Search results for: 'selection a medium'

Monika Danos is our 60th In Focus interview. When not taking care of daily life, her love for trees and gardens means that she can be found chasing shadows with her pinhole camera, or printing in the darkroom. Patterns and lines that are created by light and shadow influence her style of work. Photography and the cyanotype prints gives Monika the opportunity to share what she see's in nature and in her daily life. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us wh...

Our 63rd In Focus interview is with our ILFORD Master printer, Andrew Sanderson. Andrew has been a professional photographer for over 35 years, and has established an international reputation as both practitioner and teacher of the photographic medium. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? Walk,walk,walk. HP5, Nikon F3. My favourite picture changes quite often. Usually it is the last print I made where everything came together ...

Kentmere films now available in 120 format HARMAN technology Ltd are pleased to announce that from December 1st, 2022, Kentmere Pan 100 and Kentmere Pan 400 films will be available in 120 format. Kentmere Pan 100 is a medium speed, ISO 100 panchromatic black & white film with fine grain and good sharpness. It has a broad tonal range with ‘medium’ contrast and a wide,  forgiving exposure latitude. Compared to Kentmere PAN 400, this film is slower with finer grain, and a touch more contrast. ...

Why pinhole photography? This is a question I’m often asked, by fellow photographers and complete strangers alike. Using a beautiful wooden Ondu camera, I began exploring the world of slow photography about five years ago. The moment I saw my first developed negatives I knew I’d found a glimpse of photographic heaven. This started my obsession with this ancient form of imaging. As you’ll see, my love of this medium has many facets – the creative possibilities, the look and even the image making pro...

One Specific Speed Rating Us film photographers are used to the limitations of our medium. In fact, we often regard them as strengths, and not weaknesses. But even we can’t really take issue with the suggestion that as soon as we begin to expose a roll of film we are limited to one specific speed rating, making it more difficult to adapt to quickly changing light conditions. On digital: no problem. Just whack the ISO up to some implausibly high number, and keep shooting. Sadly we just can’t do that mid...

Allow us to introduce Mandyleft, our 73rd featured artist in our "In Focus" series. Mandyleft is a talented film photographer known for her deep passion for connecting with people, a quality that has immersed her in the vibrant film community. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU. I took this photo in a hotel in London. It was a very exciting weekend. I had just been to the theatre and then I had been shooting around the West End...

Introducing our 75th In Focus interview and our analogue community grant winner, Federico Pestilli. Pestilli was born in Rome and became interested in documentary-style of photography, focusing on irony that unites people, places and symbols with each other. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? Heritage - Arianna - Cocullo, Italy - Pentax 67, 135mm lens - HP5+ This is an image of Arianna, a snake handler from the town of Cocul...

“You learned the Mr. Miyagi way” Hi, Carlos here, my story with film photography started in the mid 90’s. I learned from one of my neighbours, a former engineer that dropped his career to become a professional fashion photographer He had a nice studio, he was very technical and made me learn all the technicalities before I could even take photos. It was not much fun at first as I was a teenager eager to get out and just shoot photos. Well, my first assignment was to read The Zen in the Art of Archery...

It was the perfect film to learn with I’ve always loved shooting portraits, and the first medium format film I used was ILFORD HP5+, shooting portraits in high school with the Rolleiflex TLR that I still use today. It was the perfect film to learn with — forgiving and rewarding. When I started directing music videos in my 20s, I brought that Rollei to set to take press photos between set ups. Around the same time, I was working as Ava DuVernay’s director’s assistant on the Netflix series When They ...

A huge thank you to everyone who submitted for #ilfordphoto #fridayfavourites #themefree week. @markovicmarkovich. Some scans from November roll of HP5. Shot with Canon A1 Canon FD 35 f2. @robinferand. Selection from a roll of #ilfordpanf shot a few months ago in the French Alps. Nikon F3 & F3T | Ilford Pan-F 50 Plus #FridayFavourites #ThemeFree #ilfordphoto #35mm #filmphotography. @iandaisley. A view of ChatsworthHouse after some rain. PDArtisans. #mamiyarb67 #med...