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  • Tuesday 17th May 2016 “LOVE IT – FRAME IT” -  ILFORD LAB DIRECT LAUNCHES NEW BLACK AND WHITE PRINT FRAMING SERVICE Building on the success of its already popular black and white printing service which offers film processing, scans and real black and white silver gelatin prints in sizes up to 50” wide, ILFORD LAB DIRECT is thrilled to announce the launch of its new black and white print framing service. Neil Hibbs, Manager at ILFORD LAB DIRECT commented, “Our customers have been requestin...
  • 20th August 2014 ILFORD PHOTO confirm no plans to discontinue XP2 SUPER Film following the recent announcement that Kodak Alaris is discontinuing KODAK PROFESSIONAL BW400CN Film.   ILFORD PHOTO can confirm that there are no plans to discontinue ILFORD XP2 SUPER. This product continues to be in free supply throughout the world from ILFORD PHOTO Distributors and Photographic Retailers, and is available in 35mm and 120 formats as well as a 35mm Single Use Camera. ILFORD XP2 SUPER is an ISO 400/27...
  • 4th December 2013 BORN, ESTABLISHED, DEVELOPED! … A NEW ILFORD MULTIGRADE FIBRE BASE FAMILY ILFORD PHOTO announce a new range of variable contrast Baryta Fibre Base papers, a completely new and improved MULTIGRADE FB and a new COOLTONE FB paper to complement the existing MULTIGRADE FB WARMTONE. For 20 years the best selling ILFORD MULTIGRADE IV FB paper has been the product of choice for creative photographers and printers the world over. BORN following extensive R&D, significant improvements hav...
  • Having shot a roll of black and white film it now needs to be processed to create the negatives. At this point your film is still light sensitive so should not be exposed to light. Processing your own film can be highly satisfying and cost effective. It is also easy to learn. The most common method for hand processing film is undertaken by using a Daylight Processing Tank. This piece of kit needs the film to be loaded on to a ‘spiral’ or ‘reel’, in the dark, and then enclosed in a light tight co...
  • Contact sheets are a great way to review and record your images. They allow you to view all the negatives on a roll of film before deciding which ones you want to print and how you may want to crop them. They also provide a permanent record of those negatives for filing purposes. How to make a contact sheet To make a contact sheet we recommend using ILFORD MULTIGRADE RC DELUXE Set the enlarger head to a height that gives a 40cm (16in) wide rectangle of light on the baseboard Put a MULTIGRADE fil...
  • Split grade printing The version of split grade printing described here is that taught to me by the ILFORD head printers, Mike Walden and Terry Offord, and is the simplest, fastest way to make good darkroom prints from pretty much any negative. (The exception is really underexposed negatives to print these you usually only need high contrast). This is a very powerful technique that can be used routinely with variable contrast (VC) papers, such as ILFORD MULTIGRADE. It makes use of the differing performa...
  • 1992 - How I met Masterji Soon after leaving my staff photographer’s position on the local newspaper where I’d been employed for the previous 5 years and with the luxury of in-house film processing no longer a convenient option I began using my local city centre professional colour lab, in Coventry. During the accumulating hours I spent in that lab waiting for my 35mm films to process, watching small colour prints dropping from the conveyor belt from the end of the machine, I very watched a short In...
  • I always loved celluloid pictures. Maybe I was drawn in as a baby, while the 8mm camera whirred (and the handheld light blinded). Maybe it was being so thankful to my big brother for lending me a 35mm rangefinder and showing me how to use it at age 10. Might have been the Minolta-16 he gave me (as a graduation present?). What a sweet little 16 that is, and I’ve still got it. Can you get those cartridges now? I envied his Pentax Spotmatic as I shot 8mm motion pictures on the point and shoot family camera,...
  •  A lifelong hobby One of my lifelong hobbies is photography. I have been taking photographs since I was about 10 years old when I was given an old Kodak folding pocket camera that had belonged to an uncle, Bertrand Perrett, who was a professional photographer and painter in England. I learned to develop and print black-and-white film at school when I was a teenager back in the 1970s. The Slower Pace When digital photography came along I moved to that medium, but recently I’ve come back to film aga...
  • How I work I believe in self-learning, and I’m always up for something new to explore. I adhere to a strict code of conduct and don’t believe in photoshop, or do much if any post processing. It has to be an exceptional day for me to crop an image. I use Ilford’s Delta 400 for most of my work and use XP2 Super when I need my results fast. Changing times I was born in 1988, which meant that I got a first class ticket to experience the world converting from analogue to digital during m...
  • ILFORD PHOTO offer an extensive range of black & white photographic paper. A photographer's choice of paper is a subjective decision based on personal tastes and preferences. It can also be impacted by the type of images you shoot and the final look you want to achieve. Papers all have different characteristics and purposes and so this guide will walk you through the terminology and choices available to help you pick the perfect paper for your darkroom printing. Base: Resin coated versus Fibre base...
  • HARMAN TECHNOLOGY LIMITED – WEBSITE TERMS OF USE IMPORTANT – PLEASE READ CAREFULLY BEFORE USING THIS WEBSITE These website terms of use are the terms and conditions under which you may use our website ilfordphoto.com (the Website). Please read these terms carefully. As part of the registration process you will be required to confirm that you have read and understood these terms. If you refuse to accept these terms, you should not complete registration to this Website and should immediately cease ...
  • Welcome to the ILFORD PHOTO online store. Where you place an order via our website, these terms and conditions will apply to that order in addition to the general website terms of use and privacy policy. You should therefore read these terms carefully before you place your order as they explain your and our legal rights and also contain important information about our contract with you and how your order will be dealt with. If you have any questions, please contact us before you place your order by cal...
  • Lifelong love of black and white Growing up in the late fifties and sixties, one of my favourite movies was The Day the Earth Stood Still, a lot of which was shot at night in black and white. That early exposure to film noir inspired a lifelong love of black and white photography, especially at night. When I first started shooting pictures in 1967, though, the only option for night photography without a tripod was “pushing” 400 ASA film and using specialized developers. While what was essentially un...
  • Technical downloads relating to the ILFORD PHOTO film photography product range. All tested processing times for our range of ILFORD and Kentmere black and white films alongside our ILFORD liquid and powder processing chemicals. Film Processing Chart Film developing and darkroom printing both require that the negatives or prints be adequately washed to ensure longevity of the images. This short documents covers some methods for reducing the amount of wash water used whilst ensuring that your negative...
  • The last six years I picked up my first camera about six years ago, and I haven't looked back since. Well, not on my choice of beginning Photography, but I have looked back on my choice of cameras. Over the past six years, I've achieved quite a bit, and I've enjoyed every moment of it - from my first exhibition to running my own photography gallery. However, I'd always felt that there was something that I was missing out on. Photography, for me, is an art form that allows you to be creative and passion...
  • Photography has always been part of my life Zero Image pinhole camera 4x5, Ilford FP4+ sheet film 4x5 When the digital age began, something happened to me. First, I mourned my photo hobby for about five years, then "gave up" and bought a digital SLR. A couple of years passed and I upgraded to a more advanced model, but soon realised that it gave me no pleasure at all. I was just so bored with my images. About this time I realised that film photography was not at all dead! I found the Lomography societ...
  • Starting Out As a relative newbie there is a lot I still don’t know or understand the history of photographic film types and the various process do’s & don’ts.  I’m OK with this and let me tell you why. There are countless books, articles and resources to help me learn as well as a very supportive film community.  It is important that I do my homework but it is also important I don’t let all this information overwhelm me. Learning For me the main and only way to learn is time behind t...
  • Zone focusing is arguably one of the quickest and most effective methods of focusing your camera. With a little forethought, practice and pre-visualisation of your shot, it's a method that can reduce problems like shutter lag. Ensure your images are sharp every time. And help you take photos more surreptitiously. It doesn't rely on automation and, in most cases can be put into practice before you've brought the camera to your eye. I believe it's a core skill and a method that everyone who takes photograp...
  • #alternateprocess Happy Friday everyone! Last week we set the theme #alternateprocess for #ilfordfridayfavourites and we've seen such variety of images. Sun prints, tin types, cyanotypes, wet plate, pinhole, palladium, hand coloured, tones in a variety of liquids, we've had them all. Here are our favourites five @mparry1234 - MULTIGRADE paper with leaves and an hour of sunlight. #ilfordfridayfavourites #alternateprocess @corrine_perry 'Melancholia #1' Hand Coloured Darkroom Photograph #al...
  • Jokulsarlon Two For our inaugural 'How I got this picture' post, we're talking to Dave Kirby about Jokulsarlon Two. One of the beautiful images in his Iceland series.   Jokulsarlon Two ©Dave Kirby Film Used – ILFORD FP4+ Format - 120 film in 6x6 format Camera - Bronica SQ-A Lens – 80mm PS Exposure time – 57s Other equipment – The cheapest, naffest tripod money could buy (now broken), 10 stop filter, hat!   Location Jokulsarlon, South Coast, Iceland....
  • Man of science I love alternative photographic techniques like dry plates and brushed on emulsions. I am a darkroom fanatic – always exploring new ways to mash up digital with traditional analog techniques. I love all kinds of print processes – cyanotypes, salts, van dykes to name a few. I shoot all formats right from 35mm half frames up to 8×10 large format. I am also an avid camera collector but prefer to be a user rather than an admirer of my cameras. I currently use a Nikon F3, Leica M-A, Hasse...
  • On Reading — stealing from the best Nearly all of my photographs organize themselves into loosely defined, open-ended projects that are never finished but often stop at an interesting place for a portfolio, show, or hand-made book. People often ask; “Where do you get ideas for your projects?” British photographer and educator, David Hurn says; “Our advice to photographers is best expressed by Calvin Trilling: ‘The immature artist borrows; the mature artist steals.’ So steal from the best....
  • Self-portraiture as Catharsis My photography is a form of therapy, a personal, emotional and sometimes turbulent struggle with the complexity of emotions. I feel my life and art have become intertwined and to bury this mental state deep within would only allow it to thrive but through my use of photography, I am offered a sense of catharsis. My self-depictions manifest within the same four walls, my bedroom. The room I believe is the keeper of my trapped and repressed emotions. This often heavily constr...
  • Sharing my skills I’ve recently started working as a lecturer on BTEC and HND photography courses at Swindon College. A job which I’m enjoying immensely.  Teaching was something I’d never considered before, until I started helping friends who were studying on the same BA Photography course as me.  I enjoyed helping them but most of all I enjoyed seeing them understand and use the skills that I’d shown them. I now teach mainly 16 – 20-year-olds, which is enormously satisfying. Watching thei...
  • Tranquility Alan Brock searches for a sense of calm in his images. He shares how he achieves it below Technical info Film Used: Delta 100 Format: 4x5 Camera: Intrepid 4x5 II Lens: Nikkor 180mm f/5.6. Shot at f/45 Exposure time: 40s Other equipment: Gitzo 1545T Tripod Location:  Parksville Lake Tennessee     Firstly, tell us the story behind this image. What inspired you to shoot it? I like to search for a sense of calm in my images.  In a lot of ways this fits my...
  • Going digital If we go back to 2002 a close photographic friend convinced me (against my better judgement) that film was a thing of the past, and that to hold my own in the professional photographic world I had to go digital. Eventually I succumbed to his argument and traded in my Leica film cameras (I had 4) and started on the dizzy road to digital photography. In those days some fifteen years ago I thought it would be just like changing film brands: OK it may take a bit of getting used to a different ...
  • Images with feeling The most attractive element of analogue is its delicacy. The analogue process has remained so ingrained into my practice, I can't imagine working in any other way. Seeking images which stir a feeling within and seeing that image through each stage of the process to finally create a hand-made darkroom print. The print may not be perfect, I do not tirelessly work on test strips creating a technically perfect image, I never leave the confines of the darkroom to inspect the print once it...
  • Double exposures can be really tricky to get right. Lucy Ridges shares the secrets behind her ship / nude image below. Ship Technical information Shot on: FP4 plus medium format film Camera Mamiya RB 67 Exposure time Double exposure, each exposure 1/60 F5.6 Other equipment With bowens studio flash (1 x large soft box) I shot this image at my photographic studio in Manchester, located within Rogue Artist Studios The story behind the image My work for many years has encompassed a love for mul...
  • An experiment in chemical possibilities When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy.  If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...
  • Tree #8 Technical info: Film Used: Ilford FP4 Format: 6x7 Camera: Mamiya 7ii Lens: 43mm Exposure time: 3 min Other equipment: Lee Filter holder, Lee 4 stop nd, Lee Red #25 filter, B&W 105mm Polarizer, Gitzo Tiopod, Acratech Ballhead. Location: Zion National Park Tell us the story behind this image. What inspired you to shoot it? A couple good friends of mine who know Zion quite well introduced me to this fantastic little tree last Fall. The tree is about 9 feet tall and high up on a ridge ...
  • We're often asked what the differences are between our PLUS films and our DELTA Professional range and have given a brief reply in our post about Choosing your first ILFORD film. If you're interested in a more detailed explanation, the read on... HP5 PLUS    Uses our more traditional emulsion making methods. HP5+ has evolved over many years to become an extremely flexible and robust film. Has extremely good exposure latitude and is very tolerant of under/over exposure. ...
  • An Interest in Large Format Large format is an immensely rewarding and enjoyable way to make a photograph. It can also feel overwhelming when you’re just starting out, but it doesn’t have to be complicated. This article is for anyone with an interest in large format. I got into 4x5 because I wanted to challenge myself, and to try something new. Over the last two years it has become my favourite way to take a photograph. There’s something special about slowing down and being so deliberate with each...
  • We asked you to share how you used our products differently and you shared an amazing range of #alternateprocess images with us. These are some of our favourites. @JoeCCunningham A second-pass lith print on #Ilford MGIV RC, original shot on SFX 200 dev'ed in Perceptol. #FridayFavorites   @DrMarsRover Biscuit tin #pinhole camera RC paper negative #alternateprocess #ilfordphoto #fridayfavourites   @mparry1234 #AlternateProcess #ilfordphoto #fridayfavourites Ilford RC paper solog...
