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As last Sunday was World Pinhole Photography Day we thought is only fitting that this week's #ilfordphoto #fridayfavourites theme honored this with #ffpinhole. Over 100 images were shared with us this week and we've had a great time this morning choosing our favourites. @billthoo  Terrapin Kaiju Pinhole exposure April 2021 #fp4 #ilfordphoto #fridayfavourites #ffpinhole @ILFORDPhoto #ilovesydney #shootfilmbenice #believeinfilm #filmphotography   @paulasmithphoto My favourite pinhole shot ...

Get ahead of the class Here you'll find links to lots of helpful information that will help you get a head start in your film photography studies. We've collated links to blogs, product pages and shared some educational videos from our YouTube channel too. So, you've got your film camera and now you need some film. Many schools, colleges and universities will lend out cameras to their students and these generally take 35mm film but, there are other options available and the type of camera that you have ...

During lockdown I rekindled my love of making photograms. It happened naturally after a summer of making cyanotypes. I was also making emulsions out of plants. My garden became a temporary darkroom. With a photogram - you expose your paper to light (sunlight for photograms), with an object on top, and the area underneath the object remains unexposed, so you end up with white paper in that area, like a shadow but in negative. Cyanotype   A lonely weed The local darkroom re-opened for half-day s...

I like to press the shutter and I take a lot of black and white photos simply because I like it. These black and whites I take on Ilford materials. My favorite negative is xp2 super, I also use Delta 100 and 3200, but rarely. Why ILFORD XP2 Super? I am a hydro engineer by profession - I traveled a lot, spent a lot of time away from home, so carrying a tank, chemicals, thermometer, bottles, containers, etc. with me was a bit troublesome. Never I needed to organize my home dark-room. But actually, now I sta...

SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I have many beautiful prints from an Ilford negative. One Ilford film that always interests me is the Ortho 80. Being less sensitive in the reds it renders reds as dark or sometimes black giving interesting results. This is a print of a light switch in my home. The light was casting an interesting shadow across the wall. The black area is a shadow from a picture frame. It’s so simple but I jus...

Crombie McNeill has been shooting film for longer than some of us have been around, and his story is fascinating which makes him the perfect interviewee for our 45th In Focus interview. Share your favourite image / print shot on ILFORD film and tell us what it means to you? Shot way back in the early 70's. By happen chance I discovered this fishing dory beached on Newfoundland's Eastern coast. I very much like this shot, and even more so because I was on my very first major assignment. Twenty thre...

And suddenly, something that looked like a dandelion head floated into view, and I stood mesmerized as it hovered before me. When I peered inside, I realized that I could see a tiny winged creature within. I turned to my mother and said, “Look at that!” But all she could see was a dandelion head. Inhabitants Thirteen years ago I lost my father to Lung cancer, three years ago I lost my best friend to breast cancer. Besides cancer they both shared the same belief, that when we die, it’s lights out, th...

Our 57th In Focus interview is with Simon Smars from Stockholm who is a professional fine art photographer. Simon works exclusively with limited edition handmade black and white silver gelatin fiber prints, using traditional darkroom techniques. He creates a mixture of minimalistic scapes paired with a melancholic somber, with scenes often stripped to its bare essence. SECTION 1 - BACKGROUND Share your favourite image / print shot on ILFORD Film and tell us what it means to you? C I G (1: f.13 · 10-sto...

My name is Jason Avery and I am an analogue landscape photographer based in East Anglia England. I have been working with film for a few years now, learning my craft as an artist. One of the many reasons why I decided to choose film instead of digital as a medium for my work was the darkroom experience. I have heard the quote “The darkroom is a magical place” over and over again and I can safely say that that is totally true. I have been hooked since the moment I developed my first print in my tiny dark...

Introducing our 61st In Focus interview with Torz Dallison. Torz started shooting when she was a teenager, but it wasn't until she started developing and printing that she became hooked. Through her work, Torz explores life's traditions and connections which reflects on her own personal stories and events. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? The Robin - 2019 This is the central image to my project The Robin. I began the proje...