Search results for: 'lens of'

Oh, crap! What have I done? Let’s see.  I committed to do a solo photography show, with twenty-seven images.  All twenty-seven are 4x5 black and white negatives, so they need to be darkroom printed.  And those will be 20x24 prints.  Yeah, and I need to have them matted and framed.  The icing on the cake?  I have just under three months to do this. Yep, this is going to be an interesting project.  But let’s back up to the beginning. The Event It was April 2023, three years after the pand...

The Truth Is It is always with regret when I say that I never had a formal arts education. The truth is, growing up, I devalued the ability of taking a ‘decent’ picture along with whether I could kick a ball with my left foot (I can) or produce a winning back hand on the tennis court (I can’t). Photography was for holidays and special occasions and not much in between. In the days before social media and personal websites, a work colleague once asked me for printed copies of my photos after a trip to...

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The Dynamic There is something distinctly different about photographs of cities versus rural areas. The variations of negative space, the intensity of nature versus people, and the rhythm of light that exists in these places; all contribute to the dynamic of a photograph. Personal Goal Last March, I made a trip to Colorado and the Grand Canyon to visit two of my best friends. I went on this trip carrying more black and white film. My favourite ILFORD film is HP5+. It’s my personal goal to photograp...

I've seen some new faces this week for #ilfordphoto's #fridayfavourites #themefree week. The incredible variety of unique images made it tough to choose! @ConradLangslow. Teka occasionally identifies as a domesticated dog, a challenge being a #Catahoula rescue. #ilfordphoto #fridayfavourites #themefree Nikon F3 Nikkor 50mm f1.8 Ai-s Pancake Ilford HP5+ 400.   @Gravmadboris. Wild Garlic. Ilford HP5. Canon EOS 300. #ilfordphoto #fridayfavourites #themefree.   @camowilson. #ilfordph...

Slowing things back down Although it’s been 28 years since I first stepped into a darkroom, there’s been a significant gap in time since the last time I stepped into one. I grew up at a particular transition time, like the horse to automobile, typewriter to computer, I started my journey into photography just before the digital camera started making its way into the market and pushing film aside. Even though instant gratification has its place, I still kept that romantic notion of one day getting back ...

It was the perfect film to learn with I’ve always loved shooting portraits, and the first medium format film I used was ILFORD HP5+, shooting portraits in high school with the Rolleiflex TLR that I still use today. It was the perfect film to learn with — forgiving and rewarding. When I started directing music videos in my 20s, I brought that Rollei to set to take press photos between set ups. Around the same time, I was working as Ava DuVernay’s director’s assistant on the Netflix series When They ...

The lessons I’ve learnt I would like to start this blog by stating that I consider myself a relatively inexperienced photographer. I’ve been taking film photos for around eight years and have only ever done so as a hobby. However, something I have spent many of those eight years doing is experimenting with double exposures. In this blog I’d like to share some of the lessons I’ve learnt in that time. If you have any questions I could talk about double exposure for hours and go into a huge amount o...

Happy Accidents For most people in the film community, double exposures are accidents. Happy accidents, sometimes, for sure, but accidents nonetheless. Of course, some people do film swaps, I've done a few and embraced the chaos of the results, but I never got an image out of a film swap that I truly loved. And yet there's something eminently compelling about double exposures. ILFORD FP4+ Photosynthesis Five years ago I started a project entitled Photosynthesis that used double exposures as a way to ...

Dancing in the rhythm of the waves The dark, silky, smooth waters of the canals are silent now, only a few late boats are disturbing the lights that are dancing in the rhythm of the waves. Where there were armies of city guests, only a few hours ago, clucking happily excited about everything and nothing, now only the locals and the (not so few though) night crawlers of touristic persuasion are to be seen, slowly parading the centuries old worn narrow streets, stairs and bridges. La Serenissima is tired, bu...