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  • A recent development Photography on film is a recent development in my workflow , (My black & white solution), and I have been making an effort to shoot film alongside digital on all of my major assignments, as well as for my personal work. It only took one assignment for me to realize that although the use of film was novel it wasn’t offering anything different to my ability to tell a story within a 35mm frame. There are so many ways to achieve a different “look” to your images, usu...
  • My Darkroom I have always liked the quote of the master printer Ansel Adams  “Photography is like music, the negative is the score and the print is its performance”. Every performance is different. That’s so true, the prints I do now I are often different from the ones I did a few years ago. Better technique, more experience perhaps, but more likely my mood and interpretation of the image has changed. Good advice When I was starting my photographic practice I used to buy my ILFORD materials...
  • Connection Over a Century Hanna Heinilä (née Hermonen, 1890–1981) was born to a vicar’s family in the small town of Luvia on the west coast of what at the time was the Grand Duchy of Finland. She had her first camera in around 1906 when she was sixteen years old and began photographing without any formal education. She bought dry-plate glass negatives from the nearby towns and learned to develop them at home by herself. Nothing was known of Hanna’s extensive work as an early photography pion...
  • For our 12th Behind The Film interview, we speak to Jonathan Osborn who is one of our scientists here at ILFORD. Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Jonathan Osborn and I am a Scientist at Harman.  I am currently in my 25th year working at ILFORD.  (Where did that time go!) Tell us a little about your day to day role. Predominantly I have worked on the photographic paper side as the lead scientist on the development of the fantastic new ...
  • Queer Representation I made the first photograph for The Queering of Photography in 2015. I had recently begun my doctoral studies and there I was, in the Royal College of Art studios, trying to make a start with an academic project on queer representation. My friend Ruth had agreed to sit for me and together we set up the studio. Once I placed a piece of masking tape on the floor, Ruth positioned themselves just behind, ready for the first frame. I had brought with me a handful of printouts from photobook...
  • When I Was A Teenager Mine is a common story with photography in that my dad gave me his 35mm camera when I was a teenager. I shot his Minolta until I dropped it a few too many times and the light leaks became punitive. Soon after, I stumbled into the darkroom just as casually after I found my dad’s enlarger in the back of a closet and my friend, Joel, taught me the basics of printing in a few hours (I didn’t realize how difficult that would be). I didn’t have or know about filters and had no techniq...

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