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It is my opinion that some photographers mistakenly regard ILFORD HP5 PLUS and its predecessors to be a somewhat cheaper, lower quality response to Kodak’s Tri-X. I hope to demonstrate in this review that this assumption simply isn’t the case.
There’s much more to HP5 PLUS than meets the eye – something that regular shooters of this film will be more than aware of (you folks can leave now, nothing new here).
For those of you who haven’t shot this film before, this review will give you my tak...
An experiment in chemical possibilities
When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy. If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...
Tree #8
Technical info:
Film Used: Ilford FP4
Format: 6x7
Camera: Mamiya 7ii
Lens: 43mm
Exposure time: 3 min
Other equipment: Lee Filter holder, Lee 4 stop nd, Lee Red #25 filter, B&W 105mm Polarizer, Gitzo Tiopod, Acratech Ballhead.
Location: Zion National Park
Tell us the story behind this image. What inspired you to shoot it?
A couple good friends of mine who know Zion quite well introduced me to this fantastic little tree last Fall. The tree is about 9 feet tall and high up on a ridge ...
We're often asked what the differences are between our PLUS films and our DELTA Professional range and have given a brief reply in our post about Choosing your first ILFORD film.
If you're interested in a more detailed explanation, the read on...
HP5 PLUS
Uses our more traditional emulsion making methods.
HP5+ has evolved over many years to become an extremely flexible and robust film.
Has extremely good exposure latitude and is very tolerant of under/over exposure.
...
An Interest in Large Format
Large format is an immensely rewarding and enjoyable way to make a photograph. It can also feel overwhelming when you’re just starting out, but it doesn’t have to be complicated. This article is for anyone with an interest in large format.
I got into 4x5 because I wanted to challenge myself, and to try something new. Over the last two years it has become my favourite way to take a photograph. There’s something special about slowing down and being so deliberate with each...
Beginnings
I came to analog photography late. I enjoy being able to feel the film and create with my hands, and the suspense of not knowing how the final shots look until you develop the film. Shooting film changes the style of how I work. I take less pictures and think more. It is more immersive, I have more time to feel their characters, their experiences.
I shoot all my projects in medium format film. I do use digital, but only for commercial photography or for working on reports.
Materials ag...
London Fashion Week
Earlier this year I shot my fifth season of London Fashion Week. I’ve been trying to incorporate new and different styles into my fashion photojournalism work, in order to stand out and also to exercise my own creativity. I’ve been shooting at London Fashion Week for about as long as I’ve been photographing professionally. It’s a great environment, fantastic for networking opportunities, building a decent portfolio of industry standard work, and also for experimenting with new t...
We must have been a bit early for you all to be in the #festive spirit as we didn't see the usual volume of entries for this week's #ilfordphoto #fridayfavourites
Thank you to all of those that shared with us, if we have chosen your image then please drop us a DM with your address, a contact number and your favourite film and we'll send you some goodies. There's also a chance that your shot could feature on one of our banners over the coming weeks.
@adiw1202 The #ChristmasTree at the #Fairmont San Fr...
Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.
This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine.
Si...