Search results for: 'labs'

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  • Time to go green? As the threat of the climate crisis grows each day - we must strive for sustainability in all aspects of life. But when standing atop a cliff shakily clutching your 5x4 camera, or working under the red light of your local darkroom - sustainability can seem like a distant concern, reserved for those in stuffy offices or holding placards outside of parliament. As analogue photography has always been eager to embrace innovation in the face of change - is it time to go green? My name is...
  • Since we started sharing these Behind the Film interviews with you earlier this year, we have spoken to people from all different parts of our business. All are part of the team responsible for creating and manufacturing the products that you love. Today we talk to Matty, who works within our research and development department. Who are you? What’s your job title HARMAN technology and how long have you worked here? My name’s Matty, I’m a 4th year product development scientist apprentice and I’ve b...
  • Hi, my name is Daniel. I am a family father, creative director, and amateur photographer, so you might say I make my living by telling stories and I feel fine when things get emotional ;-). I am based in Heroldsbach, Germany. That’s a small village which lies on the edge of the so-called Karpfenland, a natural landscape transformed by man for pond farming. Until 2013, this cultural landscape was utterly unknown to me. Today it has become my home. Yet one question nags on me: “Who shapes whom more:...
  • Launched in 35mm and 120 format in October 2019 ORTHO plus is the newest member of our 35mm film range. We asked you to share shots that you've taken with it for today's #ilfordphoto #fridayfavourites #35mmortho theme. @henry_balen Favourite tree in the local park on Ilford Ortho. EI80, developed in Perceptol stock solution. Taken through a 40mm Summicron. #35mmortho #ilfordphoto #fridayfavourites   larsjanerphotography "Canopy II" August 2021  Ilford Ortho Plus 80 shot with Canon A-1 + Sig...
  • Dave's photograph received so much engagement and interest when we shared it to Instagram, we had to get in touch so that we could ask how he created this shot. - Technical info - Film Used ILFORD XP2 Super 120 Format 6x6 Medium format Camera Mamiya 6 Lens 55mm f4 Exposure time 4½ minutes Other equipment Benro Tripod Location New Brighton beach lighthouse, Merseyside.     Firstly, tell us the story behind this image. What inspired you to shoot it? I ...
  • This week's #fridayfavourites theme was #croppednegs. When we take our negs into the darkroom or, share them on social media we often crop to show part of the frame, it was exciting to see how you chose to crop your negatives. @ironketti So this weeks #ilfordphoto #fridayfavourites is #croppednegs This is not something I do often but it is not unknown. All of these were originally for @_JasonAvery 's #Camerachallenge and are taken on #120 #XP2super with my yashicamat 124g   @justgipsy #cr...
  • As a child I fell in love with the magic of the darkroom and of making Gelatin Silver prints. Watching a print develop fascinated me. In high school I had access to a darkroom working with 620 film (2.25 X 3.25 inch roll film.) and, consequently, I studied photography at Rochester Institute of Technology, School of Photography & Syracuse University School of Journalism. Studying with art-photographer Minor White opened my eyes to using photography as an art form. Minor helped me see beyond the objective...
  • My Approach It was during a group exhibition that I discovered the practice of cyanotype. The Espace Liberté Gallery located in Crest in the south of France is a contemporary art space open to all graphic and plastic disciplines. The theme proposed by Au Jour le Jour was an ephemeris where 31 chosen artists (painters, illustrators, photographers, plastic artists) had to illustrate 12 randomly selected dates with their art. Two constraints were imposed: a maximum size of 20cm on each side and the same sell...
  • My name is Jason Avery and I am an analogue landscape photographer based in East Anglia England. I have been working with film for a few years now, learning my craft as an artist. One of the many reasons why I decided to choose film instead of digital as a medium for my work was the darkroom experience. I have heard the quote “The darkroom is a magical place” over and over again and I can safely say that that is totally true. I have been hooked since the moment I developed my first print in my tiny dark...
  • Black-Owned Camera Store and Film Lab located in Bushwick Brooklyn, New York

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