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We recently had the pleasure of turning the tables on one of the stalwarts of the film photography community when we asked Em if he'd be the first of our interviews in the 'Lockdown Sessions'.  We're so glad that he agreed. What made you set up Emulsive.org and what were your initial plans for it? My-first-roll...-Of-35mm-film-Fuji-Superia-X-TRA-400-by-EMULSIVE EMULSIVE started as an idea in early 2015. I thought I should put up a blog where I could post a few photos and blog about stuff that I'd lea...

Thank you to everybody that shared shots with us for this week's #ilfordphoto #fridayfavourites #shotonHP5. So many amazing images to choose from and it is clear you all love HP5 as much as we do! The versatility of it shows in how and what you have captured! We even have a couple of Holga shots and a bit of darkroom toning going on!   Jason Connelly @jconnellyphotos Camera: Holga, Ilford Warmtone FB Paper, Selenium 1:5   Andrew Bartram @Warboyssnapper #shotonhp5 #fridayfavourites @I...

Our DELTA Professional films have a different grain structure than our more traditional PLUS range giving them exceptional sharpness and a cleaner look when correctly exposed. This week's #ilfordphoto #fridayfavourites theme focused on the middle film in this range with images #shotondelta400. @paulasmithphoto Devils Marbles, Australia. For this weeks #ilfordphoto #fridayfavourites theme #shotondelta400 #believeinfilm #blackandwhitephotography thewarneraesthetic January 24th, 2020 Mamiya 7ii, Ilford...

The passion My passion for cycling has fuelled this project, Riding the Boards surveys cycle velodromes across the United Kingdom, these spaces are a hallowed ground for cyclists. Memories Competitively the race depends on a good start, it can be won or lost at the first corner. However the curves on the circuit; the corners, the banking, the lines, are the vital parts in the making of a velodrome track. The projects main interest became the view of the first corner, from the start line. Framing the ...

During lockdown I rekindled my love of making photograms. It happened naturally after a summer of making cyanotypes. I was also making emulsions out of plants. My garden became a temporary darkroom. With a photogram - you expose your paper to light (sunlight for photograms), with an object on top, and the area underneath the object remains unexposed, so you end up with white paper in that area, like a shadow but in negative. Cyanotype   A lonely weed The local darkroom re-opened for half-day s...

Our 57th In Focus interview is with Simon Smars from Stockholm who is a professional fine art photographer. Simon works exclusively with limited edition handmade black and white silver gelatin fiber prints, using traditional darkroom techniques. He creates a mixture of minimalistic scapes paired with a melancholic somber, with scenes often stripped to its bare essence. SECTION 1 - BACKGROUND Share your favourite image / print shot on ILFORD Film and tell us what it means to you? C I G (1: f.13 · 10-sto...

My love of black and white photography started back in college processing and printing images. The film of choice being FP4. and printing fibre based prints. In the beginning as a photographer most of my work was B/W. Spending much time in the dark room printing. Unfortunately time was something that was running out. As a professional you have the the funds but you don’t have the time. So I moved away from printing for a while and concentrated on shooting. Another-day-in-the-office One thing I learne...

The theme for this weeks #ilfordphoto #fridayfavourites was #developedbyme. There is no better feeling than knowing you developed it yourself, truly a game changer. Have a look at this weeks submissions. @TassieFilm Replying to @ILFORDPhoto #ilfordphoto #fridayfavourites #developedbyme Leica IIIf (1952); Leitz 3.5cm Elmar f/3.5 (1939, un-coated); Ilford FP4 Plus 35mm black & white negative; Exp: 2-4 sec @ f/9; ID-11 1 + 3 20C/22m. #Tasmania #MountFieldNationalPark #Wilderness #Waterfall #blackandwhi...

Kentmere films now available in 120 format HARMAN technology Ltd are pleased to announce that from December 1st, 2022, Kentmere Pan 100 and Kentmere Pan 400 films will be available in 120 format. Kentmere Pan 100 is a medium speed, ISO 100 panchromatic black & white film with fine grain and good sharpness. It has a broad tonal range with ‘medium’ contrast and a wide,  forgiving exposure latitude. Compared to Kentmere PAN 400, this film is slower with finer grain, and a touch more contrast. ...

We are heading to R&D to speak to Calvin Carey, our 13th Behind the Film interview. Calvin is a Physicist here at HARMAN Technology. Find out more about what his role entails. Who are you? What’s your job title HARMAN technology and how long have you worked here? My name is Calvin Carey, and I work as a Physicist here at HARMAN. I started in 2019. Tell us a little about your day to day role. My day-to-day work is hugely varied, depending on which projects in R&D (research and development) or m...