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Safety data sheets for ILFORD photochemicals when made up for use
These safety data sheets relate to the products after they have been prepared for use in accordance with our recommendations. Because we do not supply these chemical solutions ready for use, we are not obliged to provide these SDSs. However, we do so in order to help users, especially those in schools and colleges, to use the products safely and assess correctly the risks involved. These are European SDSs and are provided in English only.The...
Photographic prints are intended to be viewed and when looked after can remain in excellent condition for over a century. However, as they are paper-based they are prone to damage if mishandled.
Caring for a print
A print intended to have a long life should be processed by methods recommended for long-term stability. If necessary it can be retouched to eliminate blemishes. Prints that are going to be displayed should be mounted, framed and glazed to complement the image and protect it from deteriorat...
Mounting your Prints
Even the most stunning print can look better when it has been properly mounted. Mounted prints are also better protected as they are kept flat with the image separated from the immediate surroundings by unobtrusive margins.
There are no hard and fast rules about mounting prints; the most suitable results will depend on individual preference, the nature of the image, the intended use and other circumstances.
It is recommended that only boards and other materials intended for the p...
The ILFORD PHOTO Archival Sequence, or Optimum Permanence wash system is a method of processing fibre base papers for maximum longevity while reducing the amount of water and time used.
Whilst standard fixing and washing recommendations will give excellent print permanence for all commercial needs. When optimum permanence is needed, perhaps for archival storage of prints, the following fixing and washing sequences at 18–24ºC/65–75ºF (including wash water) are recommended using ILFORD WASHAID.
Fi...
Split grade printing
The version of split grade printing described here is that taught to me by the ILFORD head printers, Mike Walden and Terry Offord, and is the simplest, fastest way to make good darkroom prints from pretty much any negative. (The exception is really underexposed negatives to print these you usually only need high contrast).
This is a very powerful technique that can be used routinely with variable contrast (VC) papers, such as ILFORD MULTIGRADE. It makes use of the differing performa...
2000RT Developer
2000RT Fixer
2150XL Developer
2150XL Fixer
Bromophen Developer (Part A)
Bromophen Developer (Part B)
HARMAN Selenium Toner
HARMAN Warmtone Developer
Hypam Fixer
ID-11 Developer (Part A)
ID-11 Developer (Part B)
Ilfosol 3 Film Developer
Ilfostop
Ilfotec DD Film Developer
Ilfotec DD Starter
Ilfotec DD-X Film Developer
Ilfotec HC Developer
Ilfotec LC29 Film Developer
Ilfotec RT Rapid Dev Part A
Ilfotec RT Rapid Dev Part B
Il...