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  • I’m sure a lot of us are well aware of the amazing, historic spectacle UFC 300 turned out to be, but this road trip was much more than just that one night… Denver, Colorado I began the drive to Denver, CO from Austin, TX on March 20th, 2024. I had dates with 2 world-class and world-renowned MMA gyms with some of the best male and female mixed martial artists on the planet, High Altitude Martial Arts and Factory X Muay Thai. On the drive to Denver, I had the idea of doing a portrait series on film of a...
  • This week in our In Focus interview, we speak with Michèl Passin, a Leipzig-based photographer and videographer specializing in portraiture and documentary work. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? This picture was taken for my project “18:09”. It was shot with a Mamiya 645 1000s on FP4+. After developing and scanning I was blown away how everything turned out. Everything came out the way I planned it. For me it’s just pe...
  • My camera is a passport to a world of amazing discoveries My adventures began as a five year old. I started spending wondrous times with my dad in the quiet glow of his darkroom. I took great pride with my responsibility to gently rock the prints in the hypo tray. Ah, the sound of gurgling water and the warm orange glow from the safe lights. I was totally enthralled by seeing an image come alive in the developing tray...pure alchemy! It comes as no surprise when I say I frequently retreat to this magical z...
  • So, from the official ILFORD Photo website: It’s wide exposure latitude makes it a great choice for beginners, those returning to film as well as the more experienced professional users. With wide exposure latitude, ILFORD says that you can meter HP5+ from 400 to 3200 ISO1. Great, it's like you have it all in one roll, which is exactly why I love this thing so much. It can handle sunny days and midnight shots, of course, depending on which ISO you tell your camera (or hand-held light meter) you have th...
  • Sergio Felipe García tells us how he captured this brilliant shot for a commissioned clothing brand in this 'How I Got This Picture interview'. Image Title Cenizas de un verano” (“Ashes of a Summer” in english) TECHNICAL INFO FILM USED ILFORD HP5+ FORMAT 35mm CAMERA Hanimex Amphibian LENS 35mm f2.8 EXPOSURE TIME 1/125s at f11 LOCATION El Médano, Tenerife FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? The photo series “Ashes of a Summer” emerged ...
  • This week we interviewed Berlin based, portrait photographer Jakob Stolz for our 'In Focus' series. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? To me this is my most personal photograph I've ever taken. It's my grandfather Kurt who passed away last year at the age of 87. All his life he lived in Duisburg, Germany and worked as a carpenter. I started photographing him 7 years ago and continued so to the very end. These photos are very clo...
  • The lessons I’ve learnt I would like to start this blog by stating that I consider myself a relatively inexperienced photographer. I’ve been taking film photos for around eight years and have only ever done so as a hobby. However, something I have spent many of those eight years doing is experimenting with double exposures. In this blog I’d like to share some of the lessons I’ve learnt in that time. If you have any questions I could talk about double exposure for hours and go into a huge amount o...
  • Happy Accidents For most people in the film community, double exposures are accidents. Happy accidents, sometimes, for sure, but accidents nonetheless. Of course, some people do film swaps, I've done a few and embraced the chaos of the results, but I never got an image out of a film swap that I truly loved. And yet there's something eminently compelling about double exposures. ILFORD FP4+ Photosynthesis Five years ago I started a project entitled Photosynthesis that used double exposures as a way to ...
  • In this 'Behind The Film' interview, we head back to R&D to speak to Kieran Collings who joined the company in 2023. WHO ARE YOU? WHAT’S YOUR JOB TITLE HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? Hi my name is Kieran Collings, I am a Scientist II in the Research & Development department. I joined in August 2023 straight from University. TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE. I work in the early development team, specifically on sensitising dyes that are needed for the films to b...
  • In our latest 'How I Got This Picture' interview with Ross McDaniel, find out what led him to try something different to capture Arches National Park. Image Title Monolith TECHNICAL INFO FILM USED Kentmere Pan 400 FORMAT 35mm CAMERA Nikon F5 LENS Laowa 15mm F4 EXPOSURE TIME 30 minutes at f/4 Other Equipment Tripod, Remote shutter release LOCATION Balanced Rock, Arches National Park, Utah, United States, Earth FIRSTLY, TELL US THE STORY BEHIND THIS IMAGE. WHAT INSPIRED YOU TO SHOOT IT? ...

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