Search results for: 'to with new'

I am Hannah, the newest member of the ILFORD Photo team. This week I got to choose #ILFORDPhoto #FridayFavourites. What a great start, as this week we are celebrating international women's week and our theme was #sheshootsilford. Thank you to everyone who has submitted this week, had so many amazing entries. @justgipsy #ilfordhoto #fridayfavourites #sheshootsilford All #HP5 1st, 2nd & 4th photos taken withMinolta XE-5, 3rd, film cannister pinhole. Still life, still life, architectural facade, still ...

Dave's photograph received so much engagement and interest when we shared it to Instagram, we had to get in touch so that we could ask how he created this shot. - Technical info - Film Used ILFORD XP2 Super 120 Format 6x6 Medium format Camera Mamiya 6 Lens 55mm f4 Exposure time 4½ minutes Other equipment Benro Tripod Location New Brighton beach lighthouse, Merseyside.     Firstly, tell us the story behind this image. What inspired you to shoot it? I ...

HOW IT BEGAN I’m a great believer in serendipity. I was visiting a friend to deliver a print that she’d bought from me. At the time I was taking a lot of photos of graveyards, and she offered to show me a derelict cemetery which had been left hanging in the undergrowth on the banks of a major new road development. As we walked back through the village, I stopped an old man to ask if I could shoot his portrait, and when he very abruptly declined she said, you should meet Faye…… Fourteen month...

We are very excited to launch our new ILFORD Photo Analogue Community Grant. Each year we receive hundreds of requests for support from members of the film and darkroom printing community looking to create projects using our products. The scope and scale of these projects vary. From documenting expeditions on large format film to alternative uses of our film and paper. And ,even setting up community darkrooms or running workshops for children. You have some amazing ideas and insatiable passion. Man...

Our 57th In Focus interview is with Simon Smars from Stockholm who is a professional fine art photographer. Simon works exclusively with limited edition handmade black and white silver gelatin fiber prints, using traditional darkroom techniques. He creates a mixture of minimalistic scapes paired with a melancholic somber, with scenes often stripped to its bare essence. SECTION 1 - BACKGROUND Share your favourite image / print shot on ILFORD Film and tell us what it means to you? C I G (1: f.13 · 10-sto...

International entries This year we opened the annual student competition up to entries from all around the world. We knew that many educational establishments had still not been able to fully return to darkroom printing but we wanted to give as many students as possible the chance to get involved. We are so glad that we did. With over 500 entries from the four corners of the world, this year’s competition theme of ‘Natural Light’ was one of the toughest that we’ve ever had to judge. A difficult...

Allysse Riordan is our 58th In Focus interview. An image maker, writer, sound artist, and microadventurer (not necessarily in that order). Allysse's work takes us on a journey in a particular space and time, noticing the small details of life, meeting strangers, exploring new landscapes, and delving into their inner world Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It is difficult to choose one favourite image. They shift and change as ...

My name is Jason Avery and I am an analogue landscape photographer based in East Anglia England. I have been working with film for a few years now, learning my craft as an artist. One of the many reasons why I decided to choose film instead of digital as a medium for my work was the darkroom experience. I have heard the quote “The darkroom is a magical place” over and over again and I can safely say that that is totally true. I have been hooked since the moment I developed my first print in my tiny dark...

Finnish Darkroom Association In Finland during the early 2000's, as elsewhere, analog photography practice was pushed aside by digital photography. The 2010's saw a rapid decline in the use of darkroom techniques by artists and the almost total disappearance of professional darkrooms and film labs. In 2016, with five other female photography artists all specialising in analogue photography and darkroom work. We founded the Finnish Darkroom Association. The original idea came from photography artist ...

This is a story about serendipity, generosity, community, and several rolls of Ilford FP4 film. It begins in April 2020, during our first Covid-19 lockdown when a request from a sibling for an old family photo led me to dig around in my messy 35mm archive. I discovered quite a few forgotten negatives and slides from my life during the 1970’s, when I was young and single. They had been randomly stored and dragged around in house moves whilst I focussed on marriage, motherhood and a career in Social Work. E...