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It's always a tough week when we ask for sports spots as black and white film isn't always the first choice when it comes to sport photography. However we knew we could rely on you all to come up with something special @WellerMonica Football Crazy at Motorway Service Station, Olympus Trip camera, XP2 film #fridayfavourites #ilfordphotos #sport   @eugenbaban #ilfordphoto #fridayfavourites #sport #canoesprint #ilfordfilm #xp2   @AdibMufty If you can’t grow wings... Ride a horse!�...

My Darkroom I have always liked the quote of the master printer Ansel Adams  “Photography is like music, the negative is the score and the print is its performance”. Every performance is different. That’s so true, the prints I do now I are often different from the ones I did a few years ago. Better technique, more experience perhaps, but more likely my mood and interpretation of the image has changed. Good advice When I was starting my photographic practice I used to buy my ILFORD materials...

Today's #handsonfilm must have been a tough #ilfordphoto #fridayfavourites theme as we saw far fewer images than we usually do. However the ones that you shared with us were great. z.allaire Ilford XP-2 Hasselblad 500 C/M  #ilfordphoto #fridayfavourites #handsonfilm #ilfordxp2 #120film #hasselblad #hasselblad500cm #analogueportraits #blackandwhite   @timdobbsphoto "Hand print" .. Minolta X700 on ilford FP4+ for #handsonfilm #ilfordphoto #fridayfavourites #believeinfilm   @steve_...

Connection Over a Century Hanna Heinilä (née Hermonen, 1890–1981) was born to a vicar’s family in the small town of Luvia on the west coast of what at the time was the Grand Duchy of Finland. She had her first camera in around 1906 when she was sixteen years old and began photographing without any formal education. She bought dry-plate glass negatives from the nearby towns and learned to develop them at home by herself. Nothing was known of Hanna’s extensive work as an early photography pion...

SInced launching our community grant back in 2022 we have helped several projects come to life. Each year we receive hundreds of requests for support from members of the film and darkroom printing community looking to create projects using our products. The scope and scale of these projects vary. From documenting expeditions on large format film to alternative uses of our film and paper. And, even setting up community darkrooms or running workshops for children. You have some amazing ideas and insatiable ...

For our 12th Behind The Film interview, we speak to Jonathan Osborn who is one of our scientists here at ILFORD. Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Jonathan Osborn and I am a Scientist at Harman.  I am currently in my 25th year working at ILFORD.  (Where did that time go!) Tell us a little about your day to day role. Predominantly I have worked on the photographic paper side as the lead scientist on the development of the fantastic new ...

When I Was A Teenager Mine is a common story with photography in that my dad gave me his 35mm camera when I was a teenager. I shot his Minolta until I dropped it a few too many times and the light leaks became punitive. Soon after, I stumbled into the darkroom just as casually after I found my dad’s enlarger in the back of a closet and my friend, Joel, taught me the basics of printing in a few hours (I didn’t realize how difficult that would be). I didn’t have or know about filters and had no techniq...

Dancing in the rhythm of the waves The dark, silky, smooth waters of the canals are silent now, only a few late boats are disturbing the lights that are dancing in the rhythm of the waves. Where there were armies of city guests, only a few hours ago, clucking happily excited about everything and nothing, now only the locals and the (not so few though) night crawlers of touristic persuasion are to be seen, slowly parading the centuries old worn narrow streets, stairs and bridges. La Serenissima is tired, bu...