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ILFORD photochemical products as sold
These SDSs relate to the products in the form that is actually sold. The structure and content of these SDSs are designed to meet regulatory requirements.
They are provided in 11 European languages. There are separate versions for the USA (in English only) and Canada (in English and French).
Please select the version that is appropriate to your needs and location from the list below.
***Please note: Safety Data Sheets are in the process of being updated, and...
1992 - How I met Masterji
Soon after leaving my staff photographer’s position on the local newspaper where I’d been employed for the previous 5 years and with the luxury of in-house film processing no longer a convenient option I began using my local city centre professional colour lab, in Coventry.
During the accumulating hours I spent in that lab waiting for my 35mm films to process, watching small colour prints dropping from the conveyor belt from the end of the machine, I very watched a short In...
I always loved celluloid pictures. Maybe I was drawn in as a baby, while the 8mm camera whirred (and the handheld light blinded). Maybe it was being so thankful to my big brother for lending me a 35mm rangefinder and showing me how to use it at age 10. Might have been the Minolta-16 he gave me (as a graduation present?). What a sweet little 16 that is, and I’ve still got it. Can you get those cartridges now? I envied his Pentax Spotmatic as I shot 8mm motion pictures on the point and shoot family camera,...
A lifelong hobby
One of my lifelong hobbies is photography. I have been taking photographs since I was about 10 years old when I was given an old Kodak folding pocket camera that had belonged to an uncle, Bertrand Perrett, who was a professional photographer and painter in England. I learned to develop and print black-and-white film at school when I was a teenager back in the 1970s.
The Slower Pace
When digital photography came along I moved to that medium, but recently I’ve come back to film aga...
My name is Charles, I do film concert photography since September 2014. I chose analog over digital because I like to do things with my hands instead of using a computer. I mostly use HP5+ film (pushed to 1600 ISO) which I find very powerful in difficult light conditions, it’s a good compromise between precision, grain, and dynamic range.
Concert photography is easy and difficult at the same time. It’s easy to take a picture of a charismatic singer on stage, but is this enough to have a great photo...
What are paper developers?
Paper developers allow the latent exposed image to become visible to the naked eye and form part of a processing workflow along with a stop bath and fixer. Read our guides, for more information on picking the right paper for you or which chemistry to choose
When shopping for photo chemicals always check the application. We produce a range of photo chemicals including stop baths, fixers, toners, wetting agents as well as paper and film developers. Film developers are speci...
ILFORD PHOTO offer an extensive range of black & white photographic paper. A photographer's choice of paper is a subjective decision based on personal tastes and preferences. It can also be impacted by the type of images you shoot and the final look you want to achieve.
Papers all have different characteristics and purposes and so this guide will walk you through the terminology and choices available to help you pick the perfect paper for your darkroom printing.
Base: Resin coated versus Fibre base...
Choosing Photo Chemicals
We have a range of photo chemicals for printing/processing all of our resin coated and fibre base papers in trays/dishes as well as in processing machines.
If you are new to printing the choice could appear excessive yet each liquid or powder paper developer has its purpose or strengths. For an overview of the whole range and what they do we have pulled together an introductory overview. If you are a beginner* and wondering where to get started then read on.
*While thi...
One of the best things about film photography is that the creative process doesn't end in the camera. Processing your images in a darkroom is not only great fun, but it also allows you to exercise complete creative control over the final look of your image.
We cover some of the essentials needed to set up a darkroom in our beginner's guide and have also developed a series of short animations which cover essential darkroom equipment, darkroom safety tips as well as how an enlarger works.
Below, we cov...
All ILFORD Inspires content has a common goal: To inspire people to try traditional analogue black and white photography by showcasing the power and potential of this highly creative medium.
New York Silver Stories
Working with the talented team at Exploredinary, this series features four short documentaries telling the stories of silver gelatin darkroom printers in New York City.
The Bronx Documentary Center - Turning Negatives into Positives
Founded by Michael Kamber, the BDC is a non-profit aimed at ...