Search results for: 'images new'

Loading...

Items 291 to 300 of 332 total

Page
Show per page
  • Introduction I’ve been a photographer for 35 years since I was 11 in fact when I first loaded my Zenith 11 with film and set off for a walk into the wilds of South Yorkshire. 20 years later I turned professional and as soon as digital became a viable option I traded in my Nikon F90x and Mamiya 645 pro for a Nikon digital kit. Digital was for me always a triumph of convenience over real quality in those early years and not much else. It wasn’t until Canon brought out the 5D series that I found myself ...
  • Nolton Haven Technical info Film Used FP4+ Format 35mm Camera Nikon F2 Lens 20mm F3.5 AI. 25A red & 2stop ND filters. Exposure time 30seconds Other equipment Manfrotto tripod, Weston Lightmeter. Location Nolton Haven is a small narrow bay on the Pembrokeshire coast in West Wales.  It sits between the two much larger beaches of Druidstone and Newgale. Its characteristic feature are its two almost near symmetrical headlands.         Firstly, tell us the...
  • The Grand Canyon at Plateau Point Technical info   Film Used:  ILFORD FP4+ Format: 4x5 Camera: Wista 45DX Lens: Rodenstock: 90mm f/4.5 Exposure time: 1/60th Other equipment: Red filter Location: Plateau Point, Grand Canyon National Park     Firstly, tell us the story behind this image. What inspired you to shoot it? One weekend at the last minute I decided to do a full moon hike to Plateau Point in the Grand Canyon. My plan was to hike down around ...
  • Mindtraveller Technical info Film Used: ILFORD HP5+ (pushed to 3200) Format: 120, shot as 6x7 Camera : Mamiya RB67 Pro SD Lens: Sekor 50mm f4.5 Exposure time: 20 minutes Other equipment: Tripod Location: Norman Wells, Northwest Territories, Canada Tell us the story behind this image. What inspired you to shoot it? In the Canadian Arctic, we are gifted with the otherwise-evasive Aurora Borealis on almost a nightly basis.  On many nights, the spectacle is nothing more than a faint gre...
  • I don’t know about you, but I have a “box of shame”. It’s where I keep all the photographic odds and ends of kit that I never use, but can’t bring myself to throw away. Well I’ve always felt it would come in handy one day, and it seems that day has come! This story really gets going when I decided I wanted to do something fun with my Konica Pop*, an 80’s classic point and click camera I picked up in a charity shop a few years ago. Odds and Ends By utilising some of these long-neglected items...
  • Turning your negatives into positives Reversal processing enables black and white transparencies to be produced directly from high quality films such as PAN F Plus, FP4 Plus and DELTA 100 PROFESSIONAL How it works It starts with the development of the negative image. This leaves the unused silver halide untouched, but it is not fixed, as it will be used later to form the positive image. After the negative image has been developed, it is totally bleached away using an acid bleach. This leaves the remainin...
  • In late 2019, we invited the global analogue film photography community to take part in our latest survey. This time we focused specifically on darkroom printing. The survey ran for 1 month and had an incredible 5,439 responses from 87 countries around the world.  A huge thank you to everyone who took the time to offer your insights and share the survey for us. Why darkroom printing? We have seen sustained and continuous growth in film for a number of years. However, darkroom printing has not yet cap...
  • When UK students submitted their prints for the 10th Annual ILFORD PHOTO Student Photography Competition under the theme ‘A Sense of …’ they had little knowledge of what disruption was coming just a couple of months later. With schools and colleges now closed due to the coronavirus crisis and term seemingly at an abrupt end,  we are pleased to be able to look back and reflect on some of the stunning entries we received as well as announce the 2019/20 winner. And the Winner is... Paige Newell - ...
  • Image Title: Weathering the Shallows Technical Info: Film: ILFORD MULTIGRADE IV RC Paper Format: 5x7 paper, trimmed to fit a standard 5x7 film holder Camera: Deardorff V5 5x7 field camera Lens: Fujinon W S 210mm f5.6 Exposure: ISO 6, f22, 15 seconds Filter: Polarizer Movements: Full front fall Location: McCraney Lake in Algonquin Provincial Park, Ontario, Canada   TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? Each August a few friends and I canoe-camp in ...
  • When we held our first Lockdown Session with Emulsive, we asked him who he'd like to see us interview in future and he suggested the very lovely Aislinn. (AKA The Film Pusher). SECTION 1 - THE BEGINNING SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I have tons! But let me share my recent favourite, the one that I had printed and hung on my wall. It’s a pinhole image of the Natural History Museum in London. It means a lot to me, as the NHM is a favourite visit ...

Items 291 to 300 of 332 total

Page
Show per page