Search results for: 'this come te de'

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  • «If we are always arriving and departing, it is also true that we are eternally anchored. One’s destination is never a place but rather a new way of looking at things. » Henry Miller Community Of Male Bathers Lanterna “Beach” is a long-term project (2015-2022) that documents a community of male bathers in a town in Southern Italy, where I was born and raised, before leaving my country. The work explores the relationship between this peculiar community and the nature of the Pier where they sunbathe...
  • Gosia Janik gives us the lowdown on how she captured this striking portrait. Image Title Xu Jing Technical Info Film Used ILFORD HP5+ Format Medium format 6x5 Camera Mamiya 645 AFD Lens Mamiya 80mm f2.8 Exposure time 1/60 Location Home/studio in Madrid Firstly, tell us the story behind this image. What inspired you to shoot it? I often work with “new faces” - models that are sent to me by agencies to shoot a session for building or renovating their portfolio. Xu was sent to me by...
  • Introducing our 71st In Focus interviewee, Malik Rainey. Malik specialises in editorial and social documentary photography. However, Malik only became hooked on film when his friend Teo traded him his Pentax P30T for his bike. Section 1 - Background Share your favorite image/print shot on ILFORD film and tell us what it means to you. This image is an all-timer for me! I always find myself returning to this image because it’s perfect, from the little girl smiling directly at me to the boys playing baske...
  • 'Architecture is the masterly, correct and magnificent play of volumes brought together in light'. Le Corbusier, 1920 Concrete Photography Brutalism as a style has received bad press. When we first hear the term, we all feel a logical rejection. The handbooks go on to explain that it comes from the French term béton brut, although the inventors of the term undoubtedly played on confusion, leaving an after-taste of je m’en fous, of bloody-mindedness, not giving a damn, in short. As a movement, as an a...
  • What it’s like to be a penguin Possession Island is a rock in the Southern Indian ocean, about the size of the Scottish Isle of Rùm. It harbours a small French research station (a couple dozen people year round), and half a million seabirds. We have been monitoring King penguin populations there for the past decades: fascinating birds, King penguins. They may look clumsy on shore, but each of these little characters has been scouring through the wildest seas in the world, year in and year out, weatherin...
  • Laura Cogan grants us an exclusive glimpse into her creative process and the techniques that brought forth this beautiful masterpiece. Image Title Isolated Church Technical Info Film Used ILFORD DELTA 100 Format Medium Camera Hasselblad 500cm Lens Hasselblad 180mm Exposure time f4 at 1/500 Other equipment Manfrotto 190CXPRO4 tripod and Sekonic flashmate L-308S lightmeter Location Snæfellsnes, West Iceland - the church is called Breiðabólsstaðarkirkja Firstly, tell us the story behi...
  • “I’ll just fix it in the darkroom.” is the motto I’ve lived by for decades. I Was Too Deep Into Analog Studying photojournalism in the late 80s, I was taught to print well but never learned advanced printing techniques because we were being prepared for quick turn-around journalism assignments. Commercially available digital photography was in its infancy, so it wasn’t on my radar, and even when it became standard, I was too deep into analog to have any interest. I shot for a local paper for se...
  •  A History on the Road In May of 2023, I loaded up the car and I headed off to the North Cascades. The freeway had just reopened after a long, icy winter. I was desperate to break out of my work routine and follow my creative pursuits. Growing up in the American Southwest I spent my childhood in the back of my father’s pick up on our family’s retreats. Being from a blue-collar middle class family, we were never going anywhere fancy. We made pilgrimages to Arkansas in my youth where abandoned and di...
  • 1969 After too short a visit to Athens’s Parthenon in 1964, I vowed to return soon. By 1969 I was standing on the deck of a wave tossed Yugoslavian freighter with my back to New York City. Watching the grey, stormy, November Atlantic from the quiet of the Navigation Bridge was a peaceful retreat. Our first port-of-call was Casablanca. As a travel companion I had Greek philosopher Nikos Kazantzakis's book, Report to Greco, basically a story of Kazantzakis's search for his identity. It seemed a good read...
  • Our 72nd In Focus interview is with Brazilian lab technician and teacher Samanta Ortega. Samanta focuses on empowering and fueling the resurgence of film photography in Brazil from the inside out. SECTION 1 - BACKGROUND SHARE YOUR FAVORITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU. Invasão | ILFORD Delta 400 | Yashica Zoomate 76 There is so much I could say about this image, but no description I elaborate will ever do it justice. This was one of the frames in the first eve...

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