind the Film' interviews we're going to help you to find out a little more about the faces behind the film. Introduction Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is James Cooper, and I am employed as a Scientist Grade 2 in the TQM/R&D department at HARMAN Technology. I Joined in Nove...

'The way the lens renders out-of-focus points of light' or #filmbokeh was the theme for this week's #ilfordphoto #fridayfavourites.  @BlkWhiteFilmPix Moved around to capture a bit of #filmbokeh at Shakespeare and Company in Paris on #ilfordphoto Delta 3200. Made the picture with a 35mm lens wide open at f1.4 #fridayfavourites     @AnonymousESQFL Replying to @ILFORDPhoto Shot on #ilfordphoto HP5+ using my Nikon FE and Nikkor 50mm f/2 K. #filmbokeh #fridayfavourites   ...

We've admired Tom Kirkendall's beautiful pinhole images and darkroom prints for a while and were thrilled when he agreed to take part in this series and allow us to find out a little more about him in this, our 38th In Focus interview. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favorite photo??? Now that is a difficult decision. In the words of Ansel Adams “It is the one I have not taken yet” But if I am pressed to make a decisio...

Another great week for #ilfordphoto #fridayfavourites with plenty of great #ffheight images to choose from. Thank you to everyone who shared with us on Twitter and Instagram. These are our favourites this week my7views The Crane Houses in Cologne, by Hadi Teherani.(Taken with Olympus OM-1 on Ilford Delta 100.)#fridayfavourites #ffheight @dmbloor Looking (or locking) down. Near Etruria Industrial Museum in Stoke-on-Trent. Canon EOS 5 (that is film not D !) on #ilfordphoto #Delta400 for this week's #f...

Reflections on the Materiality of Film, with PANF Plus in the Montana Snow Snow is a beautiful subject for ILFORD PANF Plus. Thankfully my quiet mountain town of Bozeman, Montana, USA—has lots of snow, and I have lots of PANF film. As snow can be such an intricate and momentary subject, it makes an appropriate subject for reflecting on the material and time-conscious process of creating an analog image. I recently returned to film photography after a ten-year hiatus. I’ve been delighted to again...

Earlier this year in our interview with Walter Rothwell, he nominated Kris to take part in this series. We're so glad that he did. Enjoy! Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? One of my recent favourite images is this portrait of 3 young men taken on the streets of Birmingham UK. It was one of the first outings in the city post-lockdown and I wanted to really get back into a stride with my personal photography on the streets. With ...

There were so many people asking how this has been captured when we shared it on our Instagram feed so, we caught up with the photographer Guido Macorini and asked him. Image title: Amariana Technical info Film Used  IFORD Delta 100 Format 120 Camera    Rolleicord III K3b Lens Schneider Xenar 75mm Exposure time 1/4s Other equipment Tripod, orange filter, spot light meter Location: Verzegnis Lake,  in the north eastern Italian Alps. Firstly, tell us the story behind ...

One of the aspects that took me perhaps the longest to understand about black and white film photography - but, which turned out to have the most impact on my visual style – is that exposure is simply not real in any meaningful way. “Correct” exposure is incredibly subjective, especially true for high contrast lighting conditions where either the shadows or highlights can be exposed for in order to achieve a dramatic scene. I think there is a greater expectation for colour film to be a representati...

When an image that we share or re-gram gets a lot of interest, we like to get in touch with the photographer and find out a little more about the process that went into creating it. Le Lac du Brévent Technical info Film Used Ilford XP2 Format 135 35mm Camera       Olympus OM-10 Lens Zuikon 35mm f2.8 Exposure time I don’t really remember, I think it was something like f8 at 1/250 or 1/500 Location Lac du Brévent, Chamonix-Mon-Blanc, Savoie, Alpes, FRANCE   Firstly, tell us...

This week for our 46th In Focus interview we are talking to Clara Araujo. A fine art photographer from Brazil whose images explore the dualities and other aspects of the human psyche. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It’s really hard to pick just one… but probably this self portrait: “The Birth Of Venus”, Body of Water series, 2020. ILFORD Hp5+ 400, Yashica Mat 124g. Just in case anyone doesn’t know who you are...