Search results for: 'shoot us film'

Step into Simon Auger's world as he unveils an intimate view of his creative process and the intricate techniques that birthed this stunning architectural masterpiece in this 'How I Got This Picture' interview. IMAGE TITLE Downtown Toronto #2 2023 TECHNICAL INFO Film Used ILFORD HP5+ shot at 1600 ISO. FORMAT 35mm. Camera Nikon F3. Lens 17mm Tokina Prime Lens. Exposure time Can't Remember. Location This shot was taken looking up into the mist-covered buildings at the intersection of King s...

The Nod The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...

Find out how film made Sebastian Fehse a better photographer and how he creates these masterpieces in 'How I Got This Picture' blog. TECHNICAL INFO FILM USED ILFORD HP5 Plus 400 FORMAT 35mm CAMERA Nikon F3/T LENS Nikkor Zoom 70 – 200mm f4 EXPOSURE TIME 1/500 at f8 OTHER EQUIPMENT None LOCATION Alpe di Siusi, Italy FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? I have been to this place and especially the Dolomites already 2 times. So, I knew what ...

Stave Lake Historical Powerhouse One of the genres of photography that I seldom get to experience is that of industrial photography. However, there is one exception in my vicinity at the Stave Lake Historical Powerhouse - a national historic site of Canada, which started producing hydro-electric power in the early 20th century until a modern replacement in the year 2000 took over the job. Perhaps growing up on the prairie has instilled in me an affinity for industrial machinery and when I found a historica...

Meet Lindsey Campbell, the SHE manager at HARMAN Technology and our 17th featured guest in the 'Behind The Film' interview series. WHO ARE YOU? WHAT’S YOUR JOB TITLE HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? I’m Lindsey – the SHE (Safety, Health and Environment) Manager. I came to HARMAN in 2020, just before the pandemic hit, so have been here for four years. TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE. It’s something of a cliché, but every day really is different. There are day-to-d...

The Love Affair I didn’t even really like racing when we planned our trip to the Monaco Grand Prix. Not racing, not Formula 1, not any of it. But I did have a very long ongoing love affair with the south of France and any opportunity to spend time along the Mediterranean was a go for me. Something Was Unlocked As my husband Mark and I were planning this trip to celebrate a milestone birthday, something happened to me in the lead-up; something was unlocked. It’s Mark who has the life-long love of ...

We asked you to share your best #hp5in120 shots with us this week for #ilfordphoto #fridayfavourites. You definitely delivered this week, so take a look at some of our favourites. @MattAngleyPhoto. King of the Backyard. ? Pentax 6x7 + SMC Pentax 6x7 90mm f/2.8. ?️ Ilford HP5 Plus. #fridayfavourites #ilfordphoto #HP5in120 #pentax #filmphotography #believeinfilm #blackandwhitephotography #bostonterrier   @robinferand. Right is Left. Up is Down. First time shooting #hp5in120 in an origina...

Asphalt Kingdom When I was 15 I picked up my mum’s old and now scarcely used Soligor TM (a cheap 35mm SLR). Having seen a few friends shoot colour film on disposables, I remember thinking “I like how it looks but do they even make film anymore?”. I spoke to my step-dad about where I might find some of this film and he quickly pointed me in the direction of ILFORD, a film manufacturer who’s film he’d stood by for many-a-year (something I’m intent on standing by too). A google search and three cl...

With its liberating high speed, and wide tonal range, DELTA 3200 is ideal for fast action and low light photography so we were excited to see what images you chose to share for today's #ilfordphoto #fridayfavourites #ilforddelta3200pulled theme. @simon_diamond A summer shot for #ilfordphoto #fridayfavourites #ilforddelta3200pulledLeica R4S Elmarit 28mm F2.8 Delta 3200 (pulled 1 stop to 1600) #believeinfilm #photography   @sbills15 Dad after his run. Hasselblad 500CM, 120MM CFi Macro lens and...

Inheritance The thing nobody really tells you about when it comes to inheriting a legacy is the weight of it, and what follows the inevitable acceptance of it. My late grandfather Hendrikus Goris was an avid film photographer in his early 20’s - much like myself. I recently had the privilege of scanning and archiving some incredible images from his earlier years, 30+ rolls of film documenting family life with some rather editorial styled portraits sprinkled in. Most of them were shot on ILFORD film in ...