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  • A Timeless Story This editorial came from a desire to tell a timeless story. Through mood and atmosphere, using the expressive tools of analog photography, I wanted to create a visual world that felt both intimate and slightly surreal.  One where the character and setting merged to suggest a narrative without spelling it out. Working with ILFORD FP4 Plus allowed me to craft this vision with precision and texture, embracing the constraints and beauty of natural light and medium format film. Each Frame M...
  • For our 88th In Focus interview we're chatting to Peggy Marsh. A photographer and camera lover, Peggy founded CameraGoCamera back in 2015, initially to keep a track of her own expanding camera collection... Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? This is hard for me as I never think anything I do is good enough. I am in a constant state of self-deprecation and can be overly critical of my images and projects. I chose the image belo...
  • The biggest weekend TRNSMT is arguably the biggest weekend of the year for music in Scotland, and yet this was my first time shooting the festival. I was very excited to be shooting it, especially for bands like Fontaines D.C., Confidence Man, VLURE, and Wet Leg. Ordinarily I’ll be shooting individual gigs, photographing one artist, on one stage, over the space of maybe an hour. So while my subject was essentially the same this weekend, it was a very different workflow, with a lot more performances to s...

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