  • HUNTING ISLAND XVI, 2018  Technical info Film Used    Ilford Delta 100   Format    4x5 Camera     Chamonix 045N-2 Lens     Fujinon SW-90 Exposure time   Approx.2 minutes Other equipment    Sand & shells, to taste. Location: Hunting Island, South Carolina, US.   Tell us the story behind this image. What inspired you to shoot it? This March, I was in Charleston, South Carolina, and had a day to burn. I started looking around for somewhere cool to check o...
  • The Outlaw Project shooting portraits with a large format camera The Outlaw Project, was inspired by Edward Sheriff Curtis, the 19th Century photographer, known for his portraits of native Americans, shot with a large format camera. In 2011, Peter acquired a giant copy camera, made by Sidney R. Littlejohn Co., in the East end of London circa 1926. The camera, though having been used heavily in the newspaper industry for copying documents, was generally in working condition. With its inner mechanical str...
  • It looks like there are a lot of you who are proud to be films photographers and rightfully so! These are our favourite shots from the ones that you shared with us for this week's #fridayfavourites #pride theme. @hejrevell Two Pub workers taking a break in Kotor, Montenegro. ? ILFORD HP5 Plus Film ? Leica M7 | 50mm Summicron lens. #ilfordphoto #fridayfavourites #pride #35mm #leica #AnalogPhotography   @keithdmercer #HP5Plus - ideal for the conditions! #fridayfavourites #pride #CoxwellBarn #...
  • Crumble We always enjoy finding out the stories behind some of the images that you share with us and we couldn't resist asking David Allen about this image. Technical Info Film Used: Ilford HP5 PLUS Format: 120 (6x7) Camera: Mamiya RB 67 Pro-S Lens: 90mm/3.8 Mamiya Sekor Exposure time: 1/100 Other equipment: Changing bag with an extra 120 spool. Location: Top—Philadelphia, PA | Bottom—Bradley Beach, NJ Firstly, tell us the story behind this image. What inspired you to s...
  • Chemigram workshop On a very hot, sunny Saturday six students from The Mill Arts Centre Trust in Banbury took part in a Chemigram workshop. Chemigrams were established in the 1950s by Belgian artist Pierre Cordier. Chemigrams are created by forcing a chemical reaction between photographic paper and photographic chemistry. In this workshop, we used ILFORD Warmtone Resin Coated Paper, ILFORD Pearl Resin Coated Paper, ILFORD Universal Developer, ILFORD Warmtone Developer and ILFORD Rapid Fixer. Beautiful...
  • You shared a creepy (and sometimes just plain scary), collection of images with us for this week's #ilfordphoto #spooky #fridayfavourites. These are our freaky favourites! @DrMarsRover Darkroom montage print from two @ILFORDPhoto HP5 negatives Bronica SQ-A #fridayfavourites #spooky @EdoardoCatini Wonderful wolf in Sibillini mountains (center of Italy) @leica_camera m6 on @ILFORDPhoto hp5+ pushed to 1600 iso #fridayfavourites #ilfordphoto #NaturePhotography #wolf #filmphotography #edoardocatiniphotog...
  • Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.  This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine. Si...
  • There was this one scene I wanted to capture.  I stumbled upon it walking up Old Man Coniston in the Lake District just before reaching the peak.  Out of nowhere (unless you’ve studied an OS map) a body of water appears when approaching from the east. As we reached the water’s edge, the sun was bursting through the clouds for the first time in days. The light was fantastic, catching 2 large boulders protruding from the perfectly flat, reflective water with the hill layers mirrored on the surface. ...
  • My love for film is strong, but it wasn’t my first photography love. When I first started out as a landscape photographer my focus was on digital infrared. I was drawn to the unique view that it captures. Last month my two photography loves came together when I was given some SFX200 Extended Red film by ILFORD. When I shoot film I use a different set of skills to when I shoot infrared.  One of the most important elements of shooting infrared digital is the quality of the light - the distribution and o...
  • Thank you In 2018, we invited the global analogue film photography community to take part in our latest film users survey. The survey, which attracted 2100 participants when it was last conducted in 2014, grew to over 6,800 participants from 100 countries this time around.  This was largely due to the help received from the fantastic film community in sharing it far and wide on social media, blogs and forums, so thank you. While many of the results are in line with the growth seen since the re-emergenc...
  • What a fantastic week for sharing on social. We've seen so many images for this week's #ilfordphoto #fridayfavourites #street theme that it's been really difficult to whittle them down to our  favourite five. barnaby_nutt Into the light #ilfordphoto #street #fridayfavourites #believeinfilm #LeicaM6 @FP4Party @sunny16podcast @negativepositive   @LoreHealy #believeinfilm #ilfordphoto #fridayfavourites #street #hp5 Women’s March, PT Townsend WA, ?Fuji645zi   @brentdelanoy Downt...
  • Towards the end of 2018 I was reviewing some of my Autumn film photography and feeling put off by the results. I've been working with film for some now in an effort to take advantage of the superior dynamic range. And, when shooting in strongly backlit scenes to move away from silhouettes and ambiguity and towards a more controlled journalistic style. Shades of Autumn I found that because of the diffused cloudy conditions in London I was struggling with my exposures and the overall look of my images. T...
  • We're all guilty of trying to squeeze every last frame we can out of a roll of film. For this week's #ilfordphoto #fridayfavourites we asked you to share those #firstshot frames that were extras. (You know the one's we mean where only half the frame is properly exposed) As usual, you didn't disappoint. @ntruj The one that got away. #ilfordphoto #fridayfavourites #firstshot   francisco.valga “hello..” #lionelrichie #porche #ilfordphoto #fridayfavorites #firstshot #minolta  #ilfordfp4...
  • For this week's #ilfordphoto #fridayfavourites we asked you to share your #contactsheets Contact sheets are a great way to review and record your images. They allow you to view all the negatives on a roll of film before deciding which ones you want to print and how you may want to crop them. They also provide a permanent record of those negatives for filing.   patricio_estay MY LEICA M3! Gift from Henri Cartier Bresson 1986 - Paris... #partnerincrime #leica #myleica #leicam3 #hcb #editing #p...
  • We're seeing an increase in the number of people who are creating paper negatives as well as those who are shooting on HARMAN Direct Positive paper so so for this week's #ilfordphoto #fridayfavourites we asked you to share images that you #shotonpaper. These are our favourites. @VintagePhotoCo Ok, here's one of an artist holding the paper negative image I shot of them using an #Obscura #pinhole camera outside #KurtSchwitters #Merzbarn ??️? #shotonpaper #fridayfavourites   @ozalba Shot ...
  • Sharing the skills and the passion My name is Hank Webber and, together with my wife Marie, we own and operate Webbers Photography Within my family, I’m a third generation photographer. It all started with my Grandfather in the 1920’s who then passed the skills and passion to my Dad and his brother, my Uncle Joe. They, in turn, blessed me with the same passion; skills are ever evolving. Each of them believed that as they triggered their camera shutters, they were capturing a moment in time that woul...
  • Below are some of the common errors that can occur when processing black and white films. Many of these are actually common film processing problems that photographers encounter without being aware of what has caused them. Unfortunately some of these errors can result in the images being lost or partially ruined. By knowing what has caused the errors, you may hopefully prevent any repeat incidents. Film entirely blank - No visible images or edge signing A completely blank film with no images and no sig...
  • Wow! What a huge selection of images for this week's #ilfordphoto #fridayfavourites #ilfordpanf theme. We've had a great time this morning going though them all and discussing (arguing?) over our favourites. @DrMarsRover Gasworks Park, final print @ILFORDPhoto PanF+ | @realitysosubtle 6x6 pinhole | MG Fiber #darkroomprint #ilfordphoto #fridayfavourites #ilfordpanf   @henrikemtkj Konica Hexar AF with #ilfordpanf #fridayfavourites #ilfordphoto fearnphoto Frankfurt (Main) Hauptbahnhof, July...
  • We set you the theme of #mediumformat for this week's #ilfordphoto #fridayfavourites. There is so much detail in a 120 negative and in the darkroom they can be be printed big without any loss of quality.  These are the ones that we chose as our favourites. @MattAngleyPhoto?Crane Mountain summit, Adirondacks ? Zeiss Ikoflex 1C, 75mm f/3.5 Carl Zeiss Tessar ? Ilford Pan F Plus #film #filmphotography #ilfordphoto #fridayfavourites #ilfordpanFplus #mediumformat #believeinfilm #filmisnotdead #blackandwhitep...
  • In the midst of ever more sophisticated technology we live with the illusion of saving time by doing things with more speed, and increasingly relying on computers: programmes work out difficult problems, they plan for us, think for us. Files, servers and systems store information for us, including photographs - hundreds of millions of photographs. A Slow Practice Samburu warriors, Kenya Rob Fraser is drawn to photograph people whose lives are shaped by traditional practices rooted in specific lands...
  • Image title:Echos Technical info: Film used: ILFORD FP4+ 125 Format: 35mm Camera: Contax 167mt Lens: Zeiss 50mm 1.7 Exposure time: 1/500 Location: Ekbatan-Tehran-Iran   Firstly, tell us the story behind this image. What inspired you to shoot it? As a photographer my eye is constantly searching  for a specific composition,moment and emotion. It was a cloudy day and the music was playing in the air. In that very second I felt a sudden hint of inspiration that lead me to capture...
  • A Photographic Love Affair My love affair for photography was born out of my passion for music. In 1990, when I was 18, my late father took me camera shopping at the local mall because I thought it would be fun to photograph rock stars. He helped me select a beautiful Nikon SLR that I quickly mastered. Shot on Ilford XP2. I began shooting some of the biggest bands in the world and some that were yet to be known as they toured through the United States. My film of choice was Ilford XP2. I loved it b...
  • The Photography Show 14-17 March There's not long to go until this years Photography Show at the NEC in Birmingham and it's going to be a great one. (If we do say so ourselves)! There is going to be a far greater analogue / film presence at the show this year as the organisers have agreed to the inclusion of a dedicated ‘Analogue Spotlight’ area which will include some pods for smaller brands and a spotlight speaker area for those brands to do demos. Come and see us! We will be there on stand B93 ...
  • When we originally set this week's #ilfordphoto #fridayfavourites theme of #goingout we had no idea of how everything was going to progress and change over the following weeks which is why we changed it to any images using our #ilfordphoto #fridayfavourite tags. Please keep sharing your pictures on social media. We know that it brightens our day to see them and i'm sure it's the same for others too. @pjmeade A day watching cricket. Shot on SFX200 and a Red 25 filter. #ilfordphoto #fridayfavourites #g...
  • A mix of Art and Science As I write this, the UK and many other parts of the world are currently in lockdown thanks to the COVID-19 coronavirus. This pandemic has meant the unprecedented closure of schools and the daunting prospect of home schooling our children – in my case 10-year old twins. Now, I’m not sure about other parents but I’m almost at the point where I can no longer blag my way through their homework. Rather than own up to this humiliating fact, I suggested I get them involved in a l...
  • Meeting Viktory I fell into dance photography quite by accident. I was a member of a meetup group of photographers in Boston, and one of the people I met at their events invited some of us to shoot in his studio with Viktory, a traveling ballet model. I was shooting landscapes almost exclusively at that time, and I had hardly ever shot with a model before. Luckily for me, Viktory is very experienced and was able to work with our varying skill levels. Little did I know at the time that I would still be shoo...
  • If you've ever held any interest in skateboarding then we're sure that you'll recognise Joe Brook, our third victim interviewee for the Lockdown Sessions.  Joe also featured in one of our 1st ILFORD Inspires videos. (You can find the link in his bio below). SECTION 1 - THE BEGINNING Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is my favorite photo of 2019. I was on a skate trip with the Spitfire team and we were warming up at a skate park. A local t...
  • Selfish process? It can sometimes feel that many steps in my photography process are selfish. Some of these I can take as positive, for example the way I now truly photograph for myself and not to please others. (Aside from client based assignments), as was the case when I was locked into the social media game at the start of my photography experimentation. Other times however it can feel that I’m not doing enough to use my photography somehow to produce some visceral change in the world, despite my curr...
  • An object of beauty I have just been asked to explain why I use film to make many of my images….. well the simple answer is ‘I like the process….I love the total engagement film gives me. Working out how many rolls to take, what size film to take, packing it all up and hoping I haven’t forgotten my light meter. I love the reaction when I give somebody a print at 12 inches square in an archival sleeve. It’s an object of beauty, its tangible, it’s exciting, its more than a digital print…...
  • The future of photography The year 2020, it sounds very futuristic to me. So, what does that future look like for photographers? Well, no doubt technology will be getting more advanced than ever and we will see huge leaps in digital development this coming decade as the megapixel war continues. There will likely be be new initiatives and more collaborations with smartphone companies. Will the digital SLR camera start to disappear? Will mirrorless take over? Or will there be a new hybrid on the market...
  • We've been following Dan Rubin's photography for a while now so were really pleased when he agreed to take part in our Lockdown Sessions. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?   Shinagawa Station, Tokyo, 2016. Ilford HP5+ @ 400, Leica M6, Summicron-M 50/2 (Scanned by Canadian Film Lab) This was my first full day in Tokyo, on my first visit to Japan in 2016. The memory of wandering through the station during rush hour...
  • Although it's probably the dullest day we've had for a while here, your #sunshine shots for this week's #ilfordphoto #fridayfavourites theme made it feel a little brighter. @henrycwh1500 Cottage, Elton, Peterborough @ILFORDPhoto DELTA 100 #fridayfavourites #ilfordphoto #believeinfilm #shootfilmbenice #nenevalley   @sirdanielus #sunshine #ilfordphoto #fridayfavourites #ilforddelta100 #mamiyarb67prosd   @DhutchPhot Been a while since I got involved with this, takes me back to summe...
  • Introduction I often see echoed this absurd idea that somehow film photography is more “pure.” Anyone who has ever been a part of a film photography Facebook group has surely come across a post along the lines of “how much editing in post do you think is OK with film?” And, without fail, there will be at least one response from the analog bourgeois which goes something like “if you’re going to edit *that* much, you might as well shoot digital. Why are you even shooting film?!” Sadly, we of...
  • Sometimes when you look at a picture it brings a specific song or lyric to mind even if it wasn't intentionally shot with that purpose. These are the images that we asked you to share with us this week for our #lyricsandfilm #ilfordphoto #fridayfavourites. beatrizburnay    Bird on the wire, Leonard Cohen  #lyricsandfilm #fridayfavourites #ilfordphoto #ilfordhp5   @Jebbo101  #ILFORDPhoto  #lyricsandfilm #lyricsandfilm  #fridayfavourites  #darkroomprint From my archives, my favorite tun...
