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As we come to the end of January, a month known to feel exceptionally long, we wanted to share some positive feelings so asked you to show us your #positivenegatives for this week's #ilfordphoto #fridayfavourites. @debrawilsonsays Things that make me smile- snow on hawthorn trees. First darkroom print. Shot for @ILFORDPhoto #ilfordphoto #fridayfavourites #positivenegative Now it's back into the darkroom for another go!   @sarahg.photog   One lonely weed and me in the darkroom  #photogr...

HARMAN is pleased to announce a dedicated* ULF campaign for our ILFORD ORTHO PLUS film in Spring 2021. This represents a short but exciting window of opportunity to source non-stock sizes of a unique and wonderful film with a variety of applications.  ILFORD ORTHO PLUS is an extremely fine grain, sharp, orthochromatic film that is used in both technical and photographic applications. This including medical and scientific use, the copy of negatives and the creation of stunning images. As a well-establi...

We're letting you back behind the film again to meet some of the passionate people who are part of making the products that you love. This time we talk to Becky and she shares some of her film photography with us. INTRODUCTION Who are you? What’s your job title HARMAN technology and how long have you worked here? I’m Becky, an Apprentice Scientist and I’ve worked here for 2.5 years. Tell us a little about your day-to-day role.  I work in the lab prepping formulations, carrying out raw material r...

During lockdown I rekindled my love of making photograms. It happened naturally after a summer of making cyanotypes. I was also making emulsions out of plants. My garden became a temporary darkroom. With a photogram - you expose your paper to light (sunlight for photograms), with an object on top, and the area underneath the object remains unexposed, so you end up with white paper in that area, like a shadow but in negative. Cyanotype   A lonely weed The local darkroom re-opened for half-day s...

We are lucky here that so many of our staff are passionate about our products not just because they are proud of the brand but also because they use them themselves. Just like our 6th Behind The Film interviewee Mari. Who are you? What’s your job title HARMAN technology and how long have you worked here? I’m Mari Slater-Parry, I’ve been a research scientist at HARMAN since October 2018. I was originally employed on a fixed term grant through the INNOVATE UK scheme, before becoming a permanent member...

Rule breaker The chemigram process allows any photographer to be experimental, free and a little bit of a rule breaker. As a photographer who is passionate about the traditional printing process, I was always taught that my prints should be clean and crisp. So, coming across a process that allows you to be messy, hands on and experimental makes me feel like a child again. My wonderful friend introduced me to this technique and I have been completely blown away by the atmosphere you can create. Also, thi...

Since we started sharing these Behind the Film interviews with you earlier this year, we have spoken to people from all different parts of our business. All are part of the team responsible for creating and manufacturing the products that you love. Today we talk to Matty, who works within our research and development department. Who are you? What’s your job title HARMAN technology and how long have you worked here? My name’s Matty, I’m a 4th year product development scientist apprentice and I’ve b...

My Approach It was during a group exhibition that I discovered the practice of cyanotype. The Espace Liberté Gallery located in Crest in the south of France is a contemporary art space open to all graphic and plastic disciplines. The theme proposed by Au Jour le Jour was an ephemeris where 31 chosen artists (painters, illustrators, photographers, plastic artists) had to illustrate 12 randomly selected dates with their art. Two constraints were imposed: a maximum size of 20cm on each side and the same sell...

Our 57th In Focus interview is with Simon Smars from Stockholm who is a professional fine art photographer. Simon works exclusively with limited edition handmade black and white silver gelatin fiber prints, using traditional darkroom techniques. He creates a mixture of minimalistic scapes paired with a melancholic somber, with scenes often stripped to its bare essence. SECTION 1 - BACKGROUND Share your favourite image / print shot on ILFORD Film and tell us what it means to you? C I G (1: f.13 · 10-sto...

My love of black and white photography started back in college processing and printing images. The film of choice being FP4. and printing fibre based prints. In the beginning as a photographer most of my work was B/W. Spending much time in the dark room printing. Unfortunately time was something that was running out. As a professional you have the the funds but you don’t have the time. So I moved away from printing for a while and concentrated on shooting. Another-day-in-the-office One thing I learne...