Search results for: 'print'

Direct Positive Paper Why is my Direct Positive print white or too light despite giving it more exposure? If your print is white or too light then the exposure needs to be reduced. This is opposite to standard papers such as ILFORD MULTIGRADE. Why is my Direct Positive print black or too dark despite giving it less exposure? If your print is black or too dark then the exposure needs to be increased This is opposite to standard papers such as ILFORD MULTIGRADE. Is it normal for unexposed Direct Positi...

Photo lab FAQ's Which papers can I use on my Oce Lightjet or Durst Lambda or other digital printer. Our range of Galerie Digital Silver FB and RC papers are suitable for digital exposure full details of compatibility can be found in the technical information sheets Which ILFORD Chemicals can I use for my Roller transport film processor? ILFORD ILFOTEC RT Rapid, HYPAM Fixer, and ILFOTOL wetting agent are suitable. More information can be found in the relevant fact sheets Which ILFORD Chemicals can I ...

Processing your own film can speed up your workflow and give you quicker access to your negatives. It is also typically more cost effective and best of all there is nothing like the sense of satisfaction you will gain by taking control over the full end-to-end process of your photography. While trying it for the first time might be a daunting prospect, fear not. Below is our guide on what equipment, chemistry and method would be suitable for anyone new to processing films. For more detail, you can downlo...

Why print? When you can get excellent prints from your black & white negatives by sending them off to commercial processing laboratories, why make your own? For many photographers, making a photographic print is as much a part of the process as shooting the image itself. For a start, it is a creative process that is both enjoyable and fulfilling and, much like the role of a post processing tools such as Photoshop or Lightroom in any digital workflow, (although much more fun) a darkroom provides film...

The first stage of making a darkroom print is to determine the exposure time. If you have already created a contact sheet of your negatives, and they appear correctly exposed, then you should have a rough idea of the necessary exposure (provided you haven’t moved the enlarger head or aperture setting after exposing the contact sheet). Note: If you change the degree of enlargement you will also need to adjust the exposure. Some enlargers have scales printed on their columns to make this easier. Another...

What are film developers? Film developers are a photographic chemical that turns your exposed film into working negatives as part of a processing workflow. (You will also need a stop bath and fixer - for more information on how to process your film or which chemistry to choose read our guides). We offer a broad range of film developers that are designed to exploit the different characteristics of our films. Developers are available in either powder and liquid concentrate form and have a range of charact...

Contact sheets are a great way to review and record your images. They allow you to view all the negatives on a roll of film before deciding which ones you want to print and how you may want to crop them. They also provide a permanent record of those negatives for filing purposes. How to make a contact sheet To make a contact sheet we recommend using ILFORD MULTIGRADE RC DELUXE Set the enlarger head to a height that gives a 40cm (16in) wide rectangle of light on the baseboard Put a MULTIGRADE fil...

When photographic material is exposed to light it begins to darken. The more light the material receives, the darker it becomes. This opens up a range of possibilities for making fun, creative and artistic images without a camera. Making a picture without a camera couldn’t be easier and is a fun activity to try with children. However, for many, exploring and experimenting with different effects of light on photographic /blog/the-luminogram-process/materials can become an art form by itself. Where to sta...

Silver halide has been used in photographic film and paper for over 150 years and remains a vital ingredient found in all high-quality products. Silver halide crystals in gelatin form part of an emulsion which is used to coat the paper or film. On exposure to light (i.e. in a camera or darkroom), the crystals react turning into silver and forming the image. Silver halide prints There are many ways to produce black & white prints with options varying in quality. Traditional black & white silver ha...

Filters have long been a popular accessory for photographers and offer a number of different functions or effects. In both analogue and digital photography it is possible to recreate some of these in the darkroom or digital darkroom. However there has always been a benefit to getting it right in camera. In black & white photography, colour filters in particular are useful as they can control how the colours in a scene are reproduced as greys. Normal black & white films are sensitive to all wavele...