  • We all have a favourite place that we head to when we have the chance to escape for a while. For this week's #ilfordphoto #fridayfavourites #escapewithfilm film theme we asked you to share images of yours. @thoobill  This is near Mudgee, central west New South Wales. A wine growing region with clear night skies. Our trip was postponed earlier this year. Can’t wait to go back. FP4 plus. Maxxum 5 + Rokkor MD 35/1.8. #ilfordphoto #fridayfavourites #escapewithfilm #shootfilmbenice #believeinfilm  ...
  • As many places around the world are starting to ease the strictest of lockdown restrictions, for this week's #ilfordphoto #fridayfavourites we asked you to share shots that show what #lockdown has meant to you. sacked_a_rail Cycling to work was always a good way to document what happened during the lockdown in my hometown Bolzano / Italy. This scene showed me how much we all suffer from social distancing. #ilfordphoto #fridayfavourites #lockdown #ilforddelta100 #hiddenbeauty #filmporvida #sackedarail ...
  • Balance Like many photographers these days, I balance a busy day job alongside a family life. I try to be good a community member, share my thoughts and experiences and sometimes, perhaps, inspire one or two. In the background I have long held an aspiration to become a successful professional photographer, something i'm still working towards. Like all of us I suspect, finding something to focus on, photographically, can be a challenge when life is so busy. The majority of my casual photography currently...
  • I don't think it will be long before we need to change the title of this series! We really hope that you are enjoying finding out more about some of the members of our community. This week, for our 11th interview, we have Simon King. He is probably best know for is street photography and teaches short course on it at UAL. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I really find it difficult choosing favourites, so I have to give a bi...
  • When we set you this week's #ilfordphoto #fridayfavourites theme of #nighttime we were expecting the majority of the images to be on our faster films, however, we were pleasantly surprised by the amount of you choosing to shoot some of our slower speed films in low light conditions too. @JohnScarbro1 Junction Box. @ILFORDPhoto FP4+ Minolta 505si #believeinfilm #filmphotography #blackandwhitephotography #analogphotography #ilfordphoto #fridayfavourites #nighttime #ishootfilm charlotte_gilliatt My fav...
  • We are all familiar with the more 'standard' films in our range such as our PLUS and DELTA PROFESSIONAL brands. However, some of our films are a little bit different from the  norm, and these #specialistfilm shots are what we asked you to share for today's  #ilfordphoto #fridayfavourites.   samduncan156 A peach and a nectarine on Ilford Ortho. #ilfordortho #fridayfavourites #specialistfilm #parallaxshootsilfordortho80 #homedevelopedfilm #ilfotecddx #stilllife #mamiyarb67 #mediumformatfilm #bn...
  • My dream camera I was introduced into photography when I was just a teenager by my uncle Massimo —· AKA zio Max. That’s how I have acquired basic knowledge about film photography, and developed the skills that helped me to start a career as an independent —  and self-taught — filmmaker. Filmmaking and video production became my main occupation, while photography remained a deep passion, which kept coming back from time to time in my professional career. In the last few years I have been too...
  • Although we love setting you themes each week for #ilfordphoto #fridayfavourites we also really enjoy giving you the freedom to share whatever images you have shot on our film with a theme free week now and then. @MrRobertTimothyHere's my #Ilfordphoto #fridayfavourites trio - behind the scenes. From an editorial shoot with Charlie, the bloke from the Guess jeans ads. I go through the negs and we mark (on the sleeve) which to scan. Then clean up, crop and final tweaks. #ilforddelta400   kunis...
  • In our 14th and possibly final Lockdown Session (before we move to a new format), we are bringing you Kit Young who was nominated by Ashley Carr back in week 9. We've followed Kit for a while on Instagram. He's a fantastic darkroom printer and is always happy to share how get gets to the finished prints from his negatives. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? There are a lot, so I’ll pick this relatively recent print o...
  • Summer of Photograms My end goal with my photography, at least for as long as I can remember, was to make darkroom prints. I love the thought processes in darkroom printing, the excitement when I manage to find the combination of burning, dodging and other printing techniques that turns my imagined image into a print that I can share. Preferring the tactile nature of darkroom craft, I never cottoned on to digital photo processing or printing. Then in the spring of 2019 I developed a long term illness th...
  • When we saw that Kit Young had chosen Tyler as his nomination it definitely made us smile. We've shared several of Tyler's IG images in the past and enjoy browsing his feed when we get the chance. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? Picking only one is an impossible choice! A favourite of mine is a contact print made from an 8x10 negative using FP4+, Ilford MGFB Glossy paper and selenium toned. I used my Chamonix 810V field camera and the ex...
  • Earlier this year my go-to black and white film of choice had its priced hiked astronomically, making it an un-affordable option for my daily choice. I set about exploring some different options, which included revisiting HP5 (a film, I must confess heretically that I have never gelled with), pushing FP4 to 400, Foma 400 and 200 pushed, and - the film for this short piece - ILFORD’s XP2. I might not have even reached for a roll of XP2 had I not discovered the experiments of another analogue photogr...
  • Lina Bessonova is a passionate film photographer and darkroom printer. She shares her love of photography and printing on her popular YouTube channel as well as through workshops and lectures. One of her recent videos shows how easy setting up a darkroom can be in a small space. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This image is from my very first roll of 120 film (Delta 100). The other 11 frames are average beginner pictures which make one h...
  • Our DELTA Professional films have a different grain structure than our more traditional PLUS range giving them exceptional sharpness and a cleaner look when correctly exposed. This week's #ilfordphoto #fridayfavourites theme focused on the middle film in this range with images #shotondelta400. @paulasmithphoto Devils Marbles, Australia. For this weeks #ilfordphoto #fridayfavourites theme #shotondelta400 #believeinfilm #blackandwhitephotography thewarneraesthetic January 24th, 2020 Mamiya 7ii, Ilford...
  • This week we shared our latest 'How to' video on YouTube which is all about our range of photographic darkroom papers. As we knew this was coming, we thought we'd tie in this week's #ilfordphoto #fridayfavourites theme of #rcprint. thepaulgarlick You can't put a price on a dodo #blackandwhite #monochrome #ilfordphoto #leedsfilmphoto #kentmere #kentmere400 #rcprint #ilfordmultigradedeluxe #sculpturelounge #sculptureloungestudios #gaildooley (?) #fridayfavorites #minoltadynax7 #holmfirth #dodo #ceramic ...
  • Made at our factory here in Mobberley, our Kentmere films are often a more economical option than our ILFORD film range and are great for those starting out in film as well as photographers wanting to experiment with different film stocks. You shared a huge variety of shots for this week's #ilfordphoto #fridayfavourites #kentmerefilm theme. @CamShaw74 #ilfordphoto #fridayfavourites #kentmerefilm Austin Healey Sprite, taken at Event City in Manchester. Kentmere 400 pushed to 800 and developed in ILFORD D...
  • Interview 23 is with Michael Weitzman. A film photographer, darkroom teacher and alternate and experimental process enthusiast. Michael was nominated back in June by Brett Hillyard. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? Northern Line. This photograph shouldn’t have happened, but I wanted to shoot in extreme conditions. It was 5 or 10 below zero with 15 - 20 MPH wind off the Missouri River in Great Falls Montana dead of winter. I came up to ...
  • When you hold a hand printed FB darkroom print there is something special about it. It has been so amazing to see how many of you are making FB prints in your darkooms today. It was hard to choose just 5 images for this week's #ilfordphoto #fridayfavourites #fbprint theme but we got there in the end. (Nearly)! @Virgil_Roger @ILFORDPhoto makes the nicest paper, it was my go-to choice for my first ever hand printed solo show a while back. Let's throwback for the #fridayfavourites! Collages, a composite ...
  • We're all guilty of neglecting to notice the familiar. For this week's #ilfordphoto #fridayfavourites #overlooked theme asked you to share your shots of those people/places/items/buildings that you pass without 'seeing'. @HorShachor Safety webbing on scaffolding, at urban construction sites. All shot on HP5 35mm #ilfordphoto #fridayfavourites #overlooked analogue_reverend Even old junk has a story. How many fields did this old tractor plow? Whose livelihood did it support? What did that farmer d...
  • John Whitmore is a 'sometimes' event and  black and white documentary photographer, a Darkshed owner, darkroom printer, YouTuber and Sunny16 podcaster.  We're really pleased that he took some time out of his busy schedule to become the 24th 'In Focus'  interviewee. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? In some respects photography could be explained as one massive scientific research project, capturing data to show the state of atoms and ho...
  • We don't often spotlight our developers, but they do an important job and can help to bring out the best in your negatives. This week for #ilfordphoto #fridayfavourites #ddxdev we asked you to share your shots developed in ILFORD ILFOTEC DD-X.  @Peterfilmphoto Dig It #ilfordphoto #ddxdev #fridayfavourites #leicaM4   @leder_film my all time favorite strip of film Ilford delta pro 100 processed w/ @ILFORDPhoto ddx developer #ddxdev   @n88djw SINGAPORE: The Silver Hour In colour i...
  • It's week 25 in our In Focus interview series and this time we set our questions to Arkadiy Shlein who was nominated by Lina Bessonova back in August. Arkadiy is a Russian large format photographer and analog printer with a classical style. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I’ve got so many favourite photographs that I don’t have a single one hanging at home (yes, couldn’t decide :). This is one of them. I photographed this beech gla...
  • A popular technique for getting the best from your prints in the darkroom. This week's #ilfordphoto #fridayfavourites theme was #splitgradeprint. @BlkWhiteFilmPix How did I split grade print this night photo I made on #ilfordphoto Delta 3200 film ? https://youtu.be/9ex-b6_OxEo #fridayfavourites #splitgradeprint #Paris   @JamesPearson #splitgradeprint from a tricky to print negative. Grade 00 for 38s and grade 1 for 11s. Then two minutes burning of the window (that was hard work). @ILFORDPho...
  • As well as being a photographer and darkroom printer, our 27th 'In Focus' interviewee Max Bedov also custom makes darkroom equipment based on his years of experience. Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This frame was taken in Provence on Ilford film Delta400 exposed as 640. Generally I am not keen on an astrophotography but this particular shot is very memorable to me for a several  reasons. 2016 -Alpa SWA 6x9 -DELTA 400 -Provence - MG...
  • Toby Van de Velde takes centre stage this week as the 29th interview in our In Focus series. He was nominated by John Whitmore back in September who described him as 'Constantly producing wonderful analogue images.' Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is a tricky one to answer. Narrowing it down is nigh on impossible. This is a recent favourite from a couple of months ago, shot on Kentmere Pan 400, shot in my Billora Bell...
  • A chronic case of GAS To cut a long story short. In a previous life, i.e. before kids, I suffered a chronic case of GAS (Gear Acquisition Syndrome) and ended up as the proud owner of a Richard Ritter 7x17” Ultra Large Format View Camera. As every GAS sufferer believes, buying your way out of limited talent is the only path to follow. The plan was to produce stunning panoramic negatives for Platinum/Palladium contact printing. The combination of huge negatives, old school contact printing and expensive em...
  • Known for his fantastic images of urban and skate culture. (If you're not following him already then you should be). Rafael González is the 30th interview in our In Focus series. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I have so many photos I really like it’s so difficult to choose one specific but this one is one of my favourites I must say, I shot it during a skate session with my friends, nothing planned just cruising around th...
  • Nominated originally by Keith Moss back in November of last year. David Collyer is the 31st interview in this series.  A documentary photographer who chooses to shoot around themes or projects. David's is probably best known for one of his recent projects All in a Day's Work which received international recognition. Section 1 - Background SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? Blimey! That’s like being asked to choose your favourite child and then expl...
  • For our first #ilfordphoto #fridayfavourites of 2021, we asked you to take a look back over the last year and share your favourites shot on our black and white film using #bestof2020.  I've been looking at these all week as they've come in and still struggled to pick just five today. Thank you to everybody who shared with us. @JeremyCalow Looking back at my year on @ILFORDPhoto  I’d have to say this was one of my favourite images taken way back in July of 2020! #fridayfavourites #ilfordphoto #bestof...
  • A slice of London Isle of Dogs is the name of my second self published zine under Ducksale Press, a zine publishing project my friend James Moreton and I started a couple years ago. Isle of Dogs is also a slice of London: overdeveloped, underfunded, home to locals who were born on the island (“islanders”) and immigrants alike. But because the Thames makes a distinctive U shape around it, the Island stands out on a map or when viewed from a plane. I've recently learnt that German bombers, despite a Lond...
  • As many of us around the world are still under some type of lock down restrictions we chose this week's #ilfordphoto #fridayfavourites theme with that in mind and asked you to share images that you have #shotinside. @DavyBlaker Cappuccino time on @ILFORDPhoto #hp5 #ilfordphoto #fridayfavourites #shotinside   @steve_jacksun Bubbly Hasselblad 501cm 150mm ilford pan f+ 50 Ilford Perceptol April 2015 #hasselblad #hasselblad501cm #goldmoony #group6x6 #silvervisionfilm #ilfordpanf50 #ilfordphoto #...
  • HARMAN is pleased to announce a dedicated* ULF campaign for our ILFORD ORTHO PLUS film in Spring 2021. This represents a short but exciting window of opportunity to source non-stock sizes of a unique and wonderful film with a variety of applications.  ILFORD ORTHO PLUS is an extremely fine grain, sharp, orthochromatic film that is used in both technical and photographic applications. This including medical and scientific use, the copy of negatives and the creation of stunning images. As a well-establish...
  • I'm fairly sure that this week's interviewee doesn't need an introduction. Walter Rothwell is a multi award winning photographer and co founder of Street Photography International Collective. His website and Instagram feed are filled with striking street and documentary images from around the world. Section 1 Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This image is from a documentary I made in a leprosy hospital in Bangladesh. I was 19 when I start...
  • We love spending time in the darkroom, and it's always surprising how quickly time can pass when there are no other distractions. For today's #ilfordphoto #fridayfavourites we asked you to share your results from this time well spent for our theme #printedwithpassion. @justgipsy #ilfordphoto #printedwithpassion #fridayfavourites Darkroom prints #Delta100 rated @ 50, selenium toned, part of a sunflower series   ©Chris Hudson  #printedwithpassion This was shot on a digital camera and then Li...
