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You may already be familiar with his work from his regular contributions to popular photography websites like 35mmc and Casual Photophile. We're excited to introduce our 79th In Focus interviewee, Sroyon Mukherjee.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
My favourite images tend to be of friends and family, but I’ll share an image that I like for its own sake (as opposed to purely personal or sentimental reasons). I...
My camera is a passport to a world of amazing discoveries
My adventures began as a five year old. I started spending wondrous times with my dad in the quiet glow of his darkroom. I took great pride with my responsibility to gently rock the prints in the hypo tray. Ah, the sound of gurgling water and the warm orange glow from the safe lights. I was totally enthralled by seeing an image come alive in the developing tray...pure alchemy! It comes as no surprise when I say I frequently retreat to this magical z...
So, from the official ILFORD Photo website:
It’s wide exposure latitude makes it a great choice for beginners, those returning to film as well as the more experienced professional users.
With wide exposure latitude, ILFORD says that you can meter HP5+ from 400 to 3200 ISO1. Great, it's like you have it all in one roll, which is exactly why I love this thing so much. It can handle sunny days and midnight shots, of course, depending on which ISO you tell your camera (or hand-held light meter) you have th...
Happy Accidents
For most people in the film community, double exposures are accidents. Happy accidents, sometimes, for sure, but accidents nonetheless. Of course, some people do film swaps, I've done a few and embraced the chaos of the results, but I never got an image out of a film swap that I truly loved. And yet there's something eminently compelling about double exposures.
ILFORD FP4+
Photosynthesis
Five years ago I started a project entitled Photosynthesis that used double exposures as a way to ...
Say Hello
Few people feel comfortable striking up a conversation with a person they haven’t previously met. I refrain from using the word “stranger” because the way I see it, we’re all fellow humans, potential acquaintances, possible friends. And who says they’re any stranger than I am? After all, I’m the one going up to people I meet in public asking to make their portrait. A camera in hand really is a magical device that allows us to meet almost anyone, anywhere. To approach them. Say hello. ...
La Santísima Tragedia
Fanesca: A Celebration of Cultural Syncretism Through Fashion and Photography.
Fanesca: Una celebración del sincretismo cultural a través de la moda y la fotografía.
Latin American Society
Fanesca is an evocative body of work created by London-based photographer Lucho Dávila, exploring cultural syncretism and the evolution of identity in contemporary Latin America. Through this ongoing autoethnographic project, Dávila reflects on his Spanish and Ecuadorian heritage, cap...
Our next Community Focus interview takes us to Berlin, where we had the opportunity to chat with Queer Analog Darkroom. They've created an inclusive space for individuals who face barriers to accessing knowledge about analog photography due to discrimination and marginalization, ensuring everyone has the opportunity to learn and create.
SECTION 1 - BACKGROUND
LET’S START EASY. TELL US A LITTLE ABOUT THE DARKROOM, WHAT IT’S CALLED AND HOW IT STARTED.
Queer Analog Darkroom (QAD) - is a self-organized, ...