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An experiment in chemical possibilities When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy.  If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...

Tree #8 Technical info: Film Used: Ilford FP4 Format: 6x7 Camera: Mamiya 7ii Lens: 43mm Exposure time: 3 min Other equipment: Lee Filter holder, Lee 4 stop nd, Lee Red #25 filter, B&W 105mm Polarizer, Gitzo Tiopod, Acratech Ballhead. Location: Zion National Park Tell us the story behind this image. What inspired you to shoot it? A couple good friends of mine who know Zion quite well introduced me to this fantastic little tree last Fall. The tree is about 9 feet tall and high up on a ridge ...

An Interest in Large Format Large format is an immensely rewarding and enjoyable way to make a photograph. It can also feel overwhelming when you’re just starting out, but it doesn’t have to be complicated. This article is for anyone with an interest in large format. I got into 4x5 because I wanted to challenge myself, and to try something new. Over the last two years it has become my favourite way to take a photograph. There’s something special about slowing down and being so deliberate with each...

From home-made cameras to professional kit. There's always a great variety when we ask you to share your #pinhole shots. Hopefully you will all be out and about on Sunday for #pinholeday 2018. Here are a few of our favourites jessie.emma.media SoCal, giver of good vibes. (And rad palms.)#fridayfavourites #pinhole #ilfordhp5   @JohnScarbro1 Pumping Station. @ILFORDPhoto FP4. DD-X. Noon Pinhole. #fridayfavorites #pinhole #believeinfilm #filmphotography #ilfordphoto   @pinhol...

Beginnings I came to analog photography late. I enjoy being able to feel the film and create with my hands, and the suspense of not knowing how the final shots look until you develop the film. Shooting film changes the style of how I work.  I take less pictures and think more. It is more immersive, I have more time to feel their characters, their experiences. I shoot all my projects in medium format film.  I do use digital, but only for commercial photography or for working on reports. Materials ag...

Chemigram workshop On a very hot, sunny Saturday six students from The Mill Arts Centre Trust in Banbury took part in a Chemigram workshop. Chemigrams were established in the 1950s by Belgian artist Pierre Cordier. Chemigrams are created by forcing a chemical reaction between photographic paper and photographic chemistry. In this workshop, we used ILFORD Warmtone Resin Coated Paper, ILFORD Pearl Resin Coated Paper, ILFORD Universal Developer, ILFORD Warmtone Developer and ILFORD Rapid Fixer. Beautiful...

London Fashion Week Earlier this year I shot my fifth season of London Fashion Week. I’ve been trying to incorporate new and different styles into my fashion photojournalism work, in order to stand out and also to exercise my own creativity. I’ve been shooting at London Fashion Week for about as long as I’ve been photographing professionally. It’s a great environment, fantastic for networking opportunities, building a decent portfolio of industry standard work, and also for experimenting with new t...

We're all continually striving to improve and to take that one perfect shot. For this week's #ilfordphoto #fridayfavourites we asked you to choose your #favouriteshot from those that you have taken over the last 12 months. @carusb It’s pretty hard to choose my #ilfordphoto #favouriteshot for my first #fridayfavourites but I think it has to be Loch Etive in the rain (yet to see it in good light!)...   ©Michael Leupold - WAWEL - CRACOW - POLAND -Camera & Lens - Canon AE-1 program, FD 50...

Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.  This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine. Si...

There was this one scene I wanted to capture.  I stumbled upon it walking up Old Man Coniston in the Lake District just before reaching the peak.  Out of nowhere (unless you’ve studied an OS map) a body of water appears when approaching from the east. As we reached the water’s edge, the sun was bursting through the clouds for the first time in days. The light was fantastic, catching 2 large boulders protruding from the perfectly flat, reflective water with the hill layers mirrored on the surface. ...