  • We're heading back to October last year when Arkadiy Shlein nominated Oleg Kasko to take part in this series after following his Instagram feed. Oleg is a photographer and passionate darkroom printer and advocate from the Ukraine. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I like this one because when you look at the photo you see a boat surrounded by white like milk, water. Although in fact it was taken at night. I decided I would leav...
  • Even when you have a love of film and traditional darkroom practices, there’s always room for alternative photo process experimentation as ecological photo-artist Josie Purcell knows well. OVERVIEW I am a photographer, but trying to explain that I specialise in photographic processes that may not include a camera has led me to describing myself a photographic artist. My passion for photography began in secondary school. There was a darkroom in the art class, but it was never used; it acted like a bea...
  • My default Choice Colour photography has been my default choice for a long time. It is how my eyes see the world, it’s what catches my attention, and it’s what brought my back to film photography. My first roll in 2018 was a roll of Lomography 400 shot on a week long holiday in Madrid, Spain. The scans that came back from my local lab had me transfixed. I couldn’t tear my eyes away from the vibrancy of the reds and yellows. They popped so brightly against the grey and brown of the city in winter. I w...
  • The idea came to me after searching for companies to have a photobook made. I wanted something of the highest quality. Something that had the physical feel of Photographs: Annie Leibovtiz 1970-1990, or Helmut Newton Portraits. Two beautifully printed books that happened to be sitting in the community darkroom I own. After searching the internet for hours and looking at reviews and products of various companies, I was no further along to making a selection than when I started. My mind wandered as I stared at...
  • In this blog article, Kit Young provides insight into his latest book, Where the Rain Clouds Gather (OD Books) , which was made entirely from scanning hand-made silver gelatin prints. The Concept At times the past year has raced past in a haze. Streets have emptied and we have retreated to our cocoons. Cooped up. Waiting for the storm raging outside to subside. The images in Where the Rain Clouds Gather, my second publication, appear as if from a dream state. Moments in time, brought to life in the dark...
  • As last Sunday was World Pinhole Photography Day we thought is only fitting that this week's #ilfordphoto #fridayfavourites theme honored this with #ffpinhole. Over 100 images were shared with us this week and we've had a great time this morning choosing our favourites. @billthoo  Terrapin Kaiju Pinhole exposure April 2021 #fp4 #ilfordphoto #fridayfavourites #ffpinhole @ILFORDPhoto #ilovesydney #shootfilmbenice #believeinfilm #filmphotography   @paulasmithphoto My favourite pinhole shot ...
  • One of the things that we're enjoying about this series is that it lets us find out more about the photographers that you follow and are interested in. This week's interviewee Chris Garner, was nominated by Joseph Patrick, who in turn was nominated by Laura E Partain. Who's nomination came from Sandy Phimester. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favorite image I have made so far would have to be this image. I made it while I ...
  • We're letting you back behind the film again to meet some of the passionate people who are part of making the products that you love. This time we talk to Becky and she shares some of her film photography with us. INTRODUCTION Who are you? What’s your job title HARMAN technology and how long have you worked here? I’m Becky, an Apprentice Scientist and I’ve worked here for 2.5 years. Tell us a little about your day-to-day role.  I work in the lab prepping formulations, carrying out raw material r...
  • Taking Risks Through a series of what felt like small and inconsequential life choices I have found myself recently in positions where the logical course of action involved putting my health and even my life at risk, in service of making photographs. I, like many others I'm sure, want to be a great photographer. To me this means that I look with a respectful eye over my own body of work, and accept it for what it is: (hopefully) the absolute best I can accomplish. A retrospective This is something I r...
  • Reflections on the Materiality of Film, with PANF Plus in the Montana Snow Snow is a beautiful subject for ILFORD PANF Plus. Thankfully my quiet mountain town of Bozeman, Montana, USA—has lots of snow, and I have lots of PANF film. As snow can be such an intricate and momentary subject, it makes an appropriate subject for reflecting on the material and time-conscious process of creating an analog image. I recently returned to film photography after a ten-year hiatus. I’ve been delighted to again...
  • Earlier this year in our interview with Walter Rothwell, he nominated Kris to take part in this series. We're so glad that he did. Enjoy! Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? One of my recent favourite images is this portrait of 3 young men taken on the streets of Birmingham UK. It was one of the first outings in the city post-lockdown and I wanted to really get back into a stride with my personal photography on the streets. With ...
  • A scene that screams colour Have you ever been out with your camera, loaded with your favourite black and white film stock and found a scene that screams to be shot it colour? Of course you have, we have all been there! Today I am going to introduce you to a new 150 year old process called Trichromy also known as the three colour process or more recently Trichromes (by Jasper Fforde). As with all early photographic techniques it's difficult to say who coined the process first as there were many people w...
  • Interview number four in our Behind the Film series is with International Sales Manager and relative film newbie Alex Hancock. Who are you? What’s your job title HARMAN technology and how long have you worked here? I am Alex Hancock and my role is International Account Manager. I've been with HARMAN for 3 years now. Tell us a little about your day to day role. My role is to support our international partners who manage the brand and sales in countries around the world. I work directly with all of thei...
  • Get ahead of the class Here you'll find links to lots of helpful information that will help you get a head start in your film photography studies. We've collated links to blogs, product pages and shared some educational videos from our YouTube channel too. So, you've got your film camera and now you need some film. Many schools, colleges and universities will lend out cameras to their students and these generally take 35mm film but, there are other options available and the type of camera that you have wi...
  • Cabin Fever Tired of COVID 'cabin fever'  I needed to get out shooting so I concocted  a mission to shoot a total of 36 acceptable shots in a 2 day time frame.  Day one would be 12 6x6's and the second would be 35mm for 24 shots... fingers crossed. I decided to shoot b&w film.  This would not have been my choice a few years ago but the plethora of  digital imagery has turned me off to the point where I'm re appreciating the disciplined 'analogue' mind set. I just flat out love and respect the w...
  • We hope that you are enjoying learning more about some of the film shooters that we have working here at HARMAN. This week's interviewee (our 5th) is our MarComms Manager Matt Parry. We think he has a bit of GAS (gear acquisition syndrome) what do you think? Who are you? What is your job title at HARMAN technology and how long have you worked here? My name is Matt Parry and I’ve been the Marketing Communications Manager at HARMAN technology since June 2016. Tell us a little about your day-to-day role. ...
  • The logical Course I think it is adequate to say that the pandemic provoked many changes for everyone. From the upheaval of our everyday lives to the anxiety over our health as well as that of our loved ones, we all quickly realized that things would not be the same. For us analog photographers that didn’t develop our own film there came another obstacle: how would we continue our craft when everything was folding around us? The logical course of action was to learn to process at home. After many YouT...
  • I've tried to avoid putting this one out for a while but like ripping a plaster off I thought getting it out early may be best. There are still plenty of these interviews to come over the next few months as we speak to some of the film shooters on site but for now, I hope you enjoy our 7th Behind the Film interview. Who are you? What’s your job title at HARMAN technology and how long have you worked here? My name’s Michelle Parr and my official title is ‘Digital Marketing Specialist’. I’ve worke...
  • A birthday request When my teenage daughter asked visit Eastern State Penitentiary on her birthday in January 2020 for the third time I knew I had to take something different with me to capture the historic prison. Built in the early 1800's and operational until 1971, Eastern State takes up a whole city block in Philadelphia, PA. After over two decades of neglect, the prison opened as a museum in the 90's.  Eastern State Penitentiary's Gothic castle style architecture instills feelings of awe, power,...
  • Crombie McNeill has been shooting film for longer than some of us have been around, and his story is fascinating which makes him the perfect interviewee for our 45th In Focus interview. Share your favourite image / print shot on ILFORD film and tell us what it means to you? Shot way back in the early 70's. By happen chance I discovered this fishing dory beached on Newfoundland's Eastern coast. I very much like this shot, and even more so because I was on my very first major assignment. Twenty thre...
  • One of the aspects that took me perhaps the longest to understand about black and white film photography - but, which turned out to have the most impact on my visual style – is that exposure is simply not real in any meaningful way. “Correct” exposure is incredibly subjective, especially true for high contrast lighting conditions where either the shadows or highlights can be exposed for in order to achieve a dramatic scene. I think there is a greater expectation for colour film to be a representati...
  • A dark legacy To say that this project got away from me would be accurate. It morphed and changed as I shot more film, but the more film I shot, the more it changed. It wasn’t until the end that I could feel it becoming cohesive. I started out with a relatively easy goal. Take some basic street photos of Salem, Massachusetts and document how much it comes to life during Halloween. Salem is best known for the witch trials that took place in 1692. Many people were wrongly accused of being witches an...
  • For this week's #ilfordphoto #fridayfavourites theme we chose #35mmxp2. We don't think that this extremely versatile C41 process film gets the love it deserves. It delivers excellent results, including well-defined highlights and shadows, even in unpredictable lighting or high-contrast scenes. And, is also special in that you can shoot at different speeds from ISO 50 to 800 on the same roll of film and process as standard C41. @timdobbsphoto  Tea & Welshcakes .. Canon AV1 on ilford XP2 for #ilfordp...
  • Today in our 8th Behind the Film interview we talk to Mike Bain. One of our longer serving team members, Mike started in our tech team and now looks after North America. He has probably forgotten more about film photography and darkroom printing than some of us will ever learn! Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Mike Bain and I am the Harman technology rep for North America. I have been with the company for 33 years. Mexico City, Me...
  • A well know part of the film photography community, especially on Twitter where she goes by @justgispy  We were thrilled when Margaret Fitzgerald agreed to be the subject of this week's In Focus interview. Section 1 Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I can't really say that any one photo I've taken over the years is my favourite, but this one is very memorable. Rolleiflex-TLR,-Ilford-HP5--Church-of-St.-Philibert,-Tournus,-Burgundy I...
  • Since we started sharing these Behind the Film interviews with you earlier this year, we have spoken to people from all different parts of our business. All are part of the team responsible for creating and manufacturing the products that you love. Today we talk to Matty, who works within our research and development department. Who are you? What’s your job title HARMAN technology and how long have you worked here? My name’s Matty, I’m a 4th year product development scientist apprentice and I’ve b...
  • Honest storytelling In the beginning of my journey with documentary photography, I fell in love with the raw, unique, and honest storytelling that film provided. Being a new wide eyed film enthusiast, the easiest way for me to jump into the pool of analogue would be with 35mm film. With 36 exposures, I was allowed the bandwidth to explore and experiment at an affordable price, that didn't break the bank, and allowed me to find myself as a visual journalist with the allotted exposures allowed. Mediu...
  • And suddenly, something that looked like a dandelion head floated into view, and I stood mesmerized as it hovered before me. When I peered inside, I realized that I could see a tiny winged creature within. I turned to my mother and said, “Look at that!” But all she could see was a dandelion head. Inhabitants Thirteen years ago I lost my father to Lung cancer, three years ago I lost my best friend to breast cancer. Besides cancer they both shared the same belief, that when we die, it’s lights out, th...
  • We had no idea when we originally started this series in April 2020 with Em from Emulsive that it would still be going strong 50 interviews later. This week's interviewee Debra Wilson was already on our radar before being nominated by Margaret Fitzgerald last month. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I chose this image of Another Place on Crosby beach.  I don’t often get to the sea so although the setting is not typical for m...
  • A regular contributor to the film and analogue community and always helpful and encouraging to other photographers out there. This week's In Focus interview is with "photographer” Morag Perkins who, "just takes pictures". Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I’ve chosen this one because it’s represents a process that has been very special to me recently. Over the last 2 or 3 years I’ve found a way to use photography to ...
  • For our first #ilfordphoto #fridayfavourites of 2022 we set you the theme of #anewstart and asked you to share images of things that were new to you. Either subjects that you hadn't shot before, a new film or a new technique. @mattweddis Anzac Memorial, Hyde Park, Sydney (@anzac_memorial ). 4 image, in camera, multiple exposure on @ilfordphoto HP5 in 35mm. I’ve been enjoying the incredible multiple exposures of @frankmachalowski and have been wanting to try to create some interesting multiple exposure...
  • It’s after 5 on a Sunday in December and I’m deep into the 11th frame of my camera and cup number 6 of a house blend of coffee. I’ve put off writing this piece for  long enough. I’m grateful to ILFORD for reaching out and as a long time user of HP5 Plus, this is a milestone that I’m excited to share with my children, family and friends. A thirst for life My name is James aka @dirtykics and I’ve toyed with cameras for the better part of my 20’s into my 30’s, until a difficult point in my ...
  • A regular contributor to conversations on film and analogue photography and always happy to share her knowledge and support other photographers. This week's In Focus interview is with Paula Smith. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? One of my favourite images. This was taken in New Zealand on a crisp sunny winter’s day. The light was beautiful and I loved how it picked up the chicken wire on the jetty. It brings back great memo...
  • We asked you to share a shot taken at the resolution (film speed or format) you shoot at most often for this week's #ilfordphoto #fridayfavourites theme of  #myresolution. @DrMarsRover I photograph with 120 most often. Dahlias on Delta 3200 #ilfordphoto #fridayfavourites #myresolution   luisvioque #hasselbladxpan #xpan #panorama #panoramiccamera #24x65 #horizonperfekt #panoramicphoto #ilfordphoto #ilfordfilm #bnw_landscape #trakai #bnw_landscapes #panoramic #mediumformat #24x65  #fridayfav...
  • Hi, my name is Daniel. I am a family father, creative director, and amateur photographer, so you might say I make my living by telling stories and I feel fine when things get emotional ;-). I am based in Heroldsbach, Germany. That’s a small village which lies on the edge of the so-called Karpfenland, a natural landscape transformed by man for pond farming. Until 2013, this cultural landscape was utterly unknown to me. Today it has become my home. Yet one question nags on me: “Who shapes whom more:...
  • We know that we love black and white film so asked you to show us a shot showing why you love it too for today's #ilfordphoto #friayfavourites #lovefilm theme. @jamestaylor403 #ilfordphoto #fridayfavourites #lovefilm #HP5  just love the whole process: load, shoot, develop, print/scan. It's such a tactile, sensory and engaging process that I get something from it whatever the results. for this week's #ilfordphoto  #fridayfavourites #lovefilm theme.   @midtonegrey This is a phone pic, but he...
