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A little background
I was born and raised in Caracas, Venezuela. My chosen field of study was production engineering, but was I taking photography classes in the evenings and began working for a super cool magazine called Urbe, which is a bit like what Vice is in the UK now. I quickly became the chief photographer shooting all kinds of amazing and interesting people, and it was then that I knew that this is what I wanted to do with my life. Looking back it was quite an interesting time - I’d be learnin...
I’m Anil Mistry and I’m a photographer. I shoot a whole variety of work, including headshots, documentary, portraits and personally initiated projects. Whatever interests me and helps me to improve my body of work.
I’ve been asked to talk about an area of my photographic work that I have a real passion for. In my case, that's the capturing of street portraits.
Why do I take street portraits?
There’s two main reasons I do it, and I’ll try to go through them succinctly:
It’s not easy
...
Sharing my skills
I’ve recently started working as a lecturer on BTEC and HND photography courses at Swindon College. A job which I’m enjoying immensely. Teaching was something I’d never considered before, until I started helping friends who were studying on the same BA Photography course as me. I enjoyed helping them but most of all I enjoyed seeing them understand and use the skills that I’d shown them.
I now teach mainly 16 – 20-year-olds, which is enormously satisfying. Watching thei...
Taking the plunge
I'd had this roll of Ilford HP4 for a good few months and was hesitant to put it through a camera. The fact that it was so pristine in it's condition made me feel that whatever I used it for had to be significant. I had to wait for the right opportunity.
As the weeks passed, I began putting unnecessary pressure on myself to plan a shoot around this one film. It was sitting on a shelf, judging me. At this point I decided to stop procrastinating and just shoot the roll, regardless of w...
Large Format black and white film
We don't think there's anything quite like an image that has been shot on large format black and white film.
These are this weeks #ilfordfridayfavourites
@duarte_photo Clay Deposits in Wellfleet. Wonderful day making this print. #largeformatphotography #darkroom #welfleet
@jwphotographyuk Fungi. Only lasted a few days and was lucky to get some sun on them for a brief period.#autumnwatch2017 #ilfordfridayfavourites #largeformat #ilfordfp4 #4x5 #bnw #i...
Thank You
Thank you to everybody that took the time to enter our #ilfordxmas competition this year. We're really looking forward to getting the finished Christmas cards back from our printer.
There were so many images to choose from, and they ranged from traditional Christmas scenes to some that were a little more unusual.
You can see the winning image and those that made the final shortlist here
#ilfordxmas
Thank you to everybody that took the time to enter our #ilfordxmas competition this year. We're really looking forward to getting the finished Christmas cards back from our printer.
There were so many images to choose from, and they ranged from traditional Christmas scenes to some that were a little more unusual.
Those shown below are the ones that made our final shortlist.
@chardy Christmas prep is off to a good start now that we have an awesome Christmas tree hat. #ilfordhp5 #ilford...
Tranquility
Alan Brock searches for a sense of calm in his images. He shares how he achieves it below
Technical info
Film Used: Delta 100
Format: 4x5
Camera: Intrepid 4x5 II
Lens: Nikkor 180mm f/5.6. Shot at f/45
Exposure time: 40s
Other equipment: Gitzo 1545T Tripod
Location: Parksville Lake Tennessee
Firstly, tell us the story behind this image. What inspired you to shoot it?
I like to search for a sense of calm in my images. In a lot of ways this fits my...
Going digital
If we go back to 2002 a close photographic friend convinced me (against my better judgement) that film was a thing of the past, and that to hold my own in the professional photographic world I had to go digital. Eventually I succumbed to his argument and traded in my Leica film cameras (I had 4) and started on the dizzy road to digital photography.
In those days some fifteen years ago I thought it would be just like changing film brands: OK it may take a bit of getting used to a different ...