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A Room in Barcelona by Tiffany Roubert: Capturing Intimacy on ILFORD Delta 3200
There’s something about film photography that forces you to be present. The tangible process, the limitations, the patience required, each frame becomes deliberate, considered. A little while ago, I shot a project called A Room in Barcelona, entirely on film. More precisely, entirely on ILFORD Delta 3200. The premise was simple: create intimacy with a total stranger in a confined space. No grand backdrops, no elaborate set de...
Everything Shifted
I first came to photography as a teenager, experimenting casually with digital cameras. But it wasn’t until after my PhD in cinema studies focused on representations of family in American television, that I returned to it with real intent. Living in Bordeaux at the time, I had occasionally photographed concerts, mostly as a hobby. Then, during the first COVID lockdown, everything shifted. With time slowing down, I picked up my partner’s analog camera and began shooting in the garden,...
Connected
Shooting film is an act of patience, a commitment to slowing down in a world that moves too fast. With digital photography, you can take hundreds, thousands, of images in a matter of minutes.
There’s no real cost to over-shooting, no pressure to be deliberate. But film demands something different. Each frame is finite, precious. You select before you shoot, considering light, composition, and emotion in a way that feels more meditative, more connected.
The Beauty of Imperfection
There’s an...
Our next In Focus interview features Justin Lockey. As well as being the lead guitarist of the indie rock band Editors, Justin is also a photographer, writer, director and producer. When he’s not doing any one of those things he’s asleep, or messing around with cameras, or reading about lenses and optical formulas.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
I took this in Venice last year, I was playing around with a rolleiflex ...
A Timeless Story
This editorial came from a desire to tell a timeless story. Through mood and atmosphere, using the expressive tools of analog photography, I wanted to create a visual world that felt both intimate and slightly surreal. One where the character and setting merged to suggest a narrative without spelling it out. Working with ILFORD FP4 Plus allowed me to craft this vision with precision and texture, embracing the constraints and beauty of natural light and medium format film.
Each Frame M...
For the 7th interview in our Community Focus series we're heading to Oslo to chat to Cyan Darkroom.
Let’s start easy. Tell us a little about the darkroom, what it’s called and how it started.
Cyan darkroom is part of Cyan studio that is a co-op community photostudio and workspace. The studio was opened in 1998 and has always had a darkroom attached. In 2020 we got hold of a separate space where we built a much larger darkroom, hoping that the timing was right to attract enough new users. After a...
For our 88th In Focus interview we're chatting to Peggy Marsh. A photographer and camera lover, Peggy founded CameraGoCamera back in 2015, initially to keep a track of her own expanding camera collection...
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
This is hard for me as I never think anything I do is good enough. I am in a constant state of self-deprecation and can be overly critical of my images and projects. I chose the image belo...
These are portraits from this series. This is “Burnt Orange” —- a B&W photo project on evolving identities and third culture experiences through the lens of portraiture. In my experience being able to connect and share so much of intimacy through photography, I first share that with my friends and the people I meet along my many journeys. These are portraits from this series.
Portraiture as a mirror
I didn’t really understand the art of portraiture before thsi project. What it means to giv...
Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started.
The darkroom is a central part of the activities of SAIM (The Shoreditch Academy of Image Making).
SAIM was established in 2020 as an independent photography school by its two founders Ian Jackson and Adrian Mott. Both with long careers as commercial photographers plus extensive experiences as postgraduate University teachers.
As a private London school SAIM’s unique offer is a permanent darkroom and studio ...
We're now 10 interviews into this series and its been fantastic to hear about so many community darkrooms and the work that they do. This time we're heading to Turkey to speak to Fotohane Darkroom.
Let’s start easy. Tell us A little about the darkroom, what it’s called and how it started.
The project is called Fotohane Darkroom. It’s a mobile and analog photography workshop based in Mardin, in southeastern Turkey, near the Syrian border. We work mainly with Syrian, Iraqi, and Turkish Kurdish child...