  • 3700 ANALOGUE STILL IMAGES TO MAKE A 3 MINUTE VIDEO Much before the concept for Better Man music-video took shape, its inception had started with the purchase of a Nikon F5 camera body. Arguably the fastest SLR ever made. One of the main features of this immaculate beast is an automatic film advancement system that can fire at an astonishing speed of 8 frames per second. - Accurately and continuously. That means it is nearly as fast as an early 20th Century “motion picture” camera (silent-era movies we...
  • Launched in 35mm and 120 format in October 2019 ORTHO plus is the newest member of our 35mm film range. We asked you to share shots that you've taken with it for today's #ilfordphoto #fridayfavourites #35mmortho theme. @henry_balen Favourite tree in the local park on Ilford Ortho. EI80, developed in Perceptol stock solution. Taken through a 40mm Summicron. #35mmortho #ilfordphoto #fridayfavourites   larsjanerphotography "Canopy II" August 2021  Ilford Ortho Plus 80 shot with Canon A-1 + Sig...
  • We hadn't seen much of Asa's work when she was nominated by Melanie King but we're so glad that she bought her to our attention. We hope that you enjoy her images and finding out more about them. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I use a large format monorail camera and shoot on Ilford HP5 Plus 5x4” sheet film. This photograph was shot in Italy during an artist residency at the British School at Rome in 2016. I went there to ...
  • We were looking forward to seeing your shots for this week's #ilfordphoto #fridayfavourites #filmdrama theme. Black and white film really lends itself to adding atmosphere to already dramatic shots. grainy_waves Storm Franklin Only one brave guy out and one idiot shooting medium format on the hasselblad . Not another soul to be seen Hasselblad 500 cm . 500 mm , ILFORD HP5 pushed to 1600 Developed in DDX 13 mins   @PlymouthDarkro1 Just enough drama in the sky for a nice balance. Its all Iford...
  • My Approach It was during a group exhibition that I discovered the practice of cyanotype. The Espace Liberté Gallery located in Crest in the south of France is a contemporary art space open to all graphic and plastic disciplines. The theme proposed by Au Jour le Jour was an ephemeris where 31 chosen artists (painters, illustrators, photographers, plastic artists) had to illustrate 12 randomly selected dates with their art. Two constraints were imposed: a maximum size of 20cm on each side and the same sell...
  • Our 57th In Focus interview is with Simon Smars from Stockholm who is a professional fine art photographer. Simon works exclusively with limited edition handmade black and white silver gelatin fiber prints, using traditional darkroom techniques. He creates a mixture of minimalistic scapes paired with a melancholic somber, with scenes often stripped to its bare essence. SECTION 1 - BACKGROUND Share your favourite image / print shot on ILFORD Film and tell us what it means to you? C I G (1: f.13 · 10-sto...
  • Allysse Riordan is our 58th In Focus interview. An image maker, writer, sound artist, and microadventurer (not necessarily in that order). Allysse's work takes us on a journey in a particular space and time, noticing the small details of life, meeting strangers, exploring new landscapes, and delving into their inner world Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It is difficult to choose one favourite image. They shift and change as ...
  • This is a story about serendipity, generosity, community, and several rolls of Ilford FP4 film. It begins in April 2020, during our first Covid-19 lockdown when a request from a sibling for an old family photo led me to dig around in my messy 35mm archive. I discovered quite a few forgotten negatives and slides from my life during the 1970’s, when I was young and single. They had been randomly stored and dragged around in house moves whilst I focussed on marriage, motherhood and a career in Social Work. E...
  • Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Hannah Gross and I am one of the newest members of the team at HARMAN Technology. I started working here two months ago, and my job title is ‘Digital Marketing Assistant’. HP5 + Tell us a little about your day to day role. As I have been here for such a small amount of time, I am still learning and getting used to my day to day role. I work within a small team, mainly helping and assisting where n...
  • We are pleased to announce another dedicated* ULF campaign for our ILFORD ORTHO PLUS film this Spring. This represents a short but exciting window of opportunity to source non-stock sizes of a unique and wonderful film with a variety of applications. ILFORD ORTHO PLUS is an extremely fine grain, sharp, orthochromatic film that is used in both technical and photographic applications. This including medical and scientific use, the copy of negatives and the creation of stunning images. As a well-establi...
  • Six Weeks Ago It started six weeks ago. A Sinar Norma 4x5 Large Format Camera off eBay arrives and my paper negative journey begins. I had spent the previous weeks poring over the in-depth forums and articles on large format photography, now it was time to put it into practice. My first shoot was on ILFORD MGRC paper. I hastily sat a teddy bear on a table, pointed 2 x 400 watt Elinchrom strobes and a 400 watt continuous light and fired. So 1200 watts in total at 1/30 of a second, that should do it. Flas...
  • Monika Danos is our 60th In Focus interview. When not taking care of daily life, her love for trees and gardens means that she can be found chasing shadows with her pinhole camera, or printing in the darkroom. Patterns and lines that are created by light and shadow influence her style of work. Photography and the cyanotype prints gives Monika the opportunity to share what she see's in nature and in her daily life. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us wh...
  • 4th of July weekend It all started with a single roll of 120 ILFORD HP5+ film and a Rolleiflex 3.5F over the Independence Day weekend which fell on a Monday this year. It was the Friday of that long holiday weekend and I loaded the roll of film in the Rolleiflex and took the camera for a ride to McIntosh Lake in Longmont Colorado (USA) in the hopes of finding worthwhile photo subjects. My goal was to find street portraits and storytelling photographs. What it became over the next ten weeks is the Longmo...
  • Our 63rd In Focus interview is with our ILFORD Master printer, Andrew Sanderson. Andrew has been a professional photographer for over 35 years, and has established an international reputation as both practitioner and teacher of the photographic medium. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? Walk,walk,walk. HP5, Nikon F3. My favourite picture changes quite often. Usually it is the last print I made where everything came together ...
  • #orangefilter is the perfect match for black and white film, giving bold contrast between the sky and clouds. This is what we wanted to see for this week's #ilfordphoto #fridayfavourites. @DaaRealBoot I'm getting this one in early: Nikon FM2n, Nikkor 35mm f/2 AI-S, orange 56 filter, Ilford HP5+ (expired 2009, shot and developed at box speed 6/2022), XTOL 1:1 for 7:07 at 77°F. #ilfordphoto #fridayfavourites #orangefilter   @davejsherwood The Tate Modern in London, shot on @ILFORDPhoto #HP5 w...
  • Our 65th In Focus interview is with film photographer and laboratorist Amanda Monasterio, who used multiple exposures in their work to represent feelings and temporality. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? My favorite image ever photographed with ILFORD is definitely this one and it's from my project called "Asterismos" (Asterisms). This project draw parallels between the imaginary of being and inhabiting a body. My ancestors, t...
  • We are reaching the end of January. The theme for this week's #ilfordphoto #fridayfavourites was #themefree. We thought you might all need some extra time to rest after a busy festive season. @Hullisbeautiful @ILFORDPhoto Here’s a few from a roll of HP5 Plus ?️ #fridayfavourites #ilfordphoto #ilfordhp5plus   @dsaundersphoto @ILFORDPhoto Delta 3200 in 120 format #ilfordphoto #fridayfavourites   @apkeedle @ILFORDPhoto A few of my recent favourite images for #ilfordphoto #friday...
  • We thought it would be a great chance to chat with Ben Hawkins & Liza Kanaeva-Hunsicker about their book 'Shooting Film'. This book is a beginner-friendly book which introduces curious individuals to the world of analogue photography. A little bit about yourself Liza: My name is Liza Kanaeva-Hunsicker, I was born and raised in Moscow, got my Bachelor’s degree in California and have been living and working in NYC for the past 11 years. I’m a multidisciplinary artist working primarily in photography...
  • Wednesday Afternoon I remember the message on Instagram from Clare one wet Wednesday afternoon whilst I was halfway through my maternity leave… “Julie & I are getting married on Sunday, any chance you’re free?!” I was absolutely thrilled to get to shoot Clare & Julie’s wedding day and knew they’d make it absolutely their own. They had just 4 guests (their two best friends and their two sisters) and it was such a special and beautifully intimate day. The Most Loving Ceremonies Alth...
  • In celebration of International Women's Day, the theme for this week's #ilfordphoto #fridayfavourites was #sheshootsilford. We are lucky to have so many creative women who are using our products to produce their work, and we are honored that they let us share it.   @hannahjuliettephotography First roll of film in my new camera ? Thank you @victorialeighhughes for modelling ✨ @plymouthdarkroom @soperphotographic #filmphotography #120 #ilfordhp5 #ilfordphoto #sheshootsilford #sheheartsfilm #shes...
  • Bombay Beach In 2011 I was living in San Francisco,CA making my way through a graduate program in Photography. Working on my thesis afforded me the opportunity to venture around the state of California. I traveled a lot. I went to the top of the state, the far corners, all over really. On one trip, I drove down to the Salton Sea, an almost forgotten place south of Palm Springs and the Coachella valley. It was a fascinating adventure. I remember driving through Bombay Beach, one of the small remaining towns...
  • Yosemite National Park Let me take you back to the beginning of 2022, where my year started with an exciting adventure. I had the opportunity to take a trip to California, and my destination was Yosemite National Park. As a film photographer, I knew this was a location that held great significance. It was home to the Ansel Adams gallery and had a reputation for being an iconic spot to capture some breathtaking photographs. I had seen some of Ansel's prints online, but nothing could compare to seeing the or...
  • A huge thank you to everyone who shared an image for this week's #ilfordphoto #fridayfavourites, with the theme being #themefree. This theme was popular with many entries, which we enjoyed looking through.  Our favourites are below.   @konduplenka#themefree #fridayfavourites #ilfordphoto   @mattweddis Up close and personal with Kirk. This is the first digitised image from the large format photos we took to document @thisiskirkjenkins and his latest mural. Taking a close up portra...
  • Join us while we chat with self-taught photographer Khoi Minh Nguyen, who is our 70th In Focus interviewee. Khoi tries to approach his photography as a still image in a movie and uses this medium to document life. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? Hasselblad 503cxi - ILFORD SFX 200 The image of my mother is my most proudest moment I had made last year. It felt like I was making work that I have been trying to make for a lon...
  • Why pinhole photography? This is a question I’m often asked, by fellow photographers and complete strangers alike. Using a beautiful wooden Ondu camera, I began exploring the world of slow photography about five years ago. The moment I saw my first developed negatives I knew I’d found a glimpse of photographic heaven. This started my obsession with this ancient form of imaging. As you’ll see, my love of this medium has many facets – the creative possibilities, the look and even the image making pro...
  • Our 69th In Focus interview is with poet, former university instructor and high school teacher Lorraine Healy. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I took this image in January 2022. We had been having a lot of fog that was lasting longer than the usual early morning ‘til sunrise. I knew where I wanted to go. This place, Indian Slough, is some 70 minutes away from my house. I could tell when I got there that the sun was beginnin...
  • Introducing our 15th interviewee and one of Film Finishing's newest team members, Paul Cliff. Who are you? What’s your job title at HARMAN technology and how long have you worked here? My name is Paul Cliff and I have been with the company since February 2023. Tell us a little about your day to day role. I work on our 120 roll film spooling machines. I love everything about it. It’s been like taking control of a classic car, learning all its idiosyncrasies and intricacies; it’s an absolute mar...
  • Introducing Adam O'Rourke, our 14th Behind the Film interview. Adam joined HARMAN technology a couple of years ago and works as a scientist in the kilo lab. Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Adam O’Rourke and I’ve been with HARMAN technology for a couple of years, in the Scientist II role. Tell us a little about your day to day role. I enjoy the challenge of a very practical role in the kilo lab, manufacturing a variety of chemical i...
  • «If we are always arriving and departing, it is also true that we are eternally anchored. One’s destination is never a place but rather a new way of looking at things. » Henry Miller Community Of Male Bathers Lanterna “Beach” is a long-term project (2015-2022) that documents a community of male bathers in a town in Southern Italy, where I was born and raised, before leaving my country. The work explores the relationship between this peculiar community and the nature of the Pier where they sunbathe...
  • 'Architecture is the masterly, correct and magnificent play of volumes brought together in light'. Le Corbusier, 1920 Concrete Photography Brutalism as a style has received bad press. When we first hear the term, we all feel a logical rejection. The handbooks go on to explain that it comes from the French term béton brut, although the inventors of the term undoubtedly played on confusion, leaving an after-taste of je m’en fous, of bloody-mindedness, not giving a damn, in short. As a movement, as an a...
  • I was personally really looking forward to today's #ilfordphoto #fridayfavourites theme of #madewithortho as its my favourite film in our range. As always you shared some fantastic and creative images with us. These are my favourites.@peter_durst For @ILFORDPhoto #fridayfavourites here is a photo of the Glacier Lagoon on Iceland’s ??Southern coast, #madewithortho on the Hasselblad w 80mm no filter. September 2021. #ilfordortho #believeinfilm   @PlantingCabbag1My friend Param at the Kolkata Bot...
  • “I’ll just fix it in the darkroom.” is the motto I’ve lived by for decades. I Was Too Deep Into Analog Studying photojournalism in the late 80s, I was taught to print well but never learned advanced printing techniques because we were being prepared for quick turn-around journalism assignments. Commercially available digital photography was in its infancy, so it wasn’t on my radar, and even when it became standard, I was too deep into analog to have any interest. I shot for a local paper for se...
  • 1969 After too short a visit to Athens’s Parthenon in 1964, I vowed to return soon. By 1969 I was standing on the deck of a wave tossed Yugoslavian freighter with my back to New York City. Watching the grey, stormy, November Atlantic from the quiet of the Navigation Bridge was a peaceful retreat. Our first port-of-call was Casablanca. As a travel companion I had Greek philosopher Nikos Kazantzakis's book, Report to Greco, basically a story of Kazantzakis's search for his identity. It seemed a good read...
  • Our 72nd In Focus interview is with Brazilian lab technician and teacher Samanta Ortega. Samanta focuses on empowering and fueling the resurgence of film photography in Brazil from the inside out. SECTION 1 - BACKGROUND SHARE YOUR FAVORITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU. Invasão | ILFORD Delta 400 | Yashica Zoomate 76 There is so much I could say about this image, but no description I elaborate will ever do it justice. This was one of the frames in the first eve...
