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Window Cleaners shot on ILFORD XP2S
An unknown language
When I started in photography I was always put off from film, by the balance (in my mind anyway), between the effort and time taken out of my workflow in developing, and the rolling cost. As well as my dependence and already intimate comprehension of digital systems. Film was an unknown language, and not one I was prepared to learn at the time.
Expanding my understanding
Recently however I have been looking for different ways to expand my und...
#calm
We've had a lovely relaxing morning looking at your #ilfordphoto #calm images. We believe that black & white film helps to enhance the sense of tranquility on an already serene shot. These are our favourites this week.
@gatogatogato Taken with a Zenza Bronica. The slow and peaceful process of taking a photo all manually in a calm forest, then going home and developing the film is my perfect „calm experience“. #ilforddelta3200
@rohnerraphi #fridayfavourites what makes me ca...
Double exposures can be really tricky to get right. Lucy Ridges shares the secrets behind her ship / nude image below.
Ship
Technical information
Shot on:
FP4 plus medium format film
Camera
Mamiya RB 67
Exposure time
Double exposure, each exposure 1/60 F5.6
Other equipment
With bowens studio flash (1 x large soft box)
I shot this image at my photographic studio in Manchester, located within Rogue Artist Studios
The story behind the image
My work for many years has encompassed a love for mul...
An experiment in chemical possibilities
When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy. If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...
The first time around...
I enjoy photography especially black and white.. I've taken a wide variety of subjects and images over the years including sport, travel, documentary and landscape. I learnt with 35mm film cameras before moving to 645 medium format and then digital. For B&W I learnt to develop and print whilst at school and this has continued ever since with a darkroom constructed in my loft. This was decommissioned in 2007 when I started shooting digital and I eventually took a sabbatical from...
An Interest in Large Format
Large format is an immensely rewarding and enjoyable way to make a photograph. It can also feel overwhelming when you’re just starting out, but it doesn’t have to be complicated. This article is for anyone with an interest in large format.
I got into 4x5 because I wanted to challenge myself, and to try something new. Over the last two years it has become my favourite way to take a photograph. There’s something special about slowing down and being so deliberate with each...
Every now and then it's nice to freshen things up a bit. The eagle-eyed amongst you may soon notice that our 135 and 120 ILFORD film cartons have been updated.
The changes are relatively subtle
ILFORD branded films are still in white boxes with the product logo. And don't worry, the films themselves are not changing.
So, what has changed?
We have added an information panel on the side of the box, showing the ISO and exposures for easy reference. We've also moved the HARMAN technology name...
For the love of it all
I’ve always had a love affair with black and white photography. I don’t know if it stems from the excitement of watching my first print emerge under the glow of a safelight, or that using texture and shape can make a barren scene look beautiful. Maybe it’s both.
They say love makes you a better person. I think the same goes for the relationship between film and photographers.
Trust & Understanding
There’s a certain level of trust and understanding that goes on betwee...
Heading West
Last September my family and I headed west. It had been a few years since we’d visited the West Country, we had come to love it when our family was young, and now that they were grown we decided to return to see if it still has a special place in our hearts.
While my teenagers packed their essentials - clothes and iPhones, and my other half packed enough books to keep a large reading group going, I set about doing the important task of packing my camera equipment.
My focus was on which...
HUNTING ISLAND XVI, 2018
Technical info
Film Used Ilford Delta 100
Format 4x5
Camera Chamonix 045N-2
Lens Fujinon SW-90
Exposure time Approx.2 minutes
Other equipment Sand & shells, to taste.
Location: Hunting Island, South Carolina, US.
Tell us the story behind this image. What inspired you to shoot it?
This March, I was in Charleston, South Carolina, and had a day to burn. I started looking around for somewhere cool to check o...