Search results for: 'prints'

The Greatest Gift In 1984, at age of 10 my foster parents, to whom I was never close, gave me a camera. It is the greatest gift they gave to me. Since then, I have photographed the world to make sense of it and my place in it. Now, forty years later, I respect photography to the extent it should be respected. It has become an integrated part of who I am, it has shaped me into what I am and I have shaped it - we are one and I would arguably feel nothing in life without this powerful mechanism. I come from a...

'HOME' Winner announced For the 2023/24 ILFORD Photo student photography competition we set the theme of 'Home'. We asked students to show us what home meant to them. That could be a person, place, object, or hobby that embodied the feeling of 'home'. As always, they rose to the challenge and entries started coming in within weeks of the competition being launched. By the closing date of 31st January 2024 we had received hundreds of entries from students based all over the world showing us their version...

How I Shoot Early in my photography career I gravitated towards film images and medium format cameras. My go-to cameras are the Mamiya RZ67 and Hasselblad 500CM. I love the slow, more hands-on experience of shooting medium format and film. I trust my instincts and set up the shot with more thought and intent when shooting with film over digital. Each Image Is Important Working with models, the feedback I get is that they feel more connected and find it to be a wonderful collaborative experience. This...

Introducing our 75th In Focus interview and our analogue community grant winner, Federico Pestilli. Pestilli was born in Rome and became interested in documentary-style of photography, focusing on irony that unites people, places and symbols with each other. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? Heritage - Arianna - Cocullo, Italy - Pentax 67, 135mm lens - HP5+ This is an image of Arianna, a snake handler from the town of Cocul...

Oh, crap! What have I done? Let’s see.  I committed to do a solo photography show, with twenty-seven images.  All twenty-seven are 4x5 black and white negatives, so they need to be darkroom printed.  And those will be 20x24 prints.  Yeah, and I need to have them matted and framed.  The icing on the cake?  I have just under three months to do this. Yep, this is going to be an interesting project.  But let’s back up to the beginning. The Event It was April 2023, three years after the pand...

For this week's #ilfordphoto #fridayfavourites we set you the theme of #fp4in120.  ILFORD FP4 PLUS is a fine grain film with fantastic sharpness and a wide exposure latitude. These qualities shine in the images that you shared with us. @PlantingCabbag1 Mamiya 645 Pro-TL, Mamiya Sekor 80mm f/1.9, Ilford FP4 in ID11. I'm @midtonegrey on Instagram ?#ilfordphoto #fridayfavourites #fp4in120 @krzyphotography HK captured in BW with Hasselblad camera and Zeiss lens on Ilford FP4 Plus film in 120. #ilfor...

A huge thank you to everyone who shared an image for this week's #ilfordphoto #fridayfavourites, with the theme being #themefree, 26th April 2024. This theme was popular with many entries, which we enjoyed looking through.  Our favourites are below. @PhlStrchn. One from February, a beaver had been gnawing its way through the trunk of this tree. On the banks of the River Tay, North Inch, Perth.#ilfordphoto #themefree #fridayfavourites Film: Ilford HP5+ Camera: Yashica 'A'.   @curnop. Recent ...

We caught up with the incredible Jane Meling to unveil the secrets behind her breathtaking panoramic landscape masterpiece! Join us as we unravel the secrets in our exclusive 'How I Got this Picture' series. Image Title River Of Light TECHNICAL INFO Film Used ILFORD FP4 Plus Format 120/617 Camera Linhof Technorama 617s III Lens Schneider 250mm Tele-Xenar Exposure time 1 second Other equipment Gitzo Explorer Tripod, Lee 100 red filter Location Ober Goms, Geschinen, Valais, Switzerland F...

Is a Photograph a Photograph if it Was Not Made with a Camera, Lens, or Negative? The ethereal color palette and expressionistic qualities of the work I have been making with ILFORD's photographic paper seemingly resemble the representations of light and color as seen in many landscape paintings (think J.M.W. Turner, Albert Bierstadt, Thomas Cole); however, the work in my on-going project, I Thought You Left / I Wish You Were Here, are lumen prints—a form of camera-less photography where objects or a neg...

What would happen if I dedicated myself entirely to film photography? More then a year ago I had this idea in my head. What would happen if I dedicated myself entirely to film photography? After 10 years of being a sidekick to my creative output, I felt the need to give more attention to my analogue passion and the desire to change my creative habits. To challenge myself. To no longer rely on the vague promise of the digital safety net of mass storage and a camera screen that promises instant judgement of ...