  • #ilfordphoto #fridayfavourites, theme is #smallonfilm 2023. A big appreciation goes out to all the photographers who have contributed this week. Whether it's product photography or the beauty of nature, here are some of your interpretations of capturing this week's theme.   @PhlStrchn. I took this shot of a sycamore seed sitting between the patterned paving outside the Fergusson Gallery, Perth. The seed cast a shadow, it doesn't contrast well, however it's my take on #smallonfilm for this week's...
  • Camera And Us Once I started shooting film, I decided to start creating some photography projects. My first photographic project was called: 'Camera and Us.' This project documented people on the street and which camera they used. I chose to use a film camera to capture all kinds of people with their cameras on the street. Once I approached them, I told them my photographic intentions. We would have a simple chat to make them feel comfortable and more importantly, for them to consent to be photographed. ...
  • Let the beauty of #autumnonilford unfold in every frame, showcasing the diverse and stunning perspectives captured by our global community for this week's #ilfordphoto #fridayfavourites. @peter_durst. For this weeks #ilfordphoto #fridayfavourites theme of #autumnonilford my submission is: The Yukon River. Hasselblad 500CM, Zeiss Sonnar 150mm f4, PAN F. Whitehorse, The Yukon #believeinfilm   @PlantingCabbag1. Munich on HP5! #ilfordphoto #fridayfavourites #autumnonilford. (I'm @midtonegrey on ...
  • We are now heading to HARMAN Lab to speak to Charlie Hill , our 16th Behind the Film interview. Charlie works as a Photo Lab Technician here at HARMAN Technology. Find out more about what his role entails. WHO ARE YOU? WHAT’S YOUR JOB TITLE AT HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? My name is Charlie Hill, I have worked as a Photo Lab Technician since April 2023. TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE. My day-to-day role revolves around Harman Lab where we offer B&W and colou...
  • Step into Simon Auger's world as he unveils an intimate view of his creative process and the intricate techniques that birthed this stunning architectural masterpiece in this 'How I Got This Picture' interview. IMAGE TITLE Downtown Toronto #2 2023 TECHNICAL INFO Film Used ILFORD HP5+ shot at 1600 ISO. FORMAT 35mm. Camera Nikon F3. Lens 17mm Tokina Prime Lens. Exposure time Can't Remember. Location This shot was taken looking up into the mist-covered buildings at the intersection of King s...
  • The Nod The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...
  • Find out how film made Sebastian Fehse a better photographer and how he creates these masterpieces in 'How I Got This Picture' blog. TECHNICAL INFO FILM USED ILFORD HP5 Plus 400 FORMAT 35mm CAMERA Nikon F3/T LENS Nikkor Zoom 70 – 200mm f4 EXPOSURE TIME 1/500 at f8 OTHER EQUIPMENT None LOCATION Alpe di Siusi, Italy FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? I have been to this place and especially the Dolomites already 2 times. So, I knew what ...
  • Stave Lake Historical Powerhouse One of the genres of photography that I seldom get to experience is that of industrial photography. However, there is one exception in my vicinity at the Stave Lake Historical Powerhouse - a national historic site of Canada, which started producing hydro-electric power in the early 20th century until a modern replacement in the year 2000 took over the job. Perhaps growing up on the prairie has instilled in me an affinity for industrial machinery and when I found a historica...
  • Meet Lindsey Campbell, the SHE manager at HARMAN Technology and our 17th featured guest in the 'Behind The Film' interview series. WHO ARE YOU? WHAT’S YOUR JOB TITLE HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? I’m Lindsey – the SHE (Safety, Health and Environment) Manager. I came to HARMAN in 2020, just before the pandemic hit, so have been here for four years. TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE. It’s something of a cliché, but every day really is different. There are day-to-d...
  • Inheritance The thing nobody really tells you about when it comes to inheriting a legacy is the weight of it, and what follows the inevitable acceptance of it. My late grandfather Hendrikus Goris was an avid film photographer in his early 20’s - much like myself. I recently had the privilege of scanning and archiving some incredible images from his earlier years, 30+ rolls of film documenting family life with some rather editorial styled portraits sprinkled in. Most of them were shot on ILFORD film in ...
  • The Outcome I am known as a black and white Photographer. I always prefer shooting in black and white. It helps me convey the concept of the image formed in my mind , through my photography. Another reason that always motivates me is the precedence of form over colour. However, sometimes I choose to shoot in colour to see the different outcome's. The outcome is usually that I should never shoot in colour because the type of light I shoot with isn't usually compatible for colour photography. My Favouri...
  • How I Shoot Early in my photography career I gravitated towards film images and medium format cameras. My go-to cameras are the Mamiya RZ67 and Hasselblad 500CM. I love the slow, more hands-on experience of shooting medium format and film. I trust my instincts and set up the shot with more thought and intent when shooting with film over digital. Each Image Is Important Working with models, the feedback I get is that they feel more connected and find it to be a wonderful collaborative experience. This...
  • Introducing our 75th In Focus interview and our analogue community grant winner, Federico Pestilli. Pestilli was born in Rome and became interested in documentary-style of photography, focusing on irony that unites people, places and symbols with each other. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? Heritage - Arianna - Cocullo, Italy - Pentax 67, 135mm lens - HP5+ This is an image of Arianna, a snake handler from the town of Cocul...
  • Oh, crap! What have I done? Let’s see.  I committed to do a solo photography show, with twenty-seven images.  All twenty-seven are 4x5 black and white negatives, so they need to be darkroom printed.  And those will be 20x24 prints.  Yeah, and I need to have them matted and framed.  The icing on the cake?  I have just under three months to do this. Yep, this is going to be an interesting project.  But let’s back up to the beginning. The Event It was April 2023, three years after the pand...
  • For this week's #ilfordphoto #fridayfavourites we set you the theme of #fp4in120.  ILFORD FP4 PLUS is a fine grain film with fantastic sharpness and a wide exposure latitude. These qualities shine in the images that you shared with us. @PlantingCabbag1 Mamiya 645 Pro-TL, Mamiya Sekor 80mm f/1.9, Ilford FP4 in ID11. I'm @midtonegrey on Instagram ?#ilfordphoto #fridayfavourites #fp4in120 @krzyphotography HK captured in BW with Hasselblad camera and Zeiss lens on Ilford FP4 Plus film in 120. #ilfor...
  • We caught up with the incredible Jane Meling to unveil the secrets behind her breathtaking panoramic landscape masterpiece! Join us as we unravel the secrets in our exclusive 'How I Got this Picture' series. Image Title River Of Light TECHNICAL INFO Film Used ILFORD FP4 Plus Format 120/617 Camera Linhof Technorama 617s III Lens Schneider 250mm Tele-Xenar Exposure time 1 second Other equipment Gitzo Explorer Tripod, Lee 100 red filter Location Ober Goms, Geschinen, Valais, Switzerland F...
  • Is a Photograph a Photograph if it Was Not Made with a Camera, Lens, or Negative? The ethereal color palette and expressionistic qualities of the work I have been making with ILFORD's photographic paper seemingly resemble the representations of light and color as seen in many landscape paintings (think J.M.W. Turner, Albert Bierstadt, Thomas Cole); however, the work in my on-going project, I Thought You Left / I Wish You Were Here, are lumen prints—a form of camera-less photography where objects or a neg...
  • We indulged our nosy side for this week's Friday favourites theme of #frommywindow and asked you to show us the view from your window. @PlantingCabbag1 Morning visitor outside our window in Kolkata #ilfordphoto #fridayfavourites #frommywindow Leica M3, Leitz Tele-Elmar 135mm f/4 HP5 Plus in ID-11 I'm @midtonegrey on Instagram ?   @MattAngleyPhoto I like those calm, late nights in summer when the world seems to slow to a crawl. The roads are barren, everything is still, and all you hear are n...
  • Finding Your Niche I never expected to be doing what I do today. For some reason, it never crossed my mind that I could photograph people for a living. I struggled a lot through university. It wasn’t that I didn’t enjoy my classes, but I truly had the hardest time finding my niche until the last year or two. I knew I loved working with film. Digital was nice, but too sterile for my taste, and I felt that I could never achieve the look I was aiming for. 35mm was a step in the right direction. It provide...
  • The Dynamic There is something distinctly different about photographs of cities versus rural areas. The variations of negative space, the intensity of nature versus people, and the rhythm of light that exists in these places; all contribute to the dynamic of a photograph. Personal Goal Last March, I made a trip to Colorado and the Grand Canyon to visit two of my best friends. I went on this trip carrying more black and white film. My favourite ILFORD film is HP5+. It’s my personal goal to photograp...
  • What would happen if I dedicated myself entirely to film photography? More then a year ago I had this idea in my head. What would happen if I dedicated myself entirely to film photography? After 10 years of being a sidekick to my creative output, I felt the need to give more attention to my analogue passion and the desire to change my creative habits. To challenge myself. To no longer rely on the vague promise of the digital safety net of mass storage and a camera screen that promises instant judgement of ...
  • Introducing Susie Jones, our 78th In Focus interviewee. Susie is an artist, songwriter and musician based in the Northwest of England, find out why analogue photography is her latest expression. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? Jumping straight in with the difficult questions here. I find it impossible to choose favourite images, it constantly changes. We see so much of ourselves and our current state in images and how we rela...
  • I Instantly Fell In Love My photography journey began while I was studying graphic design. My course tutor handed me a camera & a roll of ILFORD HP5+, and sent me out, with no real brief, to ‘take some pictures’. Armed with a macro lens I roamed around the cities’ botanical gardens and became lost in a close-up world of symmetrical patterns, found in the plant life. When I returned, with my roll of film, to the photography department darkroom, I instantly fell in love with the process and the res...
  • Winning The Competition I was in Oracabessa, Jamaica when I won this competition. My rollerskating community back in London was spreading the word far and wide about this vote at skate rinks and events, and amongst their family members and colleagues. I virtually reached out to nearly every person I’d ever met, asking them to help me win ILFORD'S Community Grant of £500 worth of film and equipment. That experience really showed me the power of community. Ever since then, I’ve been making this project ...
  • You may already be familiar with his work from his regular contributions to popular photography websites like 35mmc and Casual Photophile. We're excited to introduce our 79th In Focus interviewee, Sroyon Mukherjee. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? My favourite images tend to be of friends and family, but I’ll share an image that I like for its own sake (as opposed to purely personal or sentimental reasons). I...
  • My K1000 I began taking photographs in the late 1980s as a teenager when my dad bought me a Pentax K1000. Both my dad and grandpa enjoyed photography, were big influences on me, and my dad wanted to share the excitement of photography. We enjoyed taking photographs, mainly of landscapes and of places that we visited, me with my K1000 and my dad with his Canon AE-1. When digital cameras became the standard in the early 2000s, we drifted away from film and instead became enamored with this quick and comparat...
  • The struggle for life Black-and-white photography captures so much emotion, and nothing is more emotive than the struggle for life.  This insight led to the project GRAPPLERS ON FILM, where I use a number of vintage film cameras to capture the struggles of ordinary people training in the grappling arts of Judo, Wrestling and Jiu Jitsu. Zenza Bronica - ILFORD XP2 Submission For those not involved in the grappling forms of martial arts, the goal is to get a hold of your opponent and then force them to...
  • What is Reality? “Moon in the water, Flower in the mirror.” What is Reality? Whether what we are living now is the reflection of the reality or the reality itself? The age-old question has puzzled philosophers, scholars, and seekers of truth throughout the annals of time. Are we truly perceiving the world as it is, or are we merely encountering a reflection, a distortion of reality? To delve into the depths of this inquiry, we must embark on a journey through the corridors of history, traversing epochs...
  • Slowing things back down Although it’s been 28 years since I first stepped into a darkroom, there’s been a significant gap in time since the last time I stepped into one. I grew up at a particular transition time, like the horse to automobile, typewriter to computer, I started my journey into photography just before the digital camera started making its way into the market and pushing film aside. Even though instant gratification has its place, I still kept that romantic notion of one day getting back ...
  • My camera is a passport to a world of amazing discoveries My adventures began as a five year old. I started spending wondrous times with my dad in the quiet glow of his darkroom. I took great pride with my responsibility to gently rock the prints in the hypo tray. Ah, the sound of gurgling water and the warm orange glow from the safe lights. I was totally enthralled by seeing an image come alive in the developing tray...pure alchemy! It comes as no surprise when I say I frequently retreat to this magical z...
  • This was a theme free week for Friday favourites which means that any images made using our ILFORD or Kentmere  films or papers could be included. As always you shared a fantastic selection with us but we couldn't choose them all. These are our favourites. @Gravmadboris #ilfordphoto #fridayfavourites A stile that is a pain for me to navigate. Kentmere 400 Olympus OM101 50mm f/2 power focus lens @Bennyhillsmum The Queensferry Crossing. Leica M7 + Ilford HP5+ #believeinfilm #fridayfavorites #appicoft...
  • So, from the official ILFORD Photo website: It’s wide exposure latitude makes it a great choice for beginners, those returning to film as well as the more experienced professional users. With wide exposure latitude, ILFORD says that you can meter HP5+ from 400 to 3200 ISO1. Great, it's like you have it all in one roll, which is exactly why I love this thing so much. It can handle sunny days and midnight shots, of course, depending on which ISO you tell your camera (or hand-held light meter) you have th...
  • Discover how Justin Olsen captured these stunning shots during his hike up the Four Mile Trail to Glacier Point in this "How I Got This Picture" interview. Image Title Vista From 4 Mile Trail TECHNICAL INFO FILM USED ILFORD DELTA 400 FORMAT 35mm CAMERA Rollei 35 (made in Germany in the 1960s) LENS Fixed 40mm Carl Zeiss EXPOSURE TIME It was an in and out stormy day. Many different exposers. LOCATION Four Mile Trail, Yosemite National Park. California. FIRSTLY, TELL US THE STORY BEHIND THI...
  • In this 'Behind The Film' interview, we head back to R&D to speak to Kieran Collings who joined the company in 2023. WHO ARE YOU? WHAT’S YOUR JOB TITLE HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? Hi my name is Kieran Collings, I am a Scientist II in the Research & Development department. I joined in August 2023 straight from University. TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE. I work in the early development team, specifically on sensitising dyes that are needed for the films to b...
