Search results for: 'exposur or'

Discover how Zach Nichols created this stunning long exposure shot in our 'How I Got This Picture' interview. We have noticed, if it's not a double exposure, your next favourite has to be nighttime long exposures. IMAGE TITLE Fire Tower Starlapse TECHNICAL INFO FILM USED ILFORD HP5+ FORMAT 4x5 CAMERA Chamonix LENS Nikon 90mm f/4.5 Nikkor-SW EXPOSURE TIME 45 – 50 minutes OTHER EQUIPMENT 1 Can of Atmosphere LOCATION Just outside Hot Springs, South Dakota. FIRSTLY, TELL US THE STORY...

This week's #ilfordphoto #fridayfavourites theme was #febonhp5.  ILFORD HP5+ is very forgiving (making it a great starter film for beginners) and has a wide exposure range, so you can get good results in a variety of difficult lighting and contrast conditions. @frctl_art. the flip — shot on HP5+ somewhere on the coast of Brazil #fridayfavourites #febonhp5   @pjmeade. A couple of shots from a trip to try out a new wide angle lens. These were taken on HP5+ using a Canon EOS-1 +Samyang 14/2....

This week, for our 84th In Focus interview, we speak with Austrian photographer and writer Birgit Buchart, who made the move to New York City in 2018. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? In my early 20s, I spent a lot of time on the road with musicians, shooting a lot of concerts and festivals. And while they appreciated the documentation of the shows, I never truly loved the photos. To me it was not very interesting to photograp...

Next up, for our 85th In Focus interview, we spoke with freelance event and project manager, Ali Monk. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This has probably been my favourite image I have taken since it was shot back in 2021. I had been spending the day with one of my favourite people in Brighton. Lockdown was over and we could spend time with loved ones again doing all the things we hadn’t been able to do for a while. My frien...

A Room in Barcelona by Tiffany Roubert: Capturing Intimacy on ILFORD Delta 3200 There’s something about film photography that forces you to be present. The tangible process, the limitations, the patience required, each frame becomes deliberate, considered. A little while ago, I shot a project called A Room in Barcelona, entirely on film. More precisely, entirely on ILFORD Delta 3200. The premise was simple: create intimacy with a total stranger in a confined space. No grand backdrops, no elaborate set de...

Our latest ‘How I Got This Picture’ interview features Anders Elmshøj. When we shared his contact sheet on Instagram, it racked up over 9,000 likes! Curious how he created it? Find out more in the full interview. IMAGE TITLE Louise “Contact Sheet" TECHNICAL INFO FILM USED ILFORD DELTA 3200 PROFESSIONAL FORMAT 35mm CAMERA Leica M7 LENS Voigtlander 35mm Ultron II F2 EXPOSURE TIME F4.5 1/250 LOCATION Copenhagen FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT ...

HARMAN technology announces a brand-new, ISO 200, Black and White film in the Kentmere range HARMAN technology Ltd, one of the world’s largest manufacturers of analogue photographic films, darkroom papers, and photo chemicals, has today announced the launch Kentmere PAN 200 a brand new, high contrast, black & white film. Kentmere PAN 200 Kentmere PAN 200 is an ISO 200 black & white film, with enhanced contrast, pleasing, well controlled grain and good sharpness making it suitable for most s...

The product focus for #ilfordphoto #fridayfavourites theme was #dp100in35mm. We wanted to see your masterpeices shot on ILFORD Delta 100 Professional in 35mm! @kwyznir#dp100in35mm   @garrett_ware_. A fun accidental double exposure on some Delta 100!   @shawn_of_the_gerald. Back in 2016 with Nikon F5 and 50mm. Baby girl.   @analogfilmphoto. Farrah / San Diego, CA Lotus 8x10 300mm Voigtländer Heliar @ f4.5 ILFORD Delta 100 Developer: Rodinal 1:25 / Jobo. WHAT'S COMING...

Connected Shooting film is an act of patience, a commitment to slowing down in a world that moves too fast. With digital photography, you can take hundreds, thousands, of images in a matter of minutes. There’s no real cost to over-shooting, no pressure to be deliberate. But film demands something different. Each frame is finite, precious. You select before you shoot, considering light, composition, and emotion in a way that feels more meditative, more connected. The Beauty of Imperfection There’s an...