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Three Exciting New Products
We are pleased to announce the launch of 3 exciting new products. Two of these products support our goal of encouraging and enabling film photographers to take the next step in their analogue journey and experience the creativity and magic of darkroom printing. The third is the perfect holiday season gift for film enthusiasts.
ILFORD Pop-Up Darkroom – Coming Q4 2021
The ILFORD Pop-Up Darkroom is the perfect solution for film photographers who want to print their negatives an...
Crombie McNeill has been shooting film for longer than some of us have been around, and his story is fascinating which makes him the perfect interviewee for our 45th In Focus interview.
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Shot way back in the early 70's. By happen chance I discovered this fishing dory beached on Newfoundland's Eastern coast. I very much like this shot, and even more so because I was on my very first major assignment. Twenty thre...
A dark legacy
To say that this project got away from me would be accurate. It morphed and changed as I shot more film, but the more film I shot, the more it changed. It wasn’t until the end that I could feel it becoming cohesive. I started out with a relatively easy goal. Take some basic street photos of Salem, Massachusetts and document how much it comes to life during Halloween.
Salem is best known for the witch trials that took place in 1692. Many people were wrongly accused of being witches an...
Time to go green?
As the threat of the climate crisis grows each day - we must strive for sustainability in all aspects of life. But when standing atop a cliff shakily clutching your 5x4 camera, or working under the red light of your local darkroom - sustainability can seem like a distant concern, reserved for those in stuffy offices or holding placards outside of parliament.
As analogue photography has always been eager to embrace innovation in the face of change - is it time to go green?
My name is...
I'm sure that many of us have taken a shot and then once we've processed it spotted something or someone that we didn't realise was in frame when we took it. It's these moments that we asked you to share with us today for #ilfordphoto #fridayfavourites #unexpected.
@PapaShittyCams Replying to @ILFORDPhoto I did a double exposure roll of Ilford HP5 Plus using two different cameras & got this triptych of @SammishSquare #ilfordphoto #fridayfavourites #unexpected
@imjkunst Sometimes th...
Melanie King was first introduced to us by Lucy Ridges, and since then we have heard her name mentioned from several different people. It was fantastic to be able to learn a little more about her when she agreed to take part in this series.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
My favourite image is Ancient Light, Emiliano Cardone Observatory, Casalattico, 2018. This photograph was produced when my collective, Lumen Studios, ran an...
And suddenly, something that looked like a dandelion head floated into view, and I stood mesmerized as it hovered before me. When I peered inside, I realized that I could see a tiny winged creature within. I turned to my mother and said, “Look at that!” But all she could see was a dandelion head.
Inhabitants
Thirteen years ago I lost my father to Lung cancer, three years ago I lost my best friend to breast cancer. Besides cancer they both shared the same belief, that when we die, it’s lights out, th...
We had no idea when we originally started this series in April 2020 with Em from Emulsive that it would still be going strong 50 interviews later. This week's interviewee Debra Wilson was already on our radar before being nominated by Margaret Fitzgerald last month.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
I chose this image of Another Place on Crosby beach. I don’t often get to the sea so although the setting is not typical for m...
As a child I fell in love with the magic of the darkroom and of making Gelatin Silver prints. Watching a print develop fascinated me. In high school I had access to a darkroom working with 620 film (2.25 X 3.25 inch roll film.) and, consequently, I studied photography at Rochester Institute of Technology, School of Photography & Syracuse University School of Journalism. Studying with art-photographer Minor White opened my eyes to using photography as an art form. Minor helped me see beyond the objective...
International entries
This year we opened the annual student competition up to entries from all around the world. We knew that many educational establishments had still not been able to fully return to darkroom printing but we wanted to give as many students as possible the chance to get involved. We are so glad that we did.
With over 500 entries from the four corners of the world, this year’s competition theme of ‘Natural Light’ was one of the toughest that we’ve ever had to judge.
A difficult...