  • In our latest 'How I Got This Picture' interview with Ross McDaniel, find out what led him to try something different to capture Arches National Park. Image Title Monolith TECHNICAL INFO FILM USED Kentmere Pan 400 FORMAT 35mm CAMERA Nikon F5 LENS Laowa 15mm F4 EXPOSURE TIME 30 minutes at f/4 Other Equipment Tripod, Remote shutter release LOCATION Balanced Rock, Arches National Park, Utah, United States, Earth FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? ...
  • Say Hello Few people feel comfortable striking up a conversation with a person they haven’t previously met. I refrain from using the word “stranger” because the way I see it, we’re all fellow humans, potential acquaintances, possible friends. And who says they’re any stranger than I am? After all, I’m the one going up to people I meet in public asking to make their portrait. A camera in hand really is a magical device that allows us to meet almost anyone, anywhere. To approach them. Say hello. ...
  • A Revelation Just south of Sydney sitting on one of Australia’s most pristine coastlines you’ll find the regional city of Wollongong. Nestled within this city of surfers, coal miners and steelworkers you’ll find a group of students creating big things in a small darkroom. ‘Mez, I’ve been thinking a lot… I want to be a fine art black and white film photographer.’ These words from one of my TAFE NSW students, Sara, were delivered with a shakiness in her voice, utter passion in her heart, ...
  • We're thrilled to launch our brand new 'Community Focus' series! In this series, we shine a spotlight on community darkrooms around the world, celebrating their contributions and exploring the stories behind these spaces. Our first interview in the series features Newport Film Lab from South Wales, a darkroom that began as a passion project and has since grown into something truly special. Section 1 - Background Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started...
  • All the way from Los Angeles, our 83rd 'In Focus' interview is with music and surrealism photographer, Laura Moreau. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This photograph features my friend Samira, taken on ILFORD SFX200 with my Mamiya 645. I was in the ocean, hoping to capture the glimmers, as I have an obsession with them. Suddenly, a massive wave came out of nowhere, and I still can’t believe I managed to jump and take the sho...
  • La Santísima Tragedia Fanesca: A Celebration of Cultural Syncretism Through Fashion and Photography. Fanesca: Una celebración del sincretismo cultural a través de la moda y la fotografía. Latin American Society Fanesca is an evocative body of work created by London-based photographer Lucho Dávila, exploring cultural syncretism and the evolution of identity in contemporary Latin America. Through this ongoing autoethnographic project, Dávila reflects on his Spanish and Ecuadorian heritage, cap...
  • The Essence Of My Home Hello everyone! Today, I want to open the doors of my soul and share the essence of my home: Las Negras and Cabo de Gata. A piece of land that not only saw me born and grow, but also shaped me as a person and as a photographer. Through my lens, I want to show you the magic that emanates from every corner of this paradise in southern Spain, but I also want to reveal the wounds and contradictions that afflict it. I am a native of Las Negras, a small village in the heart of Cabo de Gata...
  • Dialogues With Nostalgia My work in photography is deeply connected to light and emotion. Black and white analog photography allows me to explore these elements with a unique sensitivity, where each image results from a constant search to capture the ephemeral and the timeless. I shoot with ILFORD Delta 400 and ILFORD HP5+ films, using cameras such as the Mamiya RZ67 Pro II, Nikon F100, and Nikon F6, because their grain and tonal range offer a texture that dialogues with nostalgia, memory, and melancholy, ...
  • Connected Shooting film is an act of patience, a commitment to slowing down in a world that moves too fast. With digital photography, you can take hundreds, thousands, of images in a matter of minutes. There’s no real cost to over-shooting, no pressure to be deliberate. But film demands something different. Each frame is finite, precious. You select before you shoot, considering light, composition, and emotion in a way that feels more meditative, more connected. The Beauty of Imperfection There’s an...
  • The excitement is electric It's a typical Wednesday morning in the tattoo shop I work at. I am trying to stay out of the way but with all three tattoo artists at The Black Veil in Salem, Massachusetts needing the printer behind the desk at the same time, and with me being (also) behind the desk, it's hard to all fit. "I'll just wait over here until you guys are done" I say, and I scoot out of the way to a bigger spot where the floor of the shop opens up into the sitting area. We do the same dance every mor...
  • Push it to the limits A brand new film is a wonderful prospect in the current analogue photography marketplace, and I am always eager to discover what a modern emulsion, concocted in this decade, can bring to my documentary photography workflow. When Kentmere 200 was announced, I knew I had to time my first efforts carefully in order to have something more than street snaps and mundanity to show for it, to really push it to the limits of what I demand from the film stocks I have become used to. Versatil...
  • Today is the last 'live' Friday Favourites for a couple of weeks due to holidays but that doesn't mean that we want you to stop sharing images and using #fridayfavourites. It will just give us more fantastic shots to look through next time. @mikuldo.bsky.social‬ A misty midday walk. Hasselblad xpan II+45/4; Ilford xp2super #ilfordphoto @ilfordphoto.com @ilfordphoto.bsky.social#fridayfavourites #ilfordxp2 #Hasselbladxpan #xpan #analogpanorama #panophotos #shootonfilm #beliveinfilm #bnwphotography #an...
  • We're now 10 interviews into this series and its been fantastic to hear about so many community darkrooms and the work that they do. This time we're heading to Turkey to speak to Fotohane Darkroom. Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started. The project is called Fotohane Darkroom. It’s a mobile and analog photography workshop based in Mardin, in southeastern Turkey, near the Syrian border. We work mainly with Syrian, Iraqi, and Turkish Kurdish child...
  • We're staying in R&D for our latest 'Behind the Film' interview with Josie Cowap. Josie joined us in 2023 as a Laboratory Technician Apprentice and has recently passed her end point assessment, so is now fully qualified. Congratulations Josie! Tell us a little about your day to day role. I work in the research and development department, and my day to day my responsibilities include formulating all the components that go into film and paper into a package that I can then coat on our pilot coating ma...
  • How it all began “So what’s your next project?”, my friend David asked me over lunch one day in the spring of 2024. Unprepared for the question, my focus still on my second book, Fragments, which had just been published, my answer was quick and nochalant. “I think I’m going to dig out my 4x5 and shoot some street portraits of total strangers”. I surprised even myself with the answer. It was as if I was sitting in his chair and hearing that response for the first time. I can remember the conv...
  • You have loaded film into your camera, composed your image and pressed the shutter. You have now captured an image on your film. When that film is processed, it reverses the tones of the subject. In simple terms, the image is dark where the subject was light, and light where the subject was dark. That resulting image is known as a negative. What do I do with them? Negatives are normally then used to make prints by reversing the image a second time to restore the light and dark areas to their original tone...
  • Hand colouring The idea of adding colour to a monochrome image by hand dates back to the beginning of photography. At this time it was the only way to get a colour photograph. Although colour photography using the three colour process was put forward just short of thirty years after the first photograph by Nicephore Niepce,  it was, in its early years, expensive and difficult to produce a colour image. Hand colouring became a practical way to give the impression of colour and everything from Daguerroty...
  • 26th July 2016 ILFORD Photo (HARMAN technology Ltd) are delighted to introduce 'ILFORD inspires’, a series of events aimed at broadening the appeal of black and white film photography to a wider audience. The first of these events takes place on August 4th in Philadelphia, PA and features an insight into and showcase of the incredible work of artist, educator and master printer Chuck Kelton. Chuck’s feature talk will describe his experiences working with some of the most iconic photographers of...
  • Why print? When you can get excellent prints from your black & white negatives by sending them off to commercial processing laboratories, why make your own? For many photographers, making a photographic print is as much a part of the process as shooting the image itself. For a start, it is a creative process that is both enjoyable and fulfilling and, much like the role of a post processing tools such as Photoshop or Lightroom in any digital workflow, (although much more fun) a darkroom provides film...
  • Retouching is normally done to remove blemishes from the negative or the final print. It can also be used to change the tone or remove unwanted detail.  As retouching can be difficult, care is required. Advice for retouching The most risky retouching techniques involve removing parts of the image, by bleaching, cutting, or scraping with the edge of a sharp knife. The addition of density is generally less risky, and can be done using dye, paint etc, or a suitable soft pencil. When retouching prints from o...
  • All ILFORD Inspires content has a common goal: To inspire people to try traditional analogue black and white photography by showcasing the power and potential of this highly creative medium. New York Silver Stories Working with the talented team at Exploredinary, this series features four short documentaries telling the stories of silver gelatin darkroom printers in New York City. The Bronx Documentary Center - Turning Negatives into Positives Founded by Michael Kamber, the BDC is a non-profit aimed at ...
  • Introduction I’ve been a photographer for 35 years since I was 11 in fact when I first loaded my Zenith 11 with film and set off for a walk into the wilds of South Yorkshire. 20 years later I turned professional and as soon as digital became a viable option I traded in my Nikon F90x and Mamiya 645 pro for a Nikon digital kit. Digital was for me always a triumph of convenience over real quality in those early years and not much else. It wasn’t until Canon brought out the 5D series that I found myself ...
  • Where the Hasselblad love started long, long time ago, I can still remember how— Hang on, let me start again… When I were a lad, mankind did something utterly astonishing: men walked on the moon. For a 13-year-old science geek, staying up till <mumble> o’clock in the morning to watch this historic event was possibly the most exciting thing that’s ever happened to me. For a 13-year-old budding photographer, the cameras that Neil Armstrong and Buzz Aldrin were wielding held a strong...
  • Drama of the Highlands Natalie Oberg tells us the story behind this beautiful. 'Drama of the Highlands image ©NatalieOberg_Scotland_201604_Glencoe Technical info Film Used: Ilford FP4 Plus Format:           6x6 Camera: Rolleiflex 2.8D Lens: Carl Zeiss Planar 2.8 Exposure time: 1/125 sec at f/8   Location Glen Coe, Scotland             Firstly, tell us the story behind this image. What inspired you to shoot it? ...
  • Nolton Haven Technical info Film Used FP4+ Format 35mm Camera Nikon F2 Lens 20mm F3.5 AI. 25A red & 2stop ND filters. Exposure time 30seconds Other equipment Manfrotto tripod, Weston Lightmeter. Location Nolton Haven is a small narrow bay on the Pembrokeshire coast in West Wales.  It sits between the two much larger beaches of Druidstone and Newgale. Its characteristic feature are its two almost near symmetrical headlands.         Firstly, tell us the...
  • Farhya Tariq Tarey give us the lowdown on how he captured this striking portrait.     Technical info   Film Used  -  Ilford FP4+ Format -  4x5 Camera -  Wista Lens - 180mm Nikkor f5.6 Exposure time  - 1/125 Location  - Columbus, Ohio Firstly, tell us the story behind this image. What inspired you to shoot it? This image is part of long term project. The project highlights the relationship between African & African Americans women and their sca...
  • The Grand Canyon at Plateau Point Technical info   Film Used:  ILFORD FP4+ Format: 4x5 Camera: Wista 45DX Lens: Rodenstock: 90mm f/4.5 Exposure time: 1/60th Other equipment: Red filter Location: Plateau Point, Grand Canyon National Park     Firstly, tell us the story behind this image. What inspired you to shoot it? One weekend at the last minute I decided to do a full moon hike to Plateau Point in the Grand Canyon. My plan was to hike down around ...
  • I am a wedding and portrait photographer. The following portrait is of Roshni, a jewelry designer. Her designs are handcrafted and have a vintage feel to them. So, when the opportunity came to shoot her I wanted to create something classic and real. One look at her and I was convinced about black and white being the choice of film. Film used:      HP5 PLUS Format :          4X5 sheet film Camera:          Wista Field 4X5 Large Format Lens:                Schneider S...
  • Pepperwood 1 - Clyde Butcher Technical info Pepperwood Redwood Forest #1 Avenue of the Giants State Park, California 8x10 inch Deardorf view camera 90 Snyder Super Angulon XL lens no filter Delta 400 film f/45 exposure: 10 minute  Printed on: ILFORD Multigrade fiber base Tell us the story behind this beautiful image Long before I became a photographer, the redwood forests of California left me in awe. The enormous size of the trees - and their feeling of eternity - captured my soul. In 196...
  • Terrain This project recently exhibited at the Golborne Gallery, London Road Trip All the photographs in this project were taken over a week-long period whilst traveling from Los Angeles to East Arizona, and back again. Something that really struck me when traveling through this part of the American West was how nature had relinquished control of the landscape. The towns were almost post-apocalyptic; half-burnt trash piles and concrete curbs were cracked by the hot sun. Whilst blade...
  • Mindtraveller Technical info Film Used: ILFORD HP5+ (pushed to 3200) Format: 120, shot as 6x7 Camera : Mamiya RB67 Pro SD Lens: Sekor 50mm f4.5 Exposure time: 20 minutes Other equipment: Tripod Location: Norman Wells, Northwest Territories, Canada Tell us the story behind this image. What inspired you to shoot it? In the Canadian Arctic, we are gifted with the otherwise-evasive Aurora Borealis on almost a nightly basis.  On many nights, the spectacle is nothing more than a faint gre...
  • Spirit of the mountain Spirit of the Mountains ©Darnell Wu Technical info: Film Used:ILFORD HP5 PLUS 400 Format:4 x 10 inch Camera :CHAMONIX 4*10 N2 Lens :SINARON S 72° f=300mm Exposure time:1/2S Other equipment:COKIN red filter with SEKONIC 508 light meter with tripod. Location:Minya Konka, Yaha nek, Sichuan Range Firstly, tell us the story behind this image. What inspired you to shoot it? I was still in the first year of high school when I shot this and needed to ask for...
  • I don’t know about you, but I have a “box of shame”. It’s where I keep all the photographic odds and ends of kit that I never use, but can’t bring myself to throw away. Well I’ve always felt it would come in handy one day, and it seems that day has come! This story really gets going when I decided I wanted to do something fun with my Konica Pop*, an 80’s classic point and click camera I picked up in a charity shop a few years ago. Odds and Ends By utilising some of these long-neglected items...
  • Turning your negatives into positives Reversal processing enables black and white transparencies to be produced directly from high quality films such as PAN F Plus, FP4 Plus and DELTA 100 PROFESSIONAL How it works It starts with the development of the negative image. This leaves the unused silver halide untouched, but it is not fixed, as it will be used later to form the positive image. After the negative image has been developed, it is totally bleached away using an acid bleach. This leaves the remainin...
