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Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.
This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine.
Si...
Thank you
In 2018, we invited the global analogue film photography community to take part in our latest film users survey. The survey, which attracted 2100 participants when it was last conducted in 2014, grew to over 6,800 participants from 100 countries this time around. This was largely due to the help received from the fantastic film community in sharing it far and wide on social media, blogs and forums, so thank you.
While many of the results are in line with the growth seen since the re-emergenc...
Mindtraveller
Technical info
Film Used: ILFORD HP5+ (pushed to 3200)
Format: 120, shot as 6x7
Camera : Mamiya RB67 Pro SD
Lens: Sekor 50mm f4.5
Exposure time: 20 minutes
Other equipment: Tripod
Location: Norman Wells, Northwest Territories, Canada
Tell us the story behind this image. What inspired you to shoot it?
In the Canadian Arctic, we are gifted with the otherwise-evasive Aurora Borealis on almost a nightly basis. On many nights, the spectacle is nothing more than a faint gre...
Towards the end of 2018 I was reviewing some of my Autumn film photography and feeling put off by the results.
I've been working with film for some now in an effort to take advantage of the superior dynamic range. And, when shooting in strongly backlit scenes to move away from silhouettes and ambiguity and towards a more controlled journalistic style.
Shades of Autumn
I found that because of the diffused cloudy conditions in London I was struggling with my exposures and the overall look of my images. T...
ILFORD PHOTO’s annual student competition has once again unearthed some incredible talent from within the UK’s schools, colleges and universities.
In the competition’s 9th year students were tasked with creating a black & white image that encapsulates an inspiring line from a book, film, poem, quote or song. The image had to be shot on ILFORD or Kentmere film and printed by themselves in a darkroom.
And the winner is...
With over 630 prints received from 40 different colleges, this is the ...
Sharing the skills and the passion
My name is Hank Webber and, together with my wife Marie, we own and operate Webbers Photography
Within my family, I’m a third generation photographer. It all started with my Grandfather in the 1920’s who then passed the skills and passion to my Dad and his brother, my Uncle Joe. They, in turn, blessed me with the same passion; skills are ever evolving. Each of them believed that as they triggered their camera shutters, they were capturing a moment in time that woul...
Turning your negatives into positives
Reversal processing enables black and white transparencies to be produced directly from high quality films such as PAN F Plus, FP4 Plus and DELTA 100 PROFESSIONAL
How it works
It starts with the development of the negative image. This leaves the unused silver halide untouched, but it is not fixed, as it will be used later to form the positive image. After the negative image has been developed, it is totally bleached away using an acid bleach. This leaves the remainin...
Below are some of the common errors that can occur when processing black and white films. Unfortunately some of these errors can result in the images being lost or partially ruined. By knowing what has caused the errors, you may hopefully prevent any repeat incidents.
Film entirely blank - No visible images or edge signing
A completely blank film with no images and no signing (i.e text in the perforation areas showing product and numbers) - indicates the film has received no development at all.
Blank ...
In the summer of 2017 my friends, novice climbers, asked me to climb Elbrus with them. This is the highest mountain peak in Russia and Europe. The idea sounded great, especially because I have loved mountains since my childhood. But my campaign plan immediately included a large-format camera, with which I have been travelling for many years (mostly, of course, by car with a camera in the trunk).
For a while I wondered if I should take a big camera with me too. Would it be better to take a Hasselblad? But...