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Meeting Viktory
I fell into dance photography quite by accident. I was a member of a meetup group of photographers in Boston, and one of the people I met at their events invited some of us to shoot in his studio with Viktory, a traveling ballet model. I was shooting landscapes almost exclusively at that time, and I had hardly ever shot with a model before. Luckily for me, Viktory is very experienced and was able to work with our varying skill levels. Little did I know at the time that I would still be shoo...
When we held our first Lockdown Session with Emulsive, we asked him who he'd like to see us interview in future and he suggested the very lovely Aislinn. (AKA The Film Pusher).
SECTION 1 - THE BEGINNING
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
I have tons! But let me share my recent favourite, the one that I had printed and hung on my wall. It’s a pinhole image of the Natural History Museum in London. It means a lot to me, as the NHM is a favourite visit ...
An object of beauty
I have just been asked to explain why I use film to make many of my images….. well the simple answer is ‘I like the process….I love the total engagement film gives me. Working out how many rolls to take, what size film to take, packing it all up and hoping I haven’t forgotten my light meter.
I love the reaction when I give somebody a print at 12 inches square in an archival sleeve. It’s an object of beauty, its tangible, it’s exciting, its more than a digital print…...
We've been following Dan Rubin's photography for a while now so were really pleased when he agreed to take part in our Lockdown Sessions.
SECTION 1 - THE BEGINNING
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
Shinagawa Station, Tokyo, 2016. Ilford HP5+ @ 400, Leica M6, Summicron-M 50/2 (Scanned by Canadian Film Lab)
This was my first full day in Tokyo, on my first visit to Japan in 2016. The memory of wandering through the station during rush hour...
Early Experiements
Many, many years ago I experimented with uprating HP5, I was a student and it fitted the look I was after at the time. In those days, information was difficult to find and I relied on advice from friends. As a student, the mysteries of film and processing were fascinating and strange. I tried all sorts of things, but didn’t know what was really going on. I knew that uprating meant setting a higher speed (ASA in those days) on your light meter and then giving it a longer development tim...
Introduction
I often see echoed this absurd idea that somehow film photography is more “pure.” Anyone who has ever been a part of a film photography Facebook group has surely come across a post along the lines of “how much editing in post do you think is OK with film?” And, without fail, there will be at least one response from the analog bourgeois which goes something like “if you’re going to edit *that* much, you might as well shoot digital. Why are you even shooting film?!”
Sadly, we of...
Balance
Like many photographers these days, I balance a busy day job alongside a family life. I try to be good a community member, share my thoughts and experiences and sometimes, perhaps, inspire one or two. In the background I have long held an aspiration to become a successful professional photographer, something i'm still working towards.
Like all of us I suspect, finding something to focus on, photographically, can be a challenge when life is so busy. The majority of my casual photography currently...
I don't think it will be long before we need to change the title of this series! We really hope that you are enjoying finding out more about some of the members of our community. This week, for our 11th interview, we have Simon King. He is probably best know for is street photography and teaches short course on it at UAL.
SECTION 1 - THE BEGINNING
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
I really find it difficult choosing favourites, so I have to give a bi...
My dream camera
I was introduced into photography when I was just a teenager by my uncle Massimo —· AKA zio Max. That’s how I have acquired basic knowledge about film photography, and developed the skills that helped me to start a career as an independent — and self-taught — filmmaker.
Filmmaking and video production became my main occupation, while photography remained a deep passion, which kept coming back from time to time in my professional career.
In the last few years I have been too...