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“I’ll just fix it in the darkroom.” is the motto I’ve lived by for decades.
I Was Too Deep Into Analog
Studying photojournalism in the late 80s, I was taught to print well but never learned advanced printing techniques because we were being prepared for quick turn-around journalism assignments. Commercially available digital photography was in its infancy, so it wasn’t on my radar, and even when it became standard, I was too deep into analog to have any interest. I shot for a local paper for se...
Our 72nd In Focus interview is with Brazilian lab technician and teacher Samanta Ortega. Samanta focuses on empowering and fueling the resurgence of film photography in Brazil from the inside out.
SECTION 1 - BACKGROUND
SHARE YOUR FAVORITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU.
Invasão | ILFORD Delta 400 | Yashica Zoomate 76
There is so much I could say about this image, but no description I elaborate will ever do it justice. This was one of the frames in the first eve...
Fading From View
My project “Extinct" aims to highlight our quickly vanishing natural world. Just as photographs can fade over time, so many species on our planet are also permanently fading from view. The delicate chemical process of film photography I have chosen highlights the fragility of the medium as well as the state of existence of the species portrayed. Compositions bare the mark of their making. The edges of the frames are vanishing. Imperfections are left on view.
As analogue photography is...
#ilfordphoto #fridayfavourites, theme is #smallonfilm 2023. A big appreciation goes out to all the photographers who have contributed this week. Whether it's product photography or the beauty of nature, here are some of your interpretations of capturing this week's theme.
@PhlStrchn. I took this shot of a sycamore seed sitting between the patterned paving outside the Fergusson Gallery, Perth. The seed cast a shadow, it doesn't contrast well, however it's my take on #smallonfilm for this week's...
Daniel Elbaz generously shares insights into his creative journey and how he conceived the idea of "12 Ways to...", for our 'How I Got This Picture' series.
IMAGE TITLE
12 ways to …
Technical Info
Film Used
ILFORD HP5+
Format
120
Camera
Hasselblad 503cw
Lens
Planar 80mm
Exposure Time
1/125s at f16
Other Equipment
Elinchrom Studio flash
Location
Paris, FRANCE
Firstly, tell us the story behind this image. What inspired you to shoot it?
I have been passionate about black and white phot...
One Specific Speed Rating
Us film photographers are used to the limitations of our medium. In fact, we often regard them as strengths, and not weaknesses. But even we can’t really take issue with the suggestion that as soon as we begin to expose a roll of film we are limited to one specific speed rating, making it more difficult to adapt to quickly changing light conditions. On digital: no problem. Just whack the ISO up to some implausibly high number, and keep shooting. Sadly we just can’t do that mid...
Allow us to introduce Mandyleft, our 73rd featured artist in our "In Focus" series. Mandyleft is a talented film photographer known for her deep passion for connecting with people, a quality that has immersed her in the vibrant film community.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU.
I took this photo in a hotel in London. It was a very exciting weekend. I had just been to the theatre and then I had been shooting around the West End...
This week's theme for #ilfordphoto #fridayfavourites is #allonkentmere. Kentmere, with its exceptional quality, is not only an excellent choice for those venturing into film photography for the first time but also a preferred film for seasoned photographers.
@hannibal.bass. Pentax MX? Kentmere 400...#pentaxmx #shootpentax #kentmere400 #ilfordfilm #kpan400 #allonkentmere #fridayfavourites #35mmfilm
@uk_filmfanatic. Repost for @ilfordphoto #fridayfavorites. Sleepy Jack Russell. Nikon F100 wi...
When I Was A Teenager
Mine is a common story with photography in that my dad gave me his 35mm camera when I was a teenager. I shot his Minolta until I dropped it a few too many times and the light leaks became punitive. Soon after, I stumbled into the darkroom just as casually after I found my dad’s enlarger in the back of a closet and my friend, Joel, taught me the basics of printing in a few hours (I didn’t realize how difficult that would be). I didn’t have or know about filters and had no techniq...