  • Over the last couple of months, we have noticed an increased number of customers posting their concerns on forums and social media channels relating to our 120 roll films in which spots / mottle have appeared on the negatives. We pride ourselves on our high quality and consistent production and want to assure you that this issue is being fully investigated as a matter of priority. We appreciate this will be of little comfort to those who have experienced the issue and for that we offer our sincerest apol...
  • Image Title: Weathering the Shallows Technical Info: Film: ILFORD MULTIGRADE IV RC Paper Format: 5x7 paper, trimmed to fit a standard 5x7 film holder Camera: Deardorff V5 5x7 field camera Lens: Fujinon W S 210mm f5.6 Exposure: ISO 6, f22, 15 seconds Filter: Polarizer Movements: Full front fall Location: McCraney Lake in Algonquin Provincial Park, Ontario, Canada   TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? Each August a few friends and I canoe-camp in ...
  • When we held our first Lockdown Session with Emulsive, we asked him who he'd like to see us interview in future and he suggested the very lovely Aislinn. (AKA The Film Pusher). SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I have tons! But let me share my recent favourite, the one that I had printed and hung on my wall. It’s a pinhole image of the Natural History Museum in London. It means a lot to me, as the NHM is a favourite visit ...
  • Early Experiements Many, many years ago I experimented with uprating HP5, I was a student and it fitted the look I was after at the time. In those days, information was difficult to find and I relied on advice from friends. As a student, the mysteries of film and processing were fascinating and strange. I tried all sorts of things, but didn’t know what was really going on. I knew that uprating meant setting a higher speed (ASA in those days) on your light meter and then giving it a longer development tim...
  • We first met Ray nearly 2 years ago when he agreed to be part of our 'Legends of Skateboarding' ILFORD Inspires YouTube series. We were blown away by not only his talent as a musician, photographer and artist but also his genuine humility as a person. He was one of the first people that we reached out to, to take part in the Lockdown Sessions and we were so pleased when he agreed. Read on to find out how he has been spending his time. SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON...
  • As we're heading towards the end of May, we thought it was the perfect time to ask you to share your #bestshotsofar for this week's #ilfordphoto #fridayfavourites. @Virgil_Roger I guess my #bestshotsofar was indeed taken on #ilfordfilm! #ilfordphoto #fridayfavourites That's kentmere 400 pushed to 1600 :)   @thoobill My favourite FP4 Party photo. Also, my last time in the the city before the lockdown. Sydney. March 2020. FP4 EI500. Developed Ilfosol-3. Mamiya 6 + 75/3.5. #bestshotsofar #ilfor...
  • How I got this picture Fanal, Madeira Technical info Film Used: Ilford HP5+   Format:  120 Camera: Rolleiflex 3,5E Lens: 75mm F3,5 Exposure time:   1/125s Other equipment: none (I could roam around freely and look for compositions) Location: Fanal, Madeira Firstly, tell us the story behind this image. What inspired you to shoot it? Ever since I saw an image of the Laurisilva forest in Fanal on the island of Madeira, I knew that I wanted to explore this place for myself. It is o...
  • For interview number 18 in our Lockdown Sessions / In Focus series we are delighted to introduce you to Shima Rastin, a passionate film photographer from Iran. BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? © Shima Rastin, Ilford FP4, Hasselblad 501C, Lavasan, Iran If we have not confronted the Covid-19 pandemic, and this question was asked before this era, it was probably a hard choice to make. Although, now that I experienced such an idiosyncrat...
  • Image title : Tombstone Technical info Film Used         FP4+ @ 125                 Format 4x5 Camera            Chamonix 45F-2           Lens Rodenstock Sironar-N 150mm f5.6 Exposure time   ⅛ sec Other equipment Feisol CT3442 Tripod legs, Acratech Ultimate ball head, Pentax digital spot meter Location Big Elbow Pass in Kananaskis Country in Southern Alberta, Canada Firstly, tell us the story behind this image. What inspired you to shoot ...
  • My Darkroom I have always liked the quote of the master printer Ansel Adams  “Photography is like music, the negative is the score and the print is its performance”. Every performance is different. That’s so true, the prints I do now I are often different from the ones I did a few years ago. Better technique, more experience perhaps, but more likely my mood and interpretation of the image has changed. Good advice When I was starting my photographic practice I used to buy my ILFORD materials...
  • Jupiter and Saturn Conjunction There was a lot of interest in this shot when it was shared, so we asked Andrew Orr to tell us a bit more about it. Technical info Film Used - Ilford HP5+   Format - 4x5 Camera - Chamonix F-2 Lens -  Rodenstock 210mm f5.6 at f/8 Exposure time - 2 hours Other equipment - Sirui Tripod, shutter release cable Location -  Arizona Firstly, tell us the story behind this image. What inspired you to shoot it? I was inspired to take this photo after...
  • In week three of our behind the film series we're heading to our technical department to meet our Technical Service Manager Neil Hibbs. Who are you? What’s your job title HARMAN technology and how long have you worked here? Neil Hibbs – Technical and Lab Services manager Tell us a little about your day to day role. I manage a small team offering technical product support, both internally (to manufacturing and marketing functions) and externally to our worldwide customer base. I also set-up the Ha...
  • Light in the Dark Most fine art photography starts with the photographer and finishes in the darkroom. For me it’s the other way round. My story began with seeking out the light in the dark and becoming one of Britain’s most respected black and white printers. Today, I look for the dark in the light, as a photographer in my own right. I have put together a show to mark 50 years in my Fitzrovia darkroom which opens (and closes) at the Fitzrovia Chapel on Wednesday, June 30. Then again on Monday 26th-...
  • During lockdown I rekindled my love of making photograms. It happened naturally after a summer of making cyanotypes. I was also making emulsions out of plants. My garden became a temporary darkroom. With a photogram - you expose your paper to light (sunlight for photograms), with an object on top, and the area underneath the object remains unexposed, so you end up with white paper in that area, like a shadow but in negative. Cyanotype   A lonely weed The local darkroom re-opened for half-day s...
  • There were so many people asking how this has been captured when we shared it on our Instagram feed so, we caught up with the photographer Guido Macorini and asked him. Image title: Amariana Technical info Film Used  IFORD Delta 100 Format 120 Camera    Rolleicord III K3b Lens Schneider Xenar 75mm Exposure time 1/4s Other equipment Tripod, orange filter, spot light meter Location: Verzegnis Lake,  in the north eastern Italian Alps. Firstly, tell us the story behind ...
  • I like to press the shutter and I take a lot of black and white photos simply because I like it. These black and whites I take on Ilford materials. My favorite negative is xp2 super, I also use Delta 100 and 3200, but rarely. Why ILFORD XP2 Super? I am a hydro engineer by profession - I traveled a lot, spent a lot of time away from home, so carrying a tank, chemicals, thermometer, bottles, containers, etc. with me was a bit troublesome. Never I needed to organize my home dark-room. But actually, now I sta...
  • My better half When my friend, who knows little about cameras, presented me with the 35mm Olympus Pen FT, it was a total surprise. Quite literally as a gift, but moreover, the camera’s function was what was most surprising. When I picked up the Pen FT for the first time, I observed how light the compact camera was. I immediately put my eye to the viewfinder and was confused. I silently thought to myself, “This is so weird…” I had never encountered a viewfinder that wasn’t horizontal. I had to lea...
  • SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I have many beautiful prints from an Ilford negative. One Ilford film that always interests me is the Ortho 80. Being less sensitive in the reds it renders reds as dark or sometimes black giving interesting results. This is a print of a light switch in my home. The light was casting an interesting shadow across the wall. The black area is a shadow from a picture frame. It’s so simple but I jus...
  • One of three films in our DELTA Professional range. This week's #ilfordphoto #fridayfavourites theme takes a closer look at #35mmdelta400. @calor_gas_terry I don’t shoot #35mmdelta400 very often - I really should stock up Thumbs up taken on my Olympus Mju at the Weald & Downland museum in Singleton. #ilfordphoto #fridayfavourites makispekka Halloween, that direction #halloween #filmphotography #minoltadynax9 #ilforddelta400 #35mmdelta400 #ilfordphoto #fridayfavourites   @paulasmith...
  • Connection Over a Century Hanna Heinilä (née Hermonen, 1890–1981) was born to a vicar’s family in the small town of Luvia on the west coast of what at the time was the Grand Duchy of Finland. She had her first camera in around 1906 when she was sixteen years old and began photographing without any formal education. She bought dry-plate glass negatives from the nearby towns and learned to develop them at home by herself. Nothing was known of Hanna’s extensive work as an early photography pion...
  • Dave's photograph received so much engagement and interest when we shared it to Instagram, we had to get in touch so that we could ask how he created this shot. - Technical info - Film Used ILFORD XP2 Super 120 Format 6x6 Medium format Camera Mamiya 6 Lens 55mm f4 Exposure time 4½ minutes Other equipment Benro Tripod Location New Brighton beach lighthouse, Merseyside.     Firstly, tell us the story behind this image. What inspired you to shoot it? I ...
  • We chose #hometown to be this weeks theme for #fridayfavourites. This was a chance to share photographs all of your hometowns. Where we live is all different in their own unique ways. @midtonegrey. Kolkata, 6:10 pm: I was running out of film and running out of light. A relatively slow shutter speed (1/60 sec), which is why you see a bit of motion blur – but I like it. Last shot of the roll, no second chance. Maybe I'm getting sappy as I get older. Or maybe this afternoon, for whatever reason, I miss K...
  • 'Something Special' There is a unique rendering to photographs made with Multigrade enlarging papers. It's difficult to define, maybe it's the timeless mood or perhaps it's the mystical feeling, or even a haunting aura... it's certainly there for me I like this very much! Add to this, it's super economical and can be visually handled via darkroom safe-lights. No more fussing around in total darkness which often requires the use strong language! Humour aside, I find the physical involvement of handling the...
  • Introducing Hilary Freed, our 11th Behind the Film interview. Hilary is one of our newer team members who took over from Mike Bain as our Country Manager for the US and Canada. Who are you? What’s your job title at Harman Technology and how long have you worked here? My name is Hilary Freed, I’m the Country Manager for the US and Canada. I started with Harman just 6 months ago, replacing a man who was retiring after being with the company for 34 years.  I took that as a good sign! Tell us a little a...
  • Abstract Concepts Often times, I come up with ethereal and abstract concepts for my artwork. However, I noticed that my techniques and skills in the darkroom did not match up to my artistic output. Which is such a shame. I wanted to do something about it. It is like having the urge to do a back flip but not having the progressed workouts to help you get there. My name is Zain Al Khalifa, I use film photography as a base for my artwork. I like darkroom printing and I wanted to share an experience with yo...
  • We are heading to R&D to speak to Calvin Carey, our 13th Behind the Film interview. Calvin is a Physicist here at HARMAN Technology. Find out more about what his role entails. Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Calvin Carey, and I work as a Physicist here at HARMAN. I started in 2019. Tell us a little about your day to day role. My day-to-day work is hugely varied, depending on which projects in R&D (research and development) or m...
  • Gosia Janik gives us the lowdown on how she captured this striking portrait. Image Title Xu Jing Technical Info Film Used ILFORD HP5+ Format Medium format 6x5 Camera Mamiya 645 AFD Lens Mamiya 80mm f2.8 Exposure time 1/60 Location Home/studio in Madrid Firstly, tell us the story behind this image. What inspired you to shoot it? I often work with “new faces” - models that are sent to me by agencies to shoot a session for building or renovating their portfolio. Xu was sent to me by...
  • Daniel Elbaz generously shares insights into his creative journey and how he conceived the idea of "12 Ways to...", for our 'How I Got This Picture' series. IMAGE TITLE 12 ways to … Technical Info Film Used ILFORD HP5+ Format 120 Camera Hasselblad 503cw Lens Planar 80mm Exposure Time 1/125s at f16 Other Equipment Elinchrom Studio flash Location Paris, FRANCE Firstly, tell us the story behind this image. What inspired you to shoot it? I have been passionate about black and white phot...
  • Friday Favourites 31st May 2024. As much as we enjoy seeing how you interpret our set themes for Friday favourites we also love a theme free week like this one! @podvodoy #themefree for this week's #ilfordphoto #fridayfavourites. HP5 and Kentmere 400 in Nikon F100   @MikoPoloczanski Dismantling of the old reloading unit. Port of Gdynia. Polska panoramiczna. Hasselblad xpan II +45/4; Ilford hp5+;#ilfordphoto #Hasselbladxpan #xpan #fridayfavourites #polskapanoramiczna #beliveinfilm #analogphot...
  • Thank you for such beautiful entries for this week's #ilfordphoto #fridayfavourites theme which was #natureonilford. @Kirigir77434381 #ilfordphoto #fridayfavourites #natureonilford. Speedgraphic, Ross xpress 6 1/2inch F4.5, F5.6, 1/30sec, Ilford FP4+, Tokyo pyro, TPfix, Kodak mobile film scanner.   @PlantingCabbag1. A particularly overgrown corner of the Botanic Gardens, Kolkata. Orthochromatic film makes greenery look even more magical and mysterious… #ilfordphoto Ortho 80 developed in ...
  • Discover how Zach Nichols created this stunning long exposure shot in our 'How I Got This Picture' interview. We have noticed, if it's not a double exposure, your next favourite has to be nighttime long exposures. IMAGE TITLE Fire Tower Starlapse TECHNICAL INFO FILM USED ILFORD HP5+ FORMAT 4x5 CAMERA Chamonix LENS Nikon 90mm f/4.5 Nikkor-SW EXPOSURE TIME 45 – 50 minutes OTHER EQUIPMENT 1 Can of Atmosphere LOCATION Just outside Hot Springs, South Dakota. FIRSTLY, TELL US THE STORY...
  • HARMAN technology is excited to announce the winners of our USA ILFORD Photo Student Film Photo Contest for 2025. This film photography contest for US students was the first of its kind and produced a large selection of entries making their tough work for the judges to choose the winners. The contest included a category for B&W darkroom prints, that were physically mailed in, alongside a category for scanned B&W negatives with prizes for both High School and College students. One member of the j...

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