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I like to press the shutter and I take a lot of black and white photos simply because I like it. These black and whites I take on Ilford materials. My favorite negative is xp2 super, I also use Delta 100 and 3200, but rarely.
Why ILFORD XP2 Super?
I am a hydro engineer by profession - I traveled a lot, spent a lot of time away from home, so carrying a tank, chemicals, thermometer, bottles, containers, etc. with me was a bit troublesome. Never I needed to organize my home dark-room. But actually, now I sta...
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
I have many beautiful prints from an Ilford negative. One Ilford film that always interests me is the Ortho 80. Being less sensitive in the reds it renders reds as dark or sometimes black giving interesting results. This is a print of a light switch in my home. The light was casting an interesting shadow across the wall. The black area is a shadow from a picture frame. It’s so simple but I jus...
Crombie McNeill has been shooting film for longer than some of us have been around, and his story is fascinating which makes him the perfect interviewee for our 45th In Focus interview.
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Shot way back in the early 70's. By happen chance I discovered this fishing dory beached on Newfoundland's Eastern coast. I very much like this shot, and even more so because I was on my very first major assignment. Twenty thre...
And suddenly, something that looked like a dandelion head floated into view, and I stood mesmerized as it hovered before me. When I peered inside, I realized that I could see a tiny winged creature within. I turned to my mother and said, “Look at that!” But all she could see was a dandelion head.
Inhabitants
Thirteen years ago I lost my father to Lung cancer, three years ago I lost my best friend to breast cancer. Besides cancer they both shared the same belief, that when we die, it’s lights out, th...
Our 57th In Focus interview is with Simon Smars from Stockholm who is a professional fine art photographer. Simon works exclusively with limited edition handmade black and white silver gelatin fiber prints, using traditional darkroom techniques. He creates a mixture of minimalistic scapes paired with a melancholic somber, with scenes often stripped to its bare essence.
SECTION 1 - BACKGROUND
Share your favourite image / print shot on ILFORD Film and tell us what it means to you?
C I G (1: f.13 · 10-sto...
My name is Jason Avery and I am an analogue landscape photographer based in East Anglia England. I have been working with film for a few years now, learning my craft as an artist. One of the many reasons why I decided to choose film instead of digital as a medium for my work was the darkroom experience. I have heard the quote “The darkroom is a magical place” over and over again and I can safely say that that is totally true. I have been hooked since the moment I developed my first print in my tiny dark...
Introducing our 61st In Focus interview with Torz Dallison. Torz started shooting when she was a teenager, but it wasn't until she started developing and printing that she became hooked. Through her work, Torz explores life's traditions and connections which reflects on her own personal stories and events.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
The Robin - 2019
This is the central image to my project The Robin. I began the proje...
Our 63rd In Focus interview is with our ILFORD Master printer, Andrew Sanderson. Andrew has been a professional photographer for over 35 years, and has established an international reputation as both practitioner and teacher of the photographic medium.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
Walk,walk,walk. HP5, Nikon F3.
My favourite picture changes quite often. Usually it is the last print I made where everything came together ...
Kentmere films now available in 120 format
HARMAN technology Ltd are pleased to announce that from December 1st, 2022, Kentmere Pan 100 and Kentmere Pan 400 films will be available in 120 format.
Kentmere Pan 100 is a medium speed, ISO 100 panchromatic black & white film with fine grain and good sharpness. It has a broad tonal range with ‘medium’ contrast and a wide, forgiving exposure latitude. Compared to Kentmere PAN 400, this film is slower with finer grain, and a touch more contrast.
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We are heading to R&D to speak to Calvin Carey, our 13th Behind the Film interview. Calvin is a Physicist here at HARMAN Technology. Find out more about what his role entails.
Who are you? What’s your job title HARMAN technology and how long have you worked here?
My name is Calvin Carey, and I work as a Physicist here at HARMAN. I started in 2019.
Tell us a little about your day to day role.
My day-to-day work is hugely varied, depending on which projects in R&D (research and development) or m...