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The Start
I had previously experimented with photography, but nothing too technical. To my astonishment, I managed to capture some really good images and the bride and groom loved them.
Using the positive feedback I received from them, I kept hold of the camera and began to research techniques. I began with my pet dogs (many photographers favourite models), then moved on to young family members and babies, then to asking friends if they could travel to a location with me and let me shoot them.
Taki...
My first time in Afghanistan
For the last couple of years, I have been travelling and exploring the people and culture of the Middle East and Central Asia. Visiting these countries is always inspiring and fascinating to me. In 2016, I visited Afghanistan for the first time.
At this time I switched from photographing both digital and analog to one hundred percent analog. The reason is simple. I love the handling, the manual process of film photography. It feels real and timeless. It is also practical, t...
Zone focusing is arguably one of the quickest and most effective methods of focusing your camera. With a little forethought, practice and pre-visualisation of your shot, it's a method that can reduce problems like shutter lag. Ensure your images are sharp every time. And help you take photos more surreptitiously.
It doesn't rely on automation and, in most cases can be put into practice before you've brought the camera to your eye. I believe it's a core skill and a method that everyone who takes photograp...
#alternateprocess
Happy Friday everyone!
Last week we set the theme #alternateprocess for #ilfordfridayfavourites and we've seen such variety of images.
Sun prints, tin types, cyanotypes, wet plate, pinhole, palladium, hand coloured, tones in a variety of liquids, we've had them all.
Here are our favourites five
@mparry1234 - MULTIGRADE paper with leaves and an hour of sunlight. #ilfordfridayfavourites #alternateprocess
@corrine_perry 'Melancholia #1' Hand Coloured Darkroom Photograph #al...
Man of science
I love alternative photographic techniques like dry plates and brushed on emulsions. I am a darkroom fanatic – always exploring new ways to mash up digital with traditional analog techniques. I love all kinds of print processes – cyanotypes, salts, van dykes to name a few. I shoot all formats right from 35mm half frames up to 8×10 large format.
I am also an avid camera collector but prefer to be a user rather than an admirer of my cameras. I currently use a Nikon F3, Leica M-A, Hasse...
Self-portraiture as Catharsis
My photography is a form of therapy, a personal, emotional and sometimes turbulent struggle with the complexity of emotions. I feel my life and art have become intertwined and to bury this mental state deep within would only allow it to thrive but through my use of photography, I am offered a sense of catharsis.
My self-depictions manifest within the same four walls, my bedroom. The room I believe is the keeper of my trapped and repressed emotions. This often heavily constr...
Earlier this year we agreed to take part in @EMULSIVEfilm community interviews and these are the results.
Over to you #EMULSIVE
Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE. As with the first, the premise is simple: we collect questions from you, the film photography community, package them up and then work with the interview subject to get them answered and published.
Well, we’...
Where the Hasselblad love started
long, long time ago, I can still remember how—
Hang on, let me start again…
When I were a lad, mankind did something utterly astonishing: men walked on the moon.
For a 13-year-old science geek, staying up till <mumble> o’clock in the morning to watch this historic event was possibly the most exciting thing that’s ever happened to me.
For a 13-year-old budding photographer, the cameras that Neil Armstrong and Buzz Aldrin were wielding held a strong...