Search results for: 'from professional'

Welcome to the ILFORD PHOTO community Whether you are an avid film user, a seasoned professional, or somebody who just loves black and white film There is something for everybody in our #ilfordfilm community. Educational content from beginner’s guides through to advanced techniques. Educational content from beginner’s guides through to advanced techniques. Be inspired as we showcase the power and potential of black & white film photography In our gallery you can share your images an...

All ILFORD Inspires content has a common goal: To inspire people to try traditional analogue black and white photography by showcasing the power and potential of this highly creative medium. New York Silver Stories Working with the talented team at Exploredinary, this series features four short documentaries telling the stories of silver gelatin darkroom printers in New York City. The Bronx Documentary Center - Turning Negatives into Positives Founded by Michael Kamber, the BDC is a non-profit aimed at ...

HARMAN TECHNOLOGY LIMITED – WEBSITE TERMS OF USE IMPORTANT – PLEASE READ CAREFULLY BEFORE USING THIS WEBSITE These website terms of use are the terms and conditions under which you may use our website ilfordphoto.com (the Website). Please read these terms carefully. As part of the registration process you will be required to confirm that you have read and understood these terms. If you refuse to accept these terms, you should not complete registration to this Website and should immediately cease ...

Technical downloads relating to the ILFORD PHOTO film photography product range. All tested processing times for our range of ILFORD and Kentmere black and white films alongside our ILFORD liquid and powder processing chemicals. Film Processing Chart Film developing and darkroom printing both require that the negatives or prints be adequately washed to ensure longevity of the images. This short documents covers some methods for reducing the amount of wash water used whilst ensuring that your negative...

Introduction I’ve been a photographer for 35 years since I was 11 in fact when I first loaded my Zenith 11 with film and set off for a walk into the wilds of South Yorkshire. 20 years later I turned professional and as soon as digital became a viable option I traded in my Nikon F90x and Mamiya 645 pro for a Nikon digital kit. Digital was for me always a triumph of convenience over real quality in those early years and not much else. It wasn’t until Canon brought out the 5D series that I found myself ...

A black and white film community Since film is no longer the primary domain of professionals, it’s been adopted again in earnest by passionate individuals that produce legitimate work. In this age of instant gratification, infinite dynamic range, and auto-everything, it’s nice to rely on a predictable and high-quality medium. I shoot HP5+ almost exclusively. It’s everything I want in a black and white film. It’s flexible, widely available and fits right into my workflow. I’ve played both...

A little background I was born and raised in Caracas, Venezuela.  My chosen field of study was production engineering, but was I taking photography classes in the evenings and began working for a super cool magazine called Urbe, which is a bit like what Vice is in the UK now. I quickly became the chief photographer shooting all kinds of amazing and interesting people, and it was then that I knew that this is what I wanted to do with my life. Looking back it was quite an interesting time - I’d be learnin...

A former life . . . Before my life as a photographer I worked in Social Services for many years advocating and caring for adults with severe intellectual and psychical disabilities. It was an aim of mine after completing my photography studies to somehow incorporate my former work with my new creative profession. A film connection Shortly after going freelance I was contacted by a Diversional Therapist from a Sydney hospital who had a client with a Traumatic Brain Injury who, before a tragic accident som...

Taking the plunge I'd had this roll of Ilford HP4 for a good few months and was hesitant to put it through a camera. The fact that it was so pristine in it's condition made me feel that whatever I used it for had to be significant. I had to wait for the right opportunity. As the weeks passed,  I began putting unnecessary pressure on myself to plan a shoot around this one film. It was sitting on a shelf, judging me. At this point I decided to stop procrastinating and just shoot the roll, regardless of w...

Going digital If we go back to 2002 a close photographic friend convinced me (against my better judgement) that film was a thing of the past, and that to hold my own in the professional photographic world I had to go digital. Eventually I succumbed to his argument and traded in my Leica film cameras (I had 4) and started on the dizzy road to digital photography. In those days some fifteen years ago I thought it would be just like changing film brands: OK it may take a bit of getting used to a different ...