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Our 65th In Focus interview is with film photographer and laboratorist Amanda Monasterio, who used multiple exposures in their work to represent feelings and temporality.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
My favorite image ever photographed with ILFORD is definitely this one and it's from my project called "Asterismos" (Asterisms). This project draw parallels between the imaginary of being and inhabiting a body. My ancestors, t...
How It Began
Queering Rural Spaces began as I was personally starting to think about where my wife and I would settle down to start our family. A part of me missed living on a farm. However, I wasn’t sure I would feel safe being in an openly gay relationship in a rural area. So I began to look for and talk to people who were already living those experiences. For the past two years I have been meeting and photographing LGBTQIA+ farmers who live or work on a farm in rural areas of the United States.
S...
Our 66th In Focus interview is with Danish photographer Lea Elm who is a writer living in England. Find out why analogue and instant camera's became an epiphany within Lea's work.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
World - Museum -Liverpool - 2019 - HP5+
It was hard to pick just one but I decided on this one taken in 2019 on my first, and so far only, trip to Liverpool. Rachel Brewster-Wright (of @LittleVintagePhotography)...
We thought it would be a great chance to chat with Ben Hawkins & Liza Kanaeva-Hunsicker about their book 'Shooting Film'. This book is a beginner-friendly book which introduces curious individuals to the world of analogue photography.
A little bit about yourself
Liza: My name is Liza Kanaeva-Hunsicker, I was born and raised in Moscow, got my Bachelor’s degree in California and have been living and working in NYC for the past 11 years. I’m a multidisciplinary artist working primarily in photography...
To celebrate 2022, we wanted you to share your best or favourite shots for this week's #ilfordphoto #fridayfavourites theme #bestof22. You all have produced and shot a lot of film last year, creating so much excellent photographic work.
@sdotpelt @ILFORDPhoto Metro Center Station in Washington DC shot on HP5 for my upcoming postcard photobook. #ilfordphoto #fridayfavourites #bestof22https://eventbrite.com/e/book-launch-district-postcard-views-with-shedrick-pelt-registration-525091321277
@T...
Look back on all the fantastic photography created in January for this week's #ilfordphoto #fridayfavourites, with the theme being #madeinjanuary.
@helloimedden @ILFORDPhoto In January I shot a lot of #HP5 #fridayfavorites #madeinjanuary #ilfordphoto #fridayfavourites
@tedayreAt the edge of the Yorkshire Dales…#IlfordXP2 at EI800 on the #NikonFM2 dev & scan by @comethroughlab ?…#35mm, #35mmFilm, #35mmc, #FilmPhotography, #AnaloguePhotography, #AnalogueWonderland, #ComeThroughLab, #...
Discovering Analog Photography
My name is Dora Lionstone, and I’m a visual artist based in Amsterdam. I have been passionate about photography for a while now, years before I switched from being a software developer to becoming a full-time artist. But it was only in 2017, at the beginning of my studies at the art academy, that I also discovered analog photography for my artistic process. Instead of completely turning to the analog world, I began to embrace it as one element of a hybrid approach. For exam...
We didn't set a theme for this week's #ilfordphoto #fridayfavourites. It was a popular week with many fantastic entries, which we enjoyed looking through this morning. A huge thank you to everyone who shared their images.
@_DevonR @ILFORDPhoto Has to be the double exposure taken on XP2. #themefree #ilfordphoto #fridayfavourites
@PhotosByPanda @ILFORDPhoto When I tried Delta 100 for the first time and found my new favorite film. ? #ilfordphoto #fridayfavourites #themefree
@ted...
'What are you doing?'
After 25 years it still catches me off guard. Because my work happens in public spaces, the answer comes often and without pause. Men walking by the scene will change direction and make their way to within a meter of my tripod. While to me it is evidently clear, to the viewers it is understandably strange. For my portraits of girls in rural India, this is supremely true. To set the scene, we are using medium format gear mounted on a tripod, speaking with the children being photographe...