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My camera is a passport to a world of amazing discoveries
My adventures began as a five year old. I started spending wondrous times with my dad in the quiet glow of his darkroom. I took great pride with my responsibility to gently rock the prints in the hypo tray. Ah, the sound of gurgling water and the warm orange glow from the safe lights. I was totally enthralled by seeing an image come alive in the developing tray...pure alchemy! It comes as no surprise when I say I frequently retreat to this magical z...
#febondp400 was the theme for this week's #ilfordphoto #fridayfavourites. Our focus this week was on Delta 400 which is created using our latest Core-shell™ emulsion technology, DELTA 400 produces images with exceptional sharpness and the finest of grain to offer a leading combination of speed vs sharpness along with impressive tonal range.
@pjmeade. This is Keele Hall, part of my old university. Shot on Delta 400 using EOS 1v+24-105+Red 25 filter. #fridayfavourites #febondp400 @KeeleUniversity
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This week, for our 84th In Focus interview, we speak with Austrian photographer and writer Birgit Buchart, who made the move to New York City in 2018.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
In my early 20s, I spent a lot of time on the road with musicians, shooting a lot of concerts and festivals. And while they appreciated the documentation of the shows, I never truly loved the photos. To me it was not very interesting to photograp...
Dialogues With Nostalgia
My work in photography is deeply connected to light and emotion. Black and white analog photography allows me to explore these elements with a unique sensitivity, where each image results from a constant search to capture the ephemeral and the timeless. I shoot with ILFORD Delta 400 and ILFORD HP5+ films, using cameras such as the Mamiya RZ67 Pro II, Nikon F100, and Nikon F6, because their grain and tonal range offer a texture that dialogues with nostalgia, memory, and melancholy, ...
Everything Shifted
I first came to photography as a teenager, experimenting casually with digital cameras. But it wasn’t until after my PhD in cinema studies focused on representations of family in American television, that I returned to it with real intent. Living in Bordeaux at the time, I had occasionally photographed concerts, mostly as a hobby. Then, during the first COVID lockdown, everything shifted. With time slowing down, I picked up my partner’s analog camera and began shooting in the garden,...