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Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.
This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine.
Si...
Mindtraveller
Technical info
Film Used: ILFORD HP5+ (pushed to 3200)
Format: 120, shot as 6x7
Camera : Mamiya RB67 Pro SD
Lens: Sekor 50mm f4.5
Exposure time: 20 minutes
Other equipment: Tripod
Location: Norman Wells, Northwest Territories, Canada
Tell us the story behind this image. What inspired you to shoot it?
In the Canadian Arctic, we are gifted with the otherwise-evasive Aurora Borealis on almost a nightly basis. On many nights, the spectacle is nothing more than a faint gre...
I had just stepped out of the subway station when my cell phone rang. It was my father. “I saw on the news that there are protesters gathering in Manhattan over the grand jury decision. Be careful getting home.” “OK, Dad. Thanks for letting me know. I’ll be careful.” I put my phone back in my pocket, reached for my cameras and felt the weight of them on my neck as I slipped their straps over my head. I adjusted my camera bag on my hip, turned the collar up on my old green army jacket, and took ...
The Photography Show 14-17 March
There's not long to go until this years Photography Show at the NEC in Birmingham and it's going to be a great one. (If we do say so ourselves)!
There is going to be a far greater analogue / film presence at the show this year as the organisers have agreed to the inclusion of a dedicated ‘Analogue Spotlight’ area which will include some pods for smaller brands and a spotlight speaker area for those brands to do demos.
Come and see us!
We will be there on stand B93 ...
In late 2019, we invited the global analogue film photography community to take part in our latest survey. This time we focused specifically on darkroom printing.
The survey ran for 1 month and had an incredible 5,439 responses from 87 countries around the world. A huge thank you to everyone who took the time to offer your insights and share the survey for us.
Why darkroom printing?
We have seen sustained and continuous growth in film for a number of years. However, darkroom printing has not yet cap...
A mix of Art and Science
As I write this, the UK and many other parts of the world are currently in lockdown thanks to the COVID-19 coronavirus. This pandemic has meant the unprecedented closure of schools and the daunting prospect of home schooling our children – in my case 10-year old twins.
Now, I’m not sure about other parents but I’m almost at the point where I can no longer blag my way through their homework. Rather than own up to this humiliating fact, I suggested I get them involved in a l...
For the second of our Lockdown Session interviews we cornered another well known face in the film community, Hamish Gill. (We're just glad he could fit us into his hectic schedule)!
Section 1 - The Beginning
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Image by Hamish Gill shot on HP5+
That’s a tricky question. The above image is the one that immediately came to mind. I don’t darkroom print myself, but I did print at a workshop at AG Photographic a few ...
Selfish process?
It can sometimes feel that many steps in my photography process are selfish. Some of these I can take as positive, for example the way I now truly photograph for myself and not to please others. (Aside from client based assignments), as was the case when I was locked into the social media game at the start of my photography experimentation. Other times however it can feel that I’m not doing enough to use my photography somehow to produce some visceral change in the world, despite my curr...
When we held our first Lockdown Session with Emulsive, we asked him who he'd like to see us interview in future and he suggested the very lovely Aislinn. (AKA The Film Pusher).
SECTION 1 - THE BEGINNING
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
I have tons! But let me share my recent favourite, the one that I had printed and hung on my wall. It’s a pinhole image of the Natural History Museum in London. It means a lot to me, as the NHM is a favourite visit ...
The future of photography
The year 2020, it sounds very futuristic to me. So, what does that future look like for photographers?
Well, no doubt technology will be getting more advanced than ever and we will see huge leaps in digital development this coming decade as the megapixel war continues.
There will likely be be new initiatives and more collaborations with smartphone companies. Will the digital SLR camera start to disappear? Will mirrorless take over? Or will there be a new hybrid on the market...