Search results for: 'prints'

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  • #printedinthedark was the perfect theme for all our darkroom enthusiasts for this week's #ilfordphoto #fridayfavourites. You are all extremely talented and, we can see the passion in your prints. Take a look at a few of our favourites this week: @PlymouthDarkro1. Taken with a Ihagee Duplex on FP4+, then onto you FB Classic. #Fridayfavourites #printedinthedark   @sbills15. Prints from last Sunday's Darkroom session. Printed on ILFORD's MGFB Classic 11x14 paper and toned i...
  • Daniel Elbaz generously shares insights into his creative journey and how he conceived the idea of "12 Ways to...", for our 'How I Got This Picture' series. IMAGE TITLE 12 ways to … Technical Info Film Used ILFORD HP5+ Format 120 Camera Hasselblad 503cw Lens Planar 80mm Exposure Time 1/125s at f16 Other Equipment Elinchrom Studio flash Location Paris, FRANCE Firstly, tell us the story behind this image. What inspired you to shoot it? I have been passionate about black and white phot...
  • This week's #ilfordphoto #fridayfavourites was inspired by the fashion weeks that took place in Paris and New York City in September, with the theme being #fashiononfilm. @BlkWhiteFilmPix. Esmeralda's 15th-Century fashion: Image on #Ilfordphoto Delta 3200, Brasserie Esmeralda, Paris #fashiononfilm #fridayfavourites Photo © Bob Soltys All Rights Reserved   @MutinAntoine. Shot on ILFORD 3200. Just one setting and get ready to shot at the sun during the Seoul Fashion Week....
  • Allow us to introduce Mandyleft, our 73rd featured artist in our "In Focus" series. Mandyleft is a talented film photographer known for her deep passion for connecting with people, a quality that has immersed her in the vibrant film community. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU. I took this photo in a hotel in London. It was a very exciting weekend. I had just been to the theatre and then I had been shooting around the West End...
  • When I Was A Teenager Mine is a common story with photography in that my dad gave me his 35mm camera when I was a teenager. I shot his Minolta until I dropped it a few too many times and the light leaks became punitive. Soon after, I stumbled into the darkroom just as casually after I found my dad’s enlarger in the back of a closet and my friend, Joel, taught me the basics of printing in a few hours (I didn’t realize how difficult that would be). I didn’t have or know about filters and had no techniq...
  • We are now heading to HARMAN Lab to speak to Charlie Hill , our 16th Behind the Film interview. Charlie works as a Photo Lab Technician here at HARMAN Technology. Find out more about what his role entails. WHO ARE YOU? WHAT’S YOUR JOB TITLE AT HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE? My name is Charlie Hill, I have worked as a Photo Lab Technician since April 2023. TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE. My day-to-day role revolves around Harman Lab where we offer B&W and colou...
  • This weeks #ilfordphoto #fridayfavourites theme was #themefree. Take a look at the themes you chose to submit this week.   @petrgo. #clouds #road #twins #bohemia #bnwmagic #ilfordphoto #ilfordhp5 #fridayfavourites #themefree #mediumformat #silvergelatin #shootfilm #6x6 #filmcamera #magicflexcamera #rolleiflex #rollei #analogue #blackandwhite #monochrome #darkroom #silverhalides #noiretblanc #analoguevibes #bnw #homedeveloped #bnwminimalismmag #monoart.   @krzyphotography. Bentley S2,...
  • The Nod The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...
  • Stave Lake Historical Powerhouse One of the genres of photography that I seldom get to experience is that of industrial photography. However, there is one exception in my vicinity at the Stave Lake Historical Powerhouse - a national historic site of Canada, which started producing hydro-electric power in the early 20th century until a modern replacement in the year 2000 took over the job. Perhaps growing up on the prairie has instilled in me an affinity for industrial machinery and when I found a historica...
  • Asphalt Kingdom When I was 15 I picked up my mum’s old and now scarcely used Soligor TM (a cheap 35mm SLR). Having seen a few friends shoot colour film on disposables, I remember thinking “I like how it looks but do they even make film anymore?”. I spoke to my step-dad about where I might find some of this film and he quickly pointed me in the direction of ILFORD, a film manufacturer who’s film he’d stood by for many-a-year (something I’m intent on standing by too). A google search